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Posts Tagged ‘first drafts’

The central conflict is what drives a story forward. Without that, you have a vignette, maybe a very long vignette, but not a story. I learned this 0ne the hard way. I learned it with the second book I wrote after I got serious about writing. (We’re not counting that thing under the bed I wrote in college, all right?)

I wrote roughly 100,000 words and, literally as I was writing the last page, I looked up and realized that it didn’t come out to a story. I had characters and a setting and things happened, but I knew instinctively that it didn’t come out to be a story. I’m ashamed to admit how many different things I tried to fix before I realized the real problem. It didn’t have a strong central conflict that unified all those things that happened to my characters and made the final resolution feel like, well, like a resolution.

Lesson learned. I’m willing to plunge into a project, particularly a shorter project, and discover the story as I go. But I won’t start anything until I feel I have a handle on the central conflict.

I’ve mentioned before that my current project, working title MAGIC AND POWER, has surprised me more than once. The first surprise was when it decided to grow from an intended novelette or maybe novella into a full-fledged novel. It’s currently at almost 58,000 words and I project 65,000 to 70,000 when I reach the end of the first draft. (It’ll grow a bit more in second and third draft. They always do as I flesh out descriptions and give more attention to the secondary characters.)

Why this is a problem and how it relates to the title of this post is this: the original conflict for a nice little novelette can’t sustain a novel. I’ve had to work in a bigger conflict and allow the original to become a subplot. Unsurprisingly, this is something that’s going to need a lot more attention in the next draft. It’s sort of a hodge podge right now. But it has to be done for the whole thing to come together.

The irony of this situation is that I took up this story at this time (intending it to be much shorter) as a way to keep the writing muscles flexed while I try to work on the central conflict of what I intended to be my next novel. The best laid plans of mice and men . . .

Don’t forget, FIRE AND EARTH is now available just about everywhere.

 

And, as always, new chapter of FIRE AND EARTH and BLOOD WILL TELL are available free on wattpad. (Although, if you like the stories, you can read them much faster then two chapters a week if you buy a copy.)

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It’s what we writers do. We put our characters in situations and just when they think they’re getting comfortable, we stir things up and make them uncomfortable again. After all, stories require conflict.

So, I’ve posted before about the love triangle in MAGIC AND POWER. Well, it hasn’t been that much of a triangle, really, until now. The main character had a boyfriend back home, before she left for school. She’s just developing a relationship with a friend/potential boyfriend at school. But, since the two potential love interests have never been in the same place, it’s not too complicated. Guess who’s about to show up at her school. (Where’s that evil little emoticon when you need it.)

So that’s what I’m working on now at about the two-thirds mark in this story. Things are getting a lot more interesting.

Meanwhile, I’m still trying to find new ways to promote FIRE AND EARTH.

Fire And Earth Cover (Provisional)

Also, as usual, new chapters of FIRE AND EARTH and BLOOD WILL TELL are available on wattpad. (Or, if you want to read faster than two chapters a week, check out the “My Books” page for links to where both are available for sale.)

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Oops. Got busy writing and almost forgot to blog.

Fire And Earth Cover (Provisional)

So, now that FIRE AND EARTH has been launched, let’s get back to the new story. This is the one that was supposed to be just something short to work on while I got ready to write my weird Oz story. It’s approaching 50,000 words, so yeah, not that short.

Anyway, I’m in the middle of the romantic complication. This time, I’m trying to write a love triangle, something new and different for me. Right now, my main character should be thoroughly confused. I’m sure I haven’t gotten that strong enough, yet, but that’s what first drafts are for. Everything doesn’t have to be perfect the first time through. It has to be as close to perfect as you can make it the last time through.

So, coming up in the next couple of chapters are the places where the rivalry between the two love interests will really heat up and . . . the choice. Should be fun. Also, a challenge. I have to keep both guys as credible choices even though I know which one will ultimately get the girl. At least, I think I do. This story has surprised me twice already. Well, that’s what keeps writing interesting, isn’t it?

Also, new chapters of FIRE AND EARTH and BLOOD WILL TELL are available on wattpad.

FIRE AND EARTH finally showed up on Barnes and Noble.

And there’s a giveaway of a copy of FIRE AND EARTH on Goodreads.

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Happy Easter

Then, let me draw your attentiong to new chapters of FIRE AND EARTH and BLOOD WILL TELL that are up on Wattpad.

So, maybe it’s the time of year, but I seem to be taking different directions on a couple of projects. I’ve already blogged about “Magic and Power”, most recently here. There’s another story that I think is going to take a major direction change, too.

When I first got serious about writing, the very first novel I wrote was called THE SHAMAN’S CURSE. The second was a sequel called THE IGNORED PROPHECY. TSC suffered from a great many beginner mistakes, so I set it and TIP aside and worked on other things, but I still love these characters and this story. And as for world building, well, most of those entries under my “Worlds” tab are for this story.

A year or so ago, I pulled TSC out and tried a rewrite of the first third or so of it as a middle grade fantasy. MAGIC’S FOOL. I actually rather liked that version, but then I found out that a 13-year-old protagonist was a non-starter. He’s quite literally an in-between–too old for middle grade and too young for young adult.

Next I tried another go, taking my protagonist up to 15 and making it young adult. That’s not working out as well as I’d hoped.

Well, now I think what I’m going to do is just rewrite it without trying to fit it into any premade mold. It’ll probably still be young adult–at least the first book will be. The character will have “aged out” by the sequel, but so be it. If it turns out to be something that no agent will be interested in, well, the publishing world has changed and there’s always e-publishing. I can live with that.

There will be a few plot changes, I think, in addition to just better technique, but the story will be basically the same. It’s a good story and I’m sticking with it.

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And I don’t mean for the Easter bunny.

Easter postcard circa early 20th century

Easter postcard circa early 20th century (Photo credit: Wikipedia)

I’m afraid the characters in my current WIP, “Magic and Power”, have been leading me astray. Well, not exactly astray, but not on track, either. That’s the problem, really. There never was a sufficient track laid out for this one.

I’ve posted before about being a (modified) discovery writer here and here among others. I’m perfectly willing to embark on a short story on the basis of an idea and faith. If it doesn’t work out, I haven’t lost that much time and no writing is ever wasted. It’s all practice if nothing else.

But I approach longer works a little differently. I want at least a minimum amount of milestones to keep me from going off into the weeds. The reason for this is experience. The second book I wrote after getting serious about writing (which doesn’t count that thing I wrote back in college) is the specific reason.

I was literally writing the last page of a 100,000 word or so novel when I looked up and said to myself, “But, it’s not a story.” I instinctively knew it wasn’t a story, even though there were characters, who changed, a setting, and things happened. I was a much less experienced writer then, though. It took me half a dozen attempts at fixing it to figure out why it wasn’t a story.

It wasn’t a story because it didn’t have a strong central conflict. There were conflicts. They were resolved. But the ending didn’t feel like a resolution of the whole book because there wasn’t one dominant problem that drove the whole story forward. Once I fixed that, it became a story–one that I was even happy with.

And that’s–sort of–my problem with “Magic and Power”. This was supposed to be just a sweet little love story. Maybe 15,000 words tops. Just something to work on while I prepared to write my weird Oz story that needs more development. At least, that’s what I thought it was going to be. And for that, the conflict of the main character’s choice between her magic and her love was sufficient. I just passed 27,000 words. That’s not enough to sustain the story anymore.

So, once I finish the current scene, I think it may be time to take a step back and do a little plotting. There are some elements that are candidates for greater conflicts that can intertwine with the love story. I just need to pick one as central and go back and weave it in more firmly. Two steps forward, one step back is still progress.

 In other news, new chapters of FIRE AND EARTH and BLOOD WILL TELL are available for free on Wattpad.

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It’s part of life. It’s certainly part of a writer’s life. Some days, you just wonder why you keep beating your head against the same walls–time after time.

I’m frustrated today and I’m just going to have to work through it. That’s a skill you’ve just got to learn. Doesn’t mean it doesn’t get you down every now and again.

Right now, nothing seems to be working out how I’d planned or hoped. That doesn’t mean that they won’t work out–eventually. One way or another. 

Even my current WIP has decided to grow a will of its own and take off in an unplanned direction. But there’s the bright side in all of this. Because I’ve decided I like the new direction better. It works. Does that mean I’ll have to revise some of the 20,000 words I’ve already written? Sure. But I was going to have to do that anyway. I’ve never yet written anything that was perfect on the first draft. That’s not what first drafts are for.

So, I’ll keep plugging away at the stuff that is working–and at the stuff that’s not working yet.

And, on that note, check out Wattpad for new chapters of FIRE AND EARTH and BLOOD WILL TELL. And, if you like what you read–or even if you don’t–leave a little comment, please. Right now, in all aspects of my writing, I’m hearing mostly crickets, which is just a little discouraging.

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 First, let me say Happy Saint Patrick’s Day!

 Saint Patrick

And fingers crossed for a little of the Luck of the Irish. (I am part Irish, after all.) I made it in to The Luck of the Irish Pitch Fest. We’ll see what, if anything, comes of that next week. And I have to wait a couple of weeks to find out if I make it into Pitch Madness. In both cases, I’m pitching my YA alternate history, THE BARD’S GIFT.

Next, a small announcement:

Chapter 2 of FIRE AND EARTH and Chapter 5 of BLOOD WILL TELL are now available on Wattpad. It’s free, so go check them out.

Now, back to the topic, stories taking on a life of their own:

I just passed 20,000 words on this story I’m working on now–and it’s starting to veer off in an unexpected direction.

This was supposed to be a short story or maybe a novella. I picked it up to fill the time (productively) while I figured out which of my novels-in-waiting to take up next and do a little more prep work on the chosen novel. This one is looking more and more like it might decide that it needs to be a novel, too.

That’s–I won’t call it a problem, let’s say interesting (as in the Chinese curese “May you live in interesting times”)–because I deal with short stories and novels a little differently.  I’ve mentioned before on this blog that I’m a discovery writer by nature and a modified discovery writer by experience. I’m willing to freestyle (fly by the seat of my pants) with a short story or even a novella. After all, it’s only a few thousand words. If it doesn’t work out, well, no writing is ever wasted. Hopefully, I always at least learn something. Maybe I try something that I’ve never done before, like first person or a different genre. Short is the place to experiment.

But when I plan to start a novel, I do at least a little planning. I want to know the inciting incident (obviously), the central conflict, and if possible the try/fail cycles. I don’t outline, exactly, but I do usually have a separate file with a paragraph or so about key points that the story will hit. Most importantly, where the story is going to end. I have a plan.

I had an idea where this story would go, but it left a lot of room to explore. Well, now I’ve introduced a new character who has decided that he’s going to be a second love interest. I’ve never written a real love triangle before. Not as in there’s real doubt about who she’ll choose in the end. Now this new character is turning out to be maybe the better choice. Which wasn’t in the plan at all. Stinker.

Oh well, I better fasten my seat belt. I’m already on this rollercoaster. There’s nothing to do now but ride it to the end–and hope.

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And it’s a small one. Still, you’ve got to start somewhere. So, where I chose to start was by putting the first chapter of BLOOD WILL TELL up on Wattpad. Go check it out. It’s free. The current plan is to put up a chapter once or twice a week (there are 34 chapters) and then move on to BLOOD IS THICKER. It’s a start. I need to do a whole lot more.

In other news, I’ve sent out the first six queries for THE BARD’S GIFT. Fingers crossed, please. And, by this time next week, hopefully I’ll be in the Luck of the Irish Pitch Fest with this story, too. It’ll be a random drawing so, again, fingers crossed. I’ve got the pitch about as polished as I can get it in 200 words.

And I’m working on something new! “Magic and Power” will probably be a novella, at least on the first draft. (Early signs say it’ll come out around 40,000 words.) But I might decide to expand it into a full novel later. We’ll see.

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I’ve come to the conclusion that part of my problem recently is that I’ve just been doing revisions for too long. Now, I don’t normally mind revisions, but I’ve been doing them for an awfully long time, now. First getting THE BARD’S GIFT ready for first readers, then the revisions to FIRE AND EARTH that came from my Pitch Wars mentor’s comments, and now on THE BARD’S GIFT again.

I love both stories, but I think my brain just needs to be allowed to go play in a new sandbox, with new characters and ideas. There’s nothing fresher than my “Jurassic Oz” story. It’s not ripe yet, but that doesn’t mean I can’t let my mind go play with some world building so I can be ready to write it. I have a couple of good ideas, but they’re not enough, not yet. Plus, I still have to figure out how I’m going to get my “Dorothy” to Oz. I did a little Halloween story on this idea, and that might be a good starting point, but it needs a bit more development.

Or, I could play with my secret history idea that plays on the legend of King Arthur (to start with, anyway). That one needs a little more development, too. You know, as long as I’m just dedicating some time to letting my mind out to play, it doesn’t have to be one or the other.

Meanwhile, I have to stick to the revisions for just a little longer. My goal is to have THE BARD’S GIFT ready to start querying next month. I’m almost there. This is no time to quit.

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Well, the truth is, they come from all over, all the time. Some examples:

THE BARD’S GIFT:

I belong to a couple of online writers’ forums. On one of them, Hatrack River Writers Workshop, members will occasionally post challenges. You don’t win anything when you win a challenge, other than bragging rights. The real point is the feedback, because one of the rules is always that all the entrants have to comment on each others’ work or be disqualified. Sometimes, these challenges center around a prompt. It’s fascinating to see how many different stories can be created from the same prompt. The problem for me is usually the relatively small word count allowed.

Well, one of these prompts was “Slave to the flame” and a story came to me about a little dragon that was the first to figure out how to breathe fire. I wrote it as a fable. It also ended badly, partly because of the prompt, but also partly because I didn’t have enough room to develop it further. When the challenge was over, I had no idea what to do with that story. Eventually, I wrote another story around it (also called “The Bard’s Gift”), about the girl who was telling this fable and why.

And then I started wondering other things about this girl. How did she come to be in that position? Why did she have this gift for telling stories? Where were they? This led to a lot of research and eventually an 80,000-word alternate history that includes dragons (but not the same ones in the original story), Norse gods, and thunderbirds. The short story “The Bard’s Gift” is now Chapter 35 of the novel, THE BARD’S GIFT.

MAGE STORM:

There’s a similar story to MAGE STORM. It also started as a response to a challenge on Hatrack, this time the prompt was the title of a Writer’s of the Future winning story “Cinders of the Great War”. That gave me an idea about the aftermath of a war in which all the mages had destroyed each other.  That short story, “Infected With Magic” (I had to change the title because Writers of the Future has to be anonymous) got an Honorable Mention in Writers of the Future.

I still have never found what I consider a satisfying ending to that story, though. It always felt like the beginning of something bigger. And so it was, a middle grade adventure fantasy MAGE STORM. I mean to get back to my latest revision to this story again soon and get it back out there.

UNTITLED:

But not all ideas come from writing prompts. Some come from news stories or photographs that send my imagination flying. One particular idea that isn’t quite ripe yet, came from me just wondering.

At the time, I’d recently read one too many stories in which the female protagonist did very little but wait around for some guy to take the lead and help her. I have an allergically strong reaction to those stories–as in pitch the book across the room strong. I’m okay with a female main character needing some help once, maybe twice. After that, she’d better either figure out how to keep herself out of trouble or how to deal with it herself.

So, as I was driving around running perfectly normal errands, I started wondering to myself: under what conditions would it be all right for a female protagonist to need some help? What if that character was dropped into a strange world (like Dorothy landing in Oz) and really has no way to know what’s dangerous and what’s not? What if, in this world, things that we tend to think of as sort of fuzzy, cute, and nice (unicorns, pixies, etc.) are really the most dangerous. And some things we think of as evil, the ones you’d want to avoid, are really the only ones that might help you? Okay, in that situation, Dorothy might need a little help to gether started.  Look for this story maybe this time next year.

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