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Posts Tagged ‘critiques’

Second or third pass, depending on how you count. At any rate, I’ve reached the point where continuing to fuss with the WAR OF MAGIC manuscript right now is more likely to do harm than good. Sometimes it’s important to know when to quit–at least for a while.

It’s time for it to go out to my beta readers next week.

WarMagicNew

And time for me to get back to work on the rewrite of MAGE STORM.

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I finished the first pass of revisions on War of Magic.

WarMagicNew

I moved a chapter and added/revised a little around it to tie it in better to the rest of the story.

Now, for the second pass, I’m trying to address all those annoying little notes I left myself in the first draft. And there is at least one place where I’ll need to write a new scene or two. Something I skipped over in the first draft.

Aiming to have this out to my beta readers at the beginning of June.

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For me, the first revision pass is mostly about trying to read through the manuscript as much like a reader as possible.

WarMagicNew

To read in a matter of a couple of weeks what took me months to write. Of course, it’s never quite like a reader would, because:

  1. I already know how the story ends
  2. I am making at least some revisions as I go through, so it’s a lot slower than a reader would go through it.

Still, I am trying to go through it as quickly as I reasonably can, to get a feel for the pacing and find any little inconsistencies that crept in over the time it took to write the first draft.

In the case of WAR OF MAGIC, I’ve also been slowed down by trying to fill in some of the gaps I left in the first draft. Places, mainly, where I knew I needed something, but I just didn’t have a clear enough picture of it in my head. And didn’t want to halt progress on a first draft that had already taken longer than I expected to figure it out.

I’m roughly three-quarters through that first pass. I’ll still have some of the notes I left myself in the first draft–and a few I’ve made in the first round of revisions–to go back and deal with before it’s ready for my beta readers.

Still trying to aim for a September release, though it may be late September.

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Only two and a half chapters to go to “The End” of WAR OF MAGIC.

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Actually, one and a half chapters and an epilogue.

Then, of course, it’s on to the rest of the cycle:

  • Let the first draft rest. (Which will give me a chance to work on BECOME.)
  • Probably two or three rounds of revisions to whip it into shape. First drafts are allowed to be bad. Final drafts aren’t.
  • Then to my critique partners to find out what I missed (because I know the story) or didn’t make clear. Or what just doesn’t work.
  • Then final revisions and a polishing edit.
  • And then formatting.

So, yeah. The end of the first draft is in sight. Still cause for celebration.

Happy Easter

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I decided that instead of trying to continue grinding through the first draft of WAR OF MAGIC, what I really needed was to take a short break from it–only a week or so–and come back to it fresh.

WarOfMagic7

Hopefully that will actually result in getting the draft done faster. (It could hardly be slower.)

Meanwhile, I’ve gone back to look over some of the critiques on the early chapters of BECOME (also in first draft, but incomplete).

One of the things that became clear early on was that no one really liked my prologue. They were confused whether this less-than-likable character was to be the main character. They were confused about some of the world-building issues (which is a much bigger thing I’ll be working on). And they didn’t see enough conflict or hook to start the story.

So . . . it’s gone. But not forgotten. Because you get to read it here:

Prologue:

Queen Carala hung on tight to the railing at the top of the staircase for balance and scowled at the spectacle below her, clearly visible through the great doors, which had been flung wide for the occasion. A procession of priestesses, led by the High Priestess herself, climbed sedately up the broad steps of the Palace and were met by Carala’s husband of less than a year, Leradan, the Year King.

If she weren’t so heavily pregnant, she’d be down there herself. Not to welcome the priestesses, but to monitor whatever foolish promises Leradan made to them. Not that she’d have been able to sway him. Goddess knew she’d talked herself hoarse last night trying. But no one could change that man’s mind once he’d made it up. And he’d decided to let himself be thoroughly gulled about this.

Carala sighed. Much as she wanted to be there, it took two of her husband’s strongest guardsmen to see her safely down the steep staircase at this point. She’d just have to rely on her half-sister, Lady Damina, to let her know what ridiculous oaths the High Priestess extracted from Leradan.

Below, the High Priestess accepted a small, blanket-wrapped bundle from one of the other priestesses and passed it to Leradan. The infant squalled at the transfer and Leradan, blast the man, put the baby on his shoulder and rocked, completely oblivious to the effect on his dignity. Not that the demonstration that he would be a good father wasn’t reassuring. Carala placed a hand on her own swollen belly. But there was a time and place for everything. And the great hall, with the doors wide open to the whole kingdom, was not the place.

It was bad enough that he’d brought his brat down from the north and installed her in the Palace. At least she was the daughter of his dead northern wife, not the bastard of some random priestess. And, of course, a girl and so no threat to Queen Carala’s child. Leria was at least quiet and polite. With this Temple brat, who could tell? Who was to say it was even Leradan’s?

Still cradling the infant, Leradan actually went down on his knees to seek the High Priestess’s blessing. Incredible. Carala knew he was a barbarian from some dreadful place in the north, but he’d been king of Juturna for three-quarters of a year. Past time he learned to behave with the dignity required for that role. She’d tried, Goddess knew. Carala was the daughter of the third Year King before Leradan. And one of those who’d ruled the longest. She knew about the proper demeanor for a king, if Leradan would just listen to her.

When Leradan started up the stairs, still carrying the infant and trailed by a buxom peasant woman, Carala retreated into her sitting room, seated herself in her large padded chair, and feigned disinterest.

As the group passed her door, Lady Damina scuttled inside.

“Well?” Queen Carala asked.

“It’s a boy, just as the priestess predicted,” Damina said.

“And? What did they make Leradan promise in return for this foundling?” Carala asked.

Damina shrugged. “Only that he would raise the boy as his own, my queen.”

Carala tossed her head. “Hmph! We’ll see about that.”

Damina patted her arm. “Well . . . really, what difference does it make? It might be good for your son—Goddess willing—to have a playmate in the Palace. And it’s not as if any of Leradan’s sons can inherit the throne after him.”

“Don’t be a fool, Damina. Juturna cannot survive if it maintains this barbaric practice of forcing its kings to fight for the crown every year. Quite apart from the instability, there’s no guarantee that a good fighter will make even a competent king. Goddess knows the last was a disaster and it was a secret relief to everyone when Leradan bested him in the warrior’s circle. And the one before him wasn’t much better. Leradan’s worked from dawn to dusk just repairing the damage they did. It can’t go on this way. My father knew that. If ever a Year King were strong enough to win his combats ten or fifteen times in a row, he could gather enough support to make himself permanent—and hereditary—king. Only, Father fell in his tenth combat. He never had the chance.”

“You think Leradan will succeed?” Damina asked.

Carala thought of her husband and smiled. He was young enough. He was tall and strong, though some of his guard were taller and stronger. What set Leradan apart was that he was the canniest fighter the Great Combat had seen in a hundred years. “Don’t you?”

Damina glanced toward the hallway. “He could win that many times, I think. But . . . will he try to overturn the combat? Will the Temple let him?”

“That’s why a king must win so many times. And be a good king, of course. So that the people will support him against the Temple, if necessary. As for the will . . . I’ve got years to work on that.” Carala placed a hand protectively over her belly. “And the birth of a son—a true son—gives a man more reason to think of the future.” Her expression darkened. “That’s why we can’t have this interloper, foisted on us by the Temple, given credence as Leradan’s first born.”

Queen Carala glanced toward the door in time to see a small grey cat stroll along behind Leradan and the nursemaid. Really! True, all cats were sacred to the Goddess. She’d never harm one, of course. That didn’t mean one had to allow them inside the Palace.

With a little help from Lady Damina, Carala hoisted herself out of the chair and waddled down the hall to the nursery that she had lovingly prepared for the birth of her own child in just a few days. She paused in the door. The room had changed since she’d last been here. There were two cribs now, side by side. And a small curtained alcove with a bed large enough for an adult—though not one of Leradan’s size. Sometime before Carala arrived, Leria had joined the group and now the girl strained on tiptoe to get a glimpse of the baby in Leradan’s arms.

“Can I hold him? Please?” Leria asked.

Leradan looked to the peasant woman, who smiled. “Of course you can. Go sit down in that chair.”

Leria obeyed instantly. The peasant woman took the baby from Leradan’s arms and placed it carefully in the girl’s lap. “Put your hand so, to support his head. That’s it.”

“What’s his name?” Leria asked.

“Gaian,” her father answered.

Carala drew in a sharp breath. “Glory of the Goddess.” They’d dared to name the boy that?

Leradan turned his head in her direction, so Carala placed a hand on her side as if a stitch there had been the cause of her gasp.

“I didn’t realize you intended to put him in with our own child. Surely, the Palace has enough rooms that they could each have their own,” she said.

It was the peasant woman who answered. “Truly, you highness, it will be easier to care for the babes this way. Until they’re old enough to need more room for their play.”

Carala pinned her with a haughty gaze. “And you are . . . ?”

Leradan answered, “This is Sarala, the wet nurse supplied by the Temple for Gaian.”

Carala raised her eyes to her husband’s. “And you mean for her to care for both babies.”

“Well, not as a wet nurse for both. But to care for them both? Yes. Why not? What higher recommendation could you wish than the Temple?”

There wasn’t a good answer to that. The Goddess’s priestesses would surely do all in their power to protect any child. Still . . . she’d planned on someone more . . . sympathetic to her and her own child. Perhaps when they were older, she could arrange for that. Carala nodded acceptance.

Sarala lifted the baby from Leria’s lap and laid him in the nearest cradle. The little grey cat—Carala had almost forgotten about that—leapt up to the edge of the cradle and then down into it. It pushed its nose into the baby’s face once, then curled up at the foot of the cradle, purring.

“You don’t mean to let that creature stay in here, do you? That can’t be healthy.” Or sanitary.

Leradan smiled down at the sleeping pair—baby and cat. “She is the Goddess’s gift to Gaian. To guide and protect him. Of course she stays wherever he does.”

Carala opened her mouth to say something more about that, but what came out instead was a gasp as pain lanced through her.

Leradan was at her side, instantly. “What is it?”

“I . . . I think our child is coming . . .”

 

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Every first draft presents different challenges. And takes its own time.

One memorable first draft (BLOOD WILL TELL) came flowing out in about six weeks. That was quite a roller-coaster ride and I haven’t had another story do that since.

Blood Will Tell Cover

My current first draft for WAR OF MAGIC is way past the six-week range. But it is proceeding at its own pace. And one of the things I’ve had to learn is that I can’t hurry that.

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(Yes, by the way, that is a new version of the cover I’ve been playing with. I think I like this one, though it still needs a couple of tweaks.)

The important thing is that the first draft is proceeding. And this week I passed the 80,000 word mark. Which is probably somewhere between three-quarters and four-fifths complete. So, while I’m not going to finish this draft by the end of this month, the end is coming in sight.

Don’t forget the ongoing CIR Mid-Winter Sale.

Midwinter Saleor the

CIR Fantasy Winter Escape Giveaway, still going on.

Winter Sale

Enter the rafflecopter giveaway here.

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I’ve started wrestling with the cover art for WAR OF MAGIC. I’ve had the image finalized for quite a while.

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It’s very nearly perfect, but there’s just one problem with it. All the other books in the series use white text. And white just doesn’t show up well on this background.

So I’ve been experimenting with options.

I tried black text. It’s not bad, but it doesn’t show up real well, either.

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(This one isn’t finished, of course. It still needs the “Dual Magics Book 4” somewhere. Most of these do.)

I tried to use solid bands.

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This works, but it has the disadvantage that I’d probably have to change all the other covers to match–and I like them better as they are.

I tried a mix.

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I tried clearing part of the background.

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And I tried a drop shadow.

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So far, most of the people I’ve asked like the bands best. But I don’t.

Well, we’ll see.

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First good thing: Beyond the Prophecy is available right now as a paperback.

????????????????????????????????????????????????????????????????????????????????Of course, it’s a lot cheaper if you pre-order the ebook for only $0.99.

Second good thing: Two of my book are still available on Wattpad, BLOOD WILL TELL and the sequel BLOOD IS THICKER.

http://www.dreamstime.com/-image10567743

Someone read both of them in what must have been a marathon and commented on just about every chapter how much they were enjoying them. That just makes an author’s day. And it made me go back and look at those two again. I’d forgotten how much fun that story was. Someday, I’ll have to go back and write the third installment of that series.

I’m going to let those two good things win out over the one bad I’m still struggling with. More on that later–maybe.

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So, last time I blogged about the last sticky revisions to BEYOND THE PROPHECY. The ones I left until last because I needed to think about them more.

????????????????????????????????????????????????????????????????????????????????Probably the hardest of those–and the one I was likely to leave to last–was a very general note on the whole middle of the story. A large part of what’s going on there is actually setting up for the conflict in the fourth (and final) book of the series. But that meant that it largely lost sight of the main conflict of this story. Things were happening, often exciting things, but they didn’t seem to further the story. And as a consequence it felt weak, sort of meandering.

But I need those things to happen. This is one of the problems with wiriting middle books in a series. And it was going to be the hardest thing to fix in this manuscript.

Then, on Monday, I listened to the latest episode of the Writing Excuses podcast. Which just happened to be about middles and characters needing to fail (even if they succeed at something smaller) during the middle. And the light broke through. That sometimes happens when my subconscious is worrying at a problem for me (while I take care of the easier revisions) and then I run across just the thing that proves to be the key to the solution.

I’m likely going to listen to that podcast again–maybe more than once. But the key is this. Yes, my characters have to step aside to deal with this other problem before it gets out of hand. (It will, anyway, of course, but not until the next book.) Yes, but by doing that, something else has to go wrong in the main conflict because they weren’t there to stop it.

I need to work it so that when we come to the climax, the situation is worse than it would have been (not necessarily a lot worse than it already is, though) if they had made different choices. Even though their choices weren’t wrong.

It’s going to take a bit of reworking, but it will make the story so much stronger.

 

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BEYOND THE PROPHECY revisions are under way–not as far under way as I’d hoped, but that’s the way these things go sometimes.

????????????????????????????????????????????????????????????????????????????????Hopefully, I’ll make it up later and stay on schedule. I’d like to complete the first pass this month.

Two scenes have been deleted. They weren’t doing much, really and the nuggets of information that were there could be moved (and told, not shown) elsewhere. In some ways, that’s the easy part.

Right now, I’m in the middle of revising/rewriting a scene that worked but could be stronger, as one of my critique partners suggested. I’m getting my main character more involved in the action, which is always good. On the other hand, this is almost like going back to a first draft, so it does slow the revision process down. The story overall will be stronger for it, though.

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