Voice is one of those things that’s really hard to define. To some extent, it’s what makes one writer’s work different from another’s. Some writers have such distinct voices that you can pick out their work without looking at the cover. Others are able to modify their voice substantially according to the story they’re telling.
One thing about voice is that it takes time–and a lot of writing–to develop.
It appears, from recent critiques, that my voice best suits middle grade and young adult stories. Although it took me a couple of days to wrap my mind around that paradigm shift, there’s absolutely nothing wrong with this. In fact, in many ways it’s good news. Good to think that I’m establishing a voice. And, frankly, young adult is one of the better markets right now, so that’s not exactly bad news, either.
It’s making me look at the recent rejection of BLOOD WILL TELL in a new light, however. If my voice is young adult, then I’ve been marketing that story all wrong and that, of course, could be one reason it hasn’t gotten anywhere, yet. Because I think it’s a very good story. (Of course, I’m not at all prejudiced about that.) In fact, in some ways it reminds me of Kirstin Cashore’s GRACELING, which I’m reading now. At least, the protagonists are similar in some ways.
So, I’m going to stop for a bit and think about it. Possibly get a few more opinions from people familiar with the genre. It really would take only minor changes to the manuscript to reorient it as young adult. If I were going to re-query some of the same agents, I might need to change the title. There are a couple of references to Valeriah’s age (25), which would have to be changed downward to about 18. Likewise a few mentions of how long she’s been doing something that would need to be shorter (or else she started very young.) And only one scene that I would want to take a look at and possibly revise a bit.
If that’s all that needs changing, maybe it really was young adult all the time and I just wasn’t smart enough to figure it out.
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