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Posts Tagged ‘Alternate History’

I find that my current work in process, THE BARD’S GIFT is going more slowly than is usual for me in a first draft. Sometimes, I find this frustrating. Then I remember the difference between my other stories and THE BARD’S GIFT: it’s not a straight fantasy in which I can make many of the details up to suit myself. It’s an alternate history.

That means that periodically, I have to stop what I’m doing to research something. Oh, I did plenty of research before I ever started the story. In fact, the trick with the initial research is not to put all of it into the story, like writing a term paper.

But it’s amazing how many little details you don’t realize you need until you get there. Some of them, I can just mark and go on to fill in the details later. Others are more critical to the flow of a scene or chapter and have to be addressed before I can go on.

At this point, I’m having to go back to the Vinland Sagas themselves to find some of the answers. The thing is, something that I plan to turn into a chapter–like the voyage from Greenland to Iceland–is given perhaps a paragraph in the sagas. And at that it’s usually backwards–the voyage from Iceland to Greenland. It does give me some pointers, at least. Landmarks, in the literal sense.

Having to stop every few pages to look something up does interrupt the creative flow, though.

And I haven’t even gotten my characters to North America, yet. Wait until I have to start doing spot research on thunderbirds.

Back to work.

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First an announcement: For the month of July, BLOOD WILL TELL and “The Music Box” are both half-price at Smashwords as part of their Summer/Winter Sale. (Clicking on one of those pretty pictures of the covers over to the side there will take you straight to them.) “Heart of Oak” is technically part of the sale, too, but it’s still free. Half of zero is still zero. At Smashwords, you can get a version for any e-reader or any computer. Just about everybody has some way to read a .PDF. So what are you waiting for, BLOOD WILL TELL is only $1.50 and “The Music Box” is only $0.99.

Now that that’s out of the way, I’m going to talk about ideas, because I had what I think is going to turn out to be a pretty good one last night, right before I went to sleep. That means I had to bounce out of bed, jot it down, and go back to sleep, but I don’t mind. Just going to sleep or waking up, walking the dogs, and in the shower seem to be the best times for brainstorms.

This idea is for my current wip, THE BARD’S GIFT. That’s fine. I’m about three-quarters of a discovery writer, so there’s no outline I have to revise to fit this in. In fact, the idea came at just about the perfect time. I’m just about to finish up act one, which has to stay fairly close to accurate history, and move my characters to someplace new and exciting.

This is the alternate part of alternate history. Since none of this ever really happened, I get to let world building take the place of at least some of the research. Obviously, not all. My characters are going to carry with them the same beliefs and social norms they had before. They’re going to build the same kind of houses and try, at least, to maintain the same way of life. But, they’re going to be faced with a new world (literally, the New World) with new experiences in store.

I’d always known there were going to be dragons in this new world. (There often seem to be dragons in my stories.) I’ve had a few new ideas about how the characters will choose to deal with that. My great new idea, though, is to sort of mash up the two mythologies–Old World and New.

I haven’t got it all worked out yet, but I will say this: look for thunderbirds as well as dragons. And don’t be surprised if the thunderbirds ARE the dragons.

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Seriously, sometimes in this business you just feel like you’re beating your head against a brick wall. It’s so hard to break in. But I’m nothing if not stubborn. I’ll keep banging on that wall just as long as I have to.

I’ve been querying FIRE AND EARTH–a story I love maybe more than any other I’ve written so far–since April. I’ve had three requests for partial, two of which are still out. But that represents only about a 10% request rate. Not bad, but hardly great. I’ve recently overhauled the query. Too soon to tell how well that’s going to turn out. On the other hand, if I choose to look at the glass as half-full, I had three requests on MAGE STORM in a little over a year and more than twice as many queries sent out. So, my current request rate is actually progress. (And nothing says that I can’t requery some of those agents with the revised query in four or five months. What’s the worst they could do? Reject me again? Been there, done that, survived.)

Recently, my mind has been going back to MAGE STORM. I still really, really like this one. I keep hearing that agents and editors are crying for middle grade boy adventures. Well, that’s what MAGE STORM is, darn it. I just may have to take another pass through this one, revamp the query, and send out some more queries. I’m half inclined to use this one for the Christmas in July contest. Hmm. I wonder if it’s allowed to submit more than one book to that contest. I might have to ask.

I did get “The Music Box” e-published, but it’s going to languish just the same as “Heart of Oak” and BLOOD WILL TELL unless I start figuring out this marketing thing. It’s out of my comfort zone, but that’s part of the whole point. I need to learn how. Skin in the game was supposed to force me to do that. That hasn’t been too successful so far. I may just have to force myself to schedule in some time for that exclusively in order to make this work.

I don’t really write enough short stories to make much progress on that front. I’ve only written one and an abandoned partial so far this year. I should try to write more, but novels are just so much more satisfying. On the short story front, I’ve got two out on submission. One has been out for 147 days and a response on the other should come back any day now, assuming the publication keeps to their stated response time.

I’m making good progress (not roller-coaster, nanowrimo type progress, but good steady headway) on THE BARD’S GIFT again. That actually feels great. I’ve got my two characters close enough to begin depending on each other. Now it’s time to drop the axe and separate them for awhile. Have to make your characters suffer. And I think the opening of this one is the very best first page I’ve ever written.

So, even though sometimes it feels like standing still, I really am making progress. Sometimes, you just have to stop and remind yourself of that. It makes banging on the wall a little easier.

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 “The Music Box” a romantic fantasy novella has now been e-published. It’s available on Smashwords, so far. Amazon and GoodReads to follow in a few days. The other sites, like Barnes and Noble will take a little longer as it works its way through Smashwords distribution process.

 

This is the third story I’ve e-published and I think I’m getting better at the formatting process. And possibly at cover art, too.

What’s next up? Well, that depends. I have another novelette, “Becoming Lioness”, that’s still out on submission–for 144 days now. If that comes back, it’s next up. Otherwise, I’m going to have to get back to work on the sequel to BLOOD WILL TELL. Probably after I finish the first draft of THE BARD’S GIFT.

I’m happily back at work on my YA alternate history, THE BARD’S GIFT. I had been stuck on how to get from Point A to Point B. A little time working on other things and bouncing a few ideas around with writer friends did the trick.

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Well, this is why I like to have multiple projects to work on. I can let THE BARD’S GIFT simmer a bit more, while I work out how to bring my main characters firmly together in a short amount of time and in just about one more chapter. I want it to feel like the end of the world to them when they’re parted, but I can’t spend half the book getting there. That’s a tall order and I need to do some more brainstorming on it.

Multiple projects are wonderful for this. I don’t have to lose productivity; I can just switch to something else–in this case, a bit of editing.

  1. I’ve had some ideas about that ill-fated science fiction story of mine, “Apocalypse Cruise”. I think maybe, just maybe, I can fix it–more conflict and a more satisfying ending. Actually, the ending won’t change. Just a bit more build up may make it work better. It’s worth trying, at least.
  2. Now that my critique group has had a crack at it and I’ve had time to digest their comments, I need to make the revisions to “The Music Box” so I can e-publish it next month. The main revision on this one will be to put back a bit of world building that I’d removed when I was trying to make it fit into a more (traditionally) publishable word count. Novellas are a tough sell, traditionally. If I e-pub it, I don’t have to worry so much about the word count. And it’s precisely the kind of story that should do well in that venue (romance, with only a slight fantasy element).
  3. I was beginning to think that the query for FIRE AND EARTH needed a touch up. The contest below, celebrating the publication of Wilde’s Fire, has provided me with some ideas on a couple of directions I can take to improve it for the next round.
  4. The contest has also given me an idea or two on how to improve the opening of FIRE AND EARTH.

By the time I work through that list, my subconscious should have thrown up some good ideas on how to get through this part of THE BARD’S GIFT. If not, then I’ll either:

  1. Skip ahead and write around it, for now. Not my preferred course, but it can be done.
  2. Or, do a little work on the first draft of my backup, MAGIC’S APPRENTICE.

Forward, always forward.

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Well, things seem to have settled down for the time being. Now back to writing.

I’m beginning to pick up momentum in THE BARD’S GIFT again. That’s a very good thing. This story is a different experience for me in a couple of ways.

First, it’s alternate history set against the failure of the Viking colony in Greenland. This means I’m constantly stopping myself to go check on what plants, animals, birds, etc. actually exist in Greenland. I’m used to making up my own worlds and populating them with whatever habitats and creatures I like. Things will, I hope, get a little easier once I move my main characters to North America.

Second, this is a story about a girl who tells stories, which means that the narrative sort of stops in several places for the story that Astrid is telling. Of course, for the most part, the stories have something to do with what is happening or what is going to happen to the characters. I’ve incorporated legends into my stories before, but never to this extent.

The early stories are more or less traditional, although I’m having to make some modifications to match the life experiences of a girl from Greenland–no castles, no forests, and some animals or birds have to be changed to those that she might actually be familiar with. Later stories will be more flights of my own fancy and I’ll be able to let loose a little more with them.

This book also has a couple of things I’ve never included in a novel before: and afterword on the actual history behind the story and a glossary. I’ve put the history portion up under the “Worlds” tab, if you’re interested.

It’s certainly an interesting story to work on. I hope it turns out as interesting when it’s told. I think it will.

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First an update: “Heart of Oak” is now available on Amazon as well as Smashwords. It’s still working its way through Smashwords’ review process for inclusion in the Premium Catalog which would make it available in other markets.

I’m considering two more short works that I might decide to e-publish in the next month. Another novelette and a novella I shelved for being more romance than fantasy. But hey, romance sells.

Then, at the end of April, I will most likely e-publish my first (publishable) full novel, BLOOD WILL TELL, a paranormal romance/urban fantasy. To be followed by its two sequels: BLOOD IS THICKER and BLOOD STAINS. I have a draft of BLOOD IS THICKER, but it’s nowhere near ready for publication yet, so that full slate would likely take a year or so.

Meanwhile, I’m continuing to seek traditional publication for my middle grade fantasy, MAGE STORM, and I’ll probably start querying my young adult fantasy FIRE AND EARTH (formerly known as SEVEN STARS) next month.

Now, on to future works:

I’m continuing the research for my young adult alternate history story THE BARD’S GIFT. The research is not only giving me the appropriate background for the story, but helping me to crystalize what the major conflicts–internal and external–will be.

The research is necessary of course to fill the place of world building. In an ordinary fantasy, I get to determine the various elements of the culture–what they wear, what they eat, what kind of shelter they live in, what the rules and mores of their society are, etc. In an alternate history, most of that should be as close as possible to the real historical culture. Of course, given the addition of dragons, some things are going to have to change at least a little.

For those of you who may be wondering, THE BARD’S GIFT is set against the failure of the Viking colony in Greenland. As far as history knows, the settlers all died, probably of starvation, during the cold spell known as “The Little Ice Age”. But there were at least three other things they could have done, if they’d chosen to, including sail to that part of the map marked “Here Be Dragons”.  And that’s where THE BARD’S GIFT will start.

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