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Something new I learned in the very last event of WriteOnCon this year. Apparently there’s a gap between the middle grade (8 to 12) age group and the young adult (14 to 18) age group. Nobody wants books about twelve- to fourteen-year-olds.

The reason given? Bookstores don’t know where to shelve such books. The main characters are too old for middle grade readers and too young for young adult readers. It seems like a pretty thin reason to ignore an entire group of readers. Makes me think that online bookstores, like Amazon, are a very good idea. It’s no big deal to create a new category in the database and nobody has to move bookshelves or books.

Plus, of course, that skips over the difficult period called puberty, which strikes me as just cowardly. Admittedly, it’s been a few years, but there are parts of that time that are indelibly etched on your memory. Not only is it a time just rife with conflicts, which we all know make good stories, it’s also a time when reading about others going through some of the same embarrassing, confusing things might be more than usually beneficial. But, there’s no space on the shelves for it.

It also makes me wonder about something else. The standard wisdom that you’ll see quoted around the internet by industry professionals is that girls graduate from middle grade to young adult, while boys, if they keep reading, graduate straight to the adult section. I have to wonder if at least a part of the reason for this is that the romance element of just about all young adult stories satisfies at least a part of the needs of pubescent girls. On the other hand, the young adult stories in which the boy is almost always older, hot, and at least socially adept enough to ask a girl out without blushing maybe just don’t address the needs of pubescent boys, so they turn elsewhere.

Part of me wants to say that this is an under-served audience just waiting for the right books. On the other hand, I can wonder and even rant about this as much as I want, but one fact remains: getting started in this business is an uphill battle as it is. Making it any steeper than it has to be is akin to banging your head against the wall because it feels so good when you stop. An established author with a great track record might be able to write these books successfully. A debut author–or a writer hoping to be a debut author–just hasn’t got the horsepower to get up that hill.

Rats! And I’d started MAGIC’S FOOL with the MC at age thirteen. I’m shelving that one and the sequel, MAGIC’S APPRENTICE, while I decide what to do. Make the MC younger? That complicates the plot of MAGIC’S APPRENTICE enormously. Make him older and take this story to the younger side of young adult? It’s ironic that he was fifteen in the original version of this story. In that case, I’m going to have to weave in a subplot or two or else change the central conflict to expand the story–a rewrite, either way. Otherwise, at less than 50,000 words it’s just too short for a young adult novel. Hmm. I already have at least one idea for a subplot, though.

It’s not all bad, though. I got a couple of really good ideas on how to improve MAGE STORM and make it even better before I start sending it out again. That will probably be my next project after I finish the first draft of THE BARD’S GIFT.

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Seriously, sometimes in this business you just feel like you’re beating your head against a brick wall. It’s so hard to break in. But I’m nothing if not stubborn. I’ll keep banging on that wall just as long as I have to.

I’ve been querying FIRE AND EARTH–a story I love maybe more than any other I’ve written so far–since April. I’ve had three requests for partial, two of which are still out. But that represents only about a 10% request rate. Not bad, but hardly great. I’ve recently overhauled the query. Too soon to tell how well that’s going to turn out. On the other hand, if I choose to look at the glass as half-full, I had three requests on MAGE STORM in a little over a year and more than twice as many queries sent out. So, my current request rate is actually progress. (And nothing says that I can’t requery some of those agents with the revised query in four or five months. What’s the worst they could do? Reject me again? Been there, done that, survived.)

Recently, my mind has been going back to MAGE STORM. I still really, really like this one. I keep hearing that agents and editors are crying for middle grade boy adventures. Well, that’s what MAGE STORM is, darn it. I just may have to take another pass through this one, revamp the query, and send out some more queries. I’m half inclined to use this one for the Christmas in July contest. Hmm. I wonder if it’s allowed to submit more than one book to that contest. I might have to ask.

I did get “The Music Box” e-published, but it’s going to languish just the same as “Heart of Oak” and BLOOD WILL TELL unless I start figuring out this marketing thing. It’s out of my comfort zone, but that’s part of the whole point. I need to learn how. Skin in the game was supposed to force me to do that. That hasn’t been too successful so far. I may just have to force myself to schedule in some time for that exclusively in order to make this work.

I don’t really write enough short stories to make much progress on that front. I’ve only written one and an abandoned partial so far this year. I should try to write more, but novels are just so much more satisfying. On the short story front, I’ve got two out on submission. One has been out for 147 days and a response on the other should come back any day now, assuming the publication keeps to their stated response time.

I’m making good progress (not roller-coaster, nanowrimo type progress, but good steady headway) on THE BARD’S GIFT again. That actually feels great. I’ve got my two characters close enough to begin depending on each other. Now it’s time to drop the axe and separate them for awhile. Have to make your characters suffer. And I think the opening of this one is the very best first page I’ve ever written.

So, even though sometimes it feels like standing still, I really am making progress. Sometimes, you just have to stop and remind yourself of that. It makes banging on the wall a little easier.

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Query letters are incredibly important and very hard. Your first introduction to an agent you hope will want to represent your work. As I struggle with revisions to my current query letter for FIRE AND EARTH, I thought I’d take a look at how it evolved. Fair warning, this is going to be a long post. And, at that, I’ve left out a couple of intermediate queries. There are currently six versions of this query on my hard drive.

This is what I started with back in November, five months before I actually started querying:

At seventeen, Casora has spent nearly all of her life either training to be a warrior or fighting in someone else’s battles. That’s the fate of anyone born with the mark of the berserker curse until they prove they can fight without losing control. The alternative to such discipline is exile for those who let the berserker out. 

Then her homeland is overrun by a fierce enemy and the young man she loves is killed in the retreat. This news reaches Casora just before she goes into battle. In grief and rage, she triggers the curse and goes berserk. When she comes back to herself, she’s filled with regret. Now she can never go back to help fight the invaders or even find out if her family is still alive. Instead, she becomes the leader of a band of teenage warriors with no options but to turn mercenary. They’re united by a hunger to avenge themselves on the marauders that destroyed the homes they can never return to. What she really wants is to find a cure for the curse and go home.

Eighteen-year-old Prince Tiaran is the youngest and least of the princes of a neighboring country. He’ll never be the warrior his two bigger and older half-brothers are, and they take every opportunity to remind him of it. When the raiders turn to attack his country, Tiaran knows he must take part in the fighting, but no one will take him seriously. His brothers exploit his desperation and gullibility to send him off on what they think is a wild goose chase.

Tiaran is on the wrong side of the walls when the capital city is besieged. Casora rescues him from certain death. Tiaran, by default the leader of the resistance, must rely on Casora to help him become the warrior he needs to be to save his kingdom. In helping him, she discovers knowledge that might help to manage her curse.

It’s just possible that they may be the answer to each others’ prayers.

Well, you shouldn’t expect the first one to be good. For one thing, there’s way too much back story.

By April, when I actually started querying, I’d brought it down to this:

Now that she’s lost it and gone berserk, seventeen-year-old Casora is doubly cursed and there’s no going back.

Born with the mark of the berserker, she’s been sent away to learn war craft. Those skills are no use when her home is invaded while she’s far away. She turns mercenary, leading a band of teenage warriors looking for the chance to avenge themselves on the marauders.

What she really wants is to find a cure for the curse so she can go home. When she prays for an answer, she’s told to rescue the youngest prince to find what she needs.

Tiaran, third prince of a neighboring kingdom, is considered more a scholar than a warrior, but he’s determined to fight for his home. When the raiders attack, he’s trapped on the wrong side of the city walls. Casora and her band are sent to rescue him. With the capital city now besieged, there’s no option but to keep him with them and teach him to be a warrior.

But Tiaran has something to teach them, too. It’s just possible that Tiaran and Casora may be the answer to each others’ prayers.

This query actually got a couple of partial requests, but then there was a long drought with nothing but straight rejections. My request rate was only about ten percent, so it was time for a revision. Version 4:

Born with the mark of the berserker, seventeen-year-old Casora has been sent away to learn war craft. When her native land is invaded, she’s not there to do the one thing she’s been prepared for all her life–to use those skills to protect her family and home. Learning that the young man she loves was killed in the fighting is the final straw. She releases her curse and goes berserk.

Now she’s doubly cursed, because she can never go home to find out what happened to her family. With no way to help the ones she cares most about, Casora turns mercenary, leading a band of teenage warriors looking for the chance to avenge themselves on the marauders. She prays for a way to cure the curse and gets a mystifying answer: rescue the youngest prince to find what she needs.

Tiaran, third prince of a neighboring kingdom, is considered more a scholar than a warrior, but he’s determined to fight for his home. When the raiders attack, he’s trapped on the wrong side of the city walls. Casora and her band are sent to rescue him. With the capital city now besieged, there’s no option but to keep him with them and teach him to be a warrior.

But Tiaran has something to teach them, too. It’s just possible that Tiaran and Casora may be the answer to each others’ prayers.

This query got sent out to half a dozen agents. The responses weren’t encouraging. But, I’d gotten a few positive responses on a pitch contest (more like an elevator pitch than a full on query pitch) that had a slightly different approach.

Start revising again. At every step along this process, I’ve sought other opinions on my query. I got a really good one, here and discovered that there’s still too much back story.

The next version is at least pared down to just Casora and Tiaran. Agents can find out about the mercenary band in the synopsis. Plus, have you noticed one line that stayed the same in all versions? Something about being the answer to each others’ prayers? It may just be time to kill that little darling, too.

The new query will look something like this (no guarantees it won’t be revised again . . . and again.):

When her country is invaded, seventeen-year-old Casora loses her battle against her berserker curse. Being a berserker turns her into a ferocious warrior, but that’s no help to her family when she must be exiled as a danger to everyone around her. She turns mercenary while searching for a way to tame the berserker so she can return home. Being sent to rescue Prince Tiaran gives her hope.

No matter how hard he tries, Tiaran will never be the kind of warrior his brothers are, but he still feels compelled to fight to defend his homeland. When the raiders attack, he’s trapped on the wrong side of the city walls. Rescued by Casora from his first disastrous battle, he learns from her that there’s more than one way to be a warrior.

Tiaran has something to teach Casora, too. He’s the only one who’s ever been able to calm her berserker rage. The only one who has ever called her curse a blessing. Together, they may be able to shake off the expectations of others and find a future neither of them ever dared dream of. First, though, they have to stop the marauders from destroying everything in their path or there won’t be any place for that future to unfold.

That’s it for now. I have query fatigue.

 

 

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It’s amazing the power a simple request has–as in a partial or full request for a manuscript. I swear a request makes me feel like I’ve lost 30 pounds. For a little while, I can float.

I’ve had a few, now, on various projects. They always make me feel the same. I got one yesterday from the Pitch Slam over on YALitChat. So did a fellow member of the Pied Pipers. Another Pied Piper actually got an agent (from a different contest, not Pitch Slam). It can happen.

For the most part, we send our queries out into the void. Often we never hear back at all. In the subjective nature of the business–and given the difficulty of drafting a really good query–the most common response is “No, thank you.” But we keep sending those queries out because one of them, sometime, is going to be the one that works, the one that gets us an agent and one giant step further along in this process.

And that’s what makes requests so wonderful, because every once in a while, the response is “Please send more.” And maybe this will be the one. One of them, sooner or later, will be the one that says “Yes.” And it’s very nice to float in that maybe-this-time space for a while.

Hurray for requests.

Now, back to writing.

 

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The other side of querying, of course, is waiting for the replies. When you open your mailbox and see a response to one of your queries, there’s a moment of anxiety, because, statistically, most of those replies are going to be some variation on “Thanks, but no.”

Then, every once in a while, you open the response to find a partial or a full request and your heart starts beating a little bit faster. There’s a chance.

I had both experiences last Friday. I have to say it’s just a little nerve wracking to be getting query responses on Friday the 13th. The first query reply I recieved was of the “no” variety. The second, though, was a partial request–my first partial request for FIRE AND EARTH (formerly known as SEVEN STARS).

I sent off the partial and did a little happy dance for most of the rest of the day. It always feels really good that one of these busy professionals wants to see more of my work.

Now, for a few weeks, I get to day dream about getting a second request for the rest of it and maybe, just maybe, that offer of representation. The next step on this path I’ve set myself on.

I will get there one of these days. And I really believe FIRE AND EARTH just might be the one.

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Query Time Again

I’m always more nervous when I start querying a new story. Not as nervous as the very first time I started querying, but much more nervous, or is it anxious, than when I’ve been querying the same story for a while.

I started querying FIRE AND EARTH (formerly known as SEVEN STARS) a week ago. I’ve sent out six queries so far. I already have a couple of form rejections racked up, too.

Here’s the query:

Now that she’s lost it and gone berserk, seventeen-year-old Casora is doubly cursed and there’s no going back.

Born with the mark of the berserker, she’s been sent away to learn war craft. Those skills are no use when her home is invaded while she’s far away. She turns mercenary, leading a band of teenage warriors looking for the chance to avenge themselves on the marauders.

What she really wants is to find a cure for the curse so she can go home. When she prays for an answer, she’s told to rescue the youngest prince to find what she needs.

Tiaran, third prince of a neighboring kingdom, is considered more a scholar than a warrior, but he’s determined to fight for his home. When the raiders attack, he’s trapped on the wrong side of the city walls. Casora and her band are sent to rescue him. With the capital city now besieged, there’s no option but to keep him with them and teach him to be a warrior.

But Tiaran has something to teach them, too. It’s just possible that Tiaran and Casora may be the answer to each others’ prayers.

FIRE AND EARTH is a 76,000-word young adult fantasy. Readers who liked Kristin Cashore’s GRACELING will enjoy FIRE AND EARTH. I have included the first three chapters per the instructions on your website.

Thank you for your time.

Fingers crossed for the four queries that are still out and for the queries I plan to send out in the coming weeks.

If this one doesn’t work–get me at least a partial request–after a few more tries, I’ll have to go back to the drawing board and try to revise or rewrite the query. That’s the way this process goes.

In other news, Mary Robinette Kowal published this terrific guest post on writing sequels. I just wish some of those points were more adaptable to my sequels to either BLOOD WILL TELL or MAGIC’S FOOL. I’m definitely going to have to put some thought into how I could incorporate at least some ot those tips.

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I’m still working my way through all the information on formatting a manuscript for e-publication. There’s a lot of it.

However, I am also seriously considering entering this contest and having e-published a novel would potentially be a disqualification. There’s no doubt it would be a challenge to organize things–Mom’s care first of all–in the unlikely event that I won, but I think I’d find a way.

Meanwhile, I’ve been playing around with another cover art idea. This is obviously barely started. The dimensions aren’t even right, yet. I think it could be interesting, though.

Also in the mean time, I’m thinking of starting off with something smaller. A novelette titled “Heart of Oak”.  That might be a more manageable place to start, anyway. And then I could give the novelette away for free when I eventually e-pub BLOOD WILL TELL. Guess I may have to start on cover art for that, too.

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There’ no getting around it. The first chapter of a novel is as important to the querying process as the query letter itself and the dreaded synopsis. Some agents ask for a sample along with the query, which is usually the first chapter or some portion of it. (Very few, in my experience, as for more than the first chapter.)

So, along with polishing the query letter to a high sheen (which I’m still working on), and trying to write a good synopsis, I also have to try to polish up that first chapter so it will entice an agent to ask for more. I just finished the polishing edit on this one and I really, really, still love this story. I want to give it its very best chance.

The whole manuscript of SEVEN STARS has been critiqued by seven different critique partners. I’m confident in the story as a whole, but I want a little extra on the first chapter. And I know a lot of other writers are in the same boat. Therefore, what better than to help each other out. With that in mind, I’ve started a First Chapter Challenge on Hatrack River Writers Workshop. We can read and critique each others’ first chapters.

The great thing about a challenge like this 

is that you can learn so much. Not just from the critiques on your chapter, but from what you notice in other people’s chapters that maybe you would never notice in your own. It’s a win/win.

I’m only just a little nervous about the time commitment. In addition to my regular number of critiques, I expect to have three full novels to critique in the next two months. And now I’ve added the first chapter challenge, too. Judging from the number of responses to the challenge in the first day, it’s going to be a popular one. That’s good.

I may be crazy, but I’m looking forward to it. Critiquing is as important a part of growing as a writer as writing and learning to get critiques are.

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With Wolf Tracks

This is one of those days when it’s just really hard to think of a topic to blog about. Nothing much new is going on with my writing–it’s going, just in the same directions as in my recent posts. I haven’t had any revelations or discoveries to report.

I guess I’ll just have to revert to a status report.

BLOOD WILL TELL: I’m still waiting to hear back from the agent who has the full ms. It hasn’t really been that long (though sometimes it feels like it). I’m still playing around with ideas for the cover, just in case. I really want to try to insert a wolf into the oval made by the dragon’s tail. I have a couple of

With Background

images to play with, but I’m not sure whether my skills are up to it. Won’t know until I try, I guess.

 

 

BLOOD IS THICKER: Just starting Chapter 9. This story and these characters are just fun to work with. I have to think up more trouble to get them into, though, besides the main conflict. I have a couple of ideas. (Possibly one of my characters may get to thwart a kidnapping attempt. That could be fun.)

MAGIC’S FOOL: Still going slowly, but going. I’m just about to start Chapter 6.

MAGE STORM: I need to get serious about those revisions. I’d like to be ready to start querying it again at the beginning of next month. Too much later, and it’ll have to wait until after the first of the year. (A lot of agents shut down for submissions over the holidays.) I’ve identified one scene that either needs to be cut or expanded. As it is, it doesn’t serve enough of a purpose. How did that one escape the last revision? Oh, yeah. I like the way it ends. That’s not enough.

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Cover Art

Well, in the midst of all my writing, I’ve spent some time playing around with what might be cover art for BLOOD WILL TELL in case I decide to e-publish it.

As stated in my last post, I’m no graphic artist. And the gyrations I’ve had to go through to get to this point would take far too long to catalog.

Since I don’t know what I’m doing, I spent some time studying the covers of some successful books. In particular, the HUNGER GAMES trilogy and, more within the correct genre, some of Sherilyn Kenyon’s books. (BLOOD WILL TELL is a paranormal romance, but the only thing it has in common with Sherilyn Kenyon’s books is that there are werewolves–or, more precisely, one particular half-werewolf.) These are novels that got the very best covers their publishers could create, so it seemed like a reasonable place to start figuring out what makes a good cover.

So, what I took away from that: A solid color background with some interest–a lighter highligt across a dark bacground or some geometric shape in a color only slight lighter or darker than the background and a single image or symbol.

I’m nowhere near that, yet. But, here’s what I’ve got so far:

 No text yet, obviously. I’m going to have to go through another whole step for that.

In the end, of course, I may opt for having an actual artist do the cover–if I can afford it. But it won’t hurt to have some ideas to talk about in any case.

The beauty of this cover design is that with minor variation in color, it could pretty much work for all three books in the series.

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