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Posts Tagged ‘critiques’

I’ve blogged before about the value of getting and giving critiques, but there are other things to be gained from writer’s groups, too.

One is just knowing you’re not alone (sometimes it can feel that way) and having someone to celebrate the small victories or commiserate with the defeats.  Let’s face it, if you go dancing out into the living room proclaiming that you finally finished that chapter that was giving you so much trouble, odds are your family will just think you’re nuts.  Other writers are more likely to say “Yep, feels good, doesn’t it?”  Your friends and family will never really know how those rejection letters feel, but other writers do.

Another benefit is the sharing of information.  There’re a lot of things to learn about in being a writer.  Not just honing the craft, but how to format a manuscript, how to find out what markets are out there for short stories, how to write a query or synopsis.  There are resources out there to help you learn these things, but it does help to have someone to point you in the right direction.

Most of the time, when I’m looking for any of these kinds of support, I hang out at Hatrack River Writer’s Workshop, an online writer’s forum.  I have never (yet) found a local face-to-face writer’s group.  Actually, I think there are some advantages to an online forum, at least at first.  You don’t have to watch anybody’s face while they read your work or while they’re giving you their critique.  If it all gets too much (which it can, at first, until you toughen up) you can always close the email and come back when you’re better prepared. 

Last night, I attended my first meeting of a different kind of writer’s group.  It was a meeting of the Long Beach chapter of the California Writers Club, a venerable organization actually started by Jack London.  It was very interesting.  The guest speaker was an agent from an agency actually in my area.  She talked mainly about what agents do and a little about how not to query an agent.  Most of the questions from the group I already knew the answers to, thanks to Hatrack River Writer’s Workshop.  I did pick up a couple of new things, though.  Maybe the most valuable thing was just seeing an agent, one of those distant people I’ve been sending queries to but never met, as just a normal person like anybody else.  Maybe that makes the whole process a little less intimidating.  I will probably go back next month, when the guest speaker is an editor.  I may even join.

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Critiques

In addition to working on the query and synopsis for BLOOD WILL TELL this week, I’ve also been busy with more than my usual number of critiques.  I try to have some critiques going most of the time, but sometimes it’s feast or famine. 

There is no single thing that has improved my writing as much as giving and receiving critiques.  It’s not the easiest thing in the world to get used to having someone actually critique your work.  These are, in a sense, your children.  Now somebody is telling you what’s wrong with them and where they fail to meet expectations.  Initially, the desire to defend them can get the better of you.  But, ultimately, you have to learn to listen, sift through the critiques to find the gems, and go back and fix those stories until they’re as near perfect as you can make them.  Besides, it helps toughen you up for those inevitable rejection letters.

Having other writers critique your work is invaluable.  Writers notice things that other readers might not.  A reader might notice that your prose doesn’t seem to flow.  Another writer will tell you that you’ve written too many short choppy sentences, that you’ve used said bookisms, or that you’ve used too many adverbs.  Critiques are also worth their weight in gold in helping you find those sneaky holes in your plot or the times when your characters just aren’t acting like themselves. 

But, perhaps even more useful than having your work critiqued is critiquing someone else’s work.  It’s very easy to be too close to your own work to see those things, sometimes.  I can’t count the number of times I’ve started to write something in a critique and suddenly realized that I had done the exact same thing somewhere in my writing. 

So, if you want to learn to write better, join a writer’s group, either online or in person.  Critique and put your own works up to be critiqued by others.  There is no substitute.

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