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BEYOND THE PROPHECY is all set.

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Final draft uploaded for pre-order. Print files formatted and the proof ordered. (The print version will go live as soon as I’ve checked the proof and made any adjustments necessary.) I also have to get busy setting up some promotions and maybe trying to get a few early reviews.

So, now it’s time to transition back from revisions and edits to the first draft of Book 4 (likely to be titled either WAR OF MAGIC or MAGIC’S WARRIOR). This will be the last book of the DUAL MAGICS series.

This transition always takes a few days because it’s a complete shift in thinking. I have to stop worrying whether that’s the precisely right word. Even stop worrying about getting the details right. The first draft is to get the story down. Nothing else.

It always takes me a few days to make that shift. Right now, I’m reading through what I’ve already written (while BEYOND THE PROPHECY was with my beta readers). That’s necessary, but the temptation to edit and revise is still strong.

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I am just shy of 80% done with the polishing edit on BEYOND THE PROPHECY (which is up for pre-order at only $0.99.)

????????????????????????????????????????????????????????????????????????????????After I upload the final version, that’s not the end, of course. I still have to check the upload. And format the print version. And do something more about getting the word out.

And then I can go back to the first draft of the fourth and final book of the series.

Meanwhile, when I start to go cross-eyed from the edits, I’ve been letting my creativity out in planning an update to the cover of FIRE AND EARTH and starting to think about the cover for that fourth book in the DUAL MAGICS series.

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The third book in my DUAL MAGICS series, BEYOND THE PROPHECY, is now available for pre-order.

????????????????????????????????????????????????????????????????????????????????And the pre-order price is only $0.99! It goes live (and the price goes up) on September 8th.

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I have a new cover for “Becoming Lioness” now. It looks more like it belongs with the series and might even give a reader the idea that it’s a fantasy story.

Becoming Lioness Cover 2For reference, the old cover looked like this:
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“Modgud Gold” has proven to be more difficult. But, thanks to some helpful internet friends, I think I finally have a direction to go.

Meanwhile, progress on the still-untitled Book 4 of the DUAL MAGICS series continues. Though, by next week I expect I’ll be ready to set it aside for a short time while I take care of revisions and polishing edits on BEYOND THE PROPHECY so I can publish that in September.

????????????????????????????????????????????????????????????????????????????????And, I’ve started writing out a concept for another story. Like I don’t already have several in the pipeline. But you’ve got to write down the ideas when they come to you or risk losing them. And nobody wants that.

 

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The covers for the Dual Magics series (so far–the release of BEYOND THE PROPHECY is planned for September):

?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????The covers of the two tie-in short stories:

???????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????You see the problem, don’t you? The two short story covers don’t look like they belong to the same series.

Heck, the covers don’t even telegraph that they’re fantasy stories. “Becoming Lioness” could be something about an African safari for all you could tell from the cover. Well, except for the subtitle. Dual Magics might give you a clue.

“Modgud Gold”, again, except for the subtitle, could be a gold rush story.

In my defense, “Becoming Lioness” was released long before I had covers for the series. I have no excuse for “Modgud Gold” other than the image is a really good representation of a scene in the series. But, see, that’s not what a book cover is supposed to be. It’s supposed to entice a reader and give them some idea what kind of story to expect. This one fails.

I think I need to do a couple of new covers.

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Still working on the blurb for BEYOND THE PROPHECY.

????????????????????????????????????????????????????????????????????????????????If beginnings are hard, blurbs (or queries) are even harder.

Here’s what I have so far–on the third try. Still not there, yet.

Being one of a handful graced—or cursed—with both kinds of magic places Vatar at the center of turmoil. In more ways than one.

As power shifts in his adopted city, Vatar must choose. Support the traditional rulers for the sake of stability, even though their rule is based on a lie. Or reveal that lie and help those who would create a new order. Only Vatar, with ties to both sides, is in a position to decide which is best.

But that choice will have to wait while he tries to find a way to deal with enemies gathering on the border. Foes that could mean disaster for both his city and the plains-dwelling tribe who raised him. Only magic can provide a reliable defense. Magic the plains people fear more than any enemy.

But when he’s captured by one of those enemies, Vatar will have to prove his boast that it’s impossible to imprison anyone who can do what he can—or die.

Now, if I can just find a way to work in some of the unique aspects of the world without driving the word count up.

Yeah, blurbs are hard.

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It’s now less than two weeks until the release of DAUGHTER OF THE DISGRACED KING.

???????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????It’s only $0.99 on pre-order until May 18th. Then the price goes up.

So, here’s a sample. The opening scene:

Ailsa pushed a low-hanging branch out of her way and emerged onto the wider trail. Even the sharp, clean scent of pine couldn’t distract her from the dead tree directly across from her, a mature oak that had been green and healthy the last time she rode this way. Now it was bare and the bark was already turning black. Her stomach clenched at the sight. This was very nearly the heart of Far Terra. If the magic was failing even here, how much worse would it be on the fringes, nearer the surrounding desert? Without more mages—and soon—Far Terra would die.

She shook her head as if to clear it. She couldn’t really begin to plan until she knew what kind of magic she had and she couldn’t learn that until she got to the Institute of Magical Arts. Today was supposed to be a farewell ride with her friends. Ailsa should be enjoying that. They’d had to leave early to escape the gaggle of girls who always seemed to be around to flirt with the princes. This was the last chance they’d have to ride like this for at least a year, maybe longer. She wanted to let Pearl have a good run and this seemed like the best place for it. Sav came out onto the trail, Cergio and Perion right behind him.

She grinned, deciding to throw out a challenge she knew they couldn’t refuse. “There’s an old oak farther on, about a quarter mile. Race you there!” She leaned forward and dug her heels into Pearl’s sides.

Sav’s big, leggy black caught up to her and then passed her. Ailsa’s lips thinned. At the last moment, she jerked the reins to the side and guided Pearl onto the narrower track, which also cut off a sweeping bend in the main trail. It wasn’t cheating. She’d only specified the destination, not the path.

Ailsa sat up in the saddle to look ahead. Three fallen logs lay across this less-used trail, with no room for a horse to take a full stride between them. The undergrowth was too dense to allow any chance of going around them. Pearl could jump any one of them easily, but three together with barely room for the mare to gather herself for the next jump was more challenging. Ailsa had faith that Pearl could do it.

She bent low over the withers of her horse and urged her forward. Pearl lifted off, easily clearing the first log, landing, and lifting off again. It felt like flying. Ailsa laughed as the wind of Pearl’s speed whipped her hair into her face. They broke out onto the main trail again only a couple of lengths ahead of Sav.

This time they were going to do it. This time they were going to win. Ailsa turned her head to look over her shoulder. Sav’s long-legged black was gaining on them, but the other two were lost in the dust, too far behind to have a prayer of catching up.

She wasn’t going to come in second. Not this time. A tiny whirlwind of fallen leaves would distract his horse and slow Sav down. She was tempted, but using magic really would be cheating. And that would take the luster off the win. Instead she leaned forward to whisper encouragement into Pearl’s ear. “Go, girl. You can do it.” The mare put on a burst of speed. Ailsa whooped and raised her arms in triumph as they passed the oak tree that marked the finish line.

She jumped down and hugged Pearl’s neck, then grabbed a cloth from her saddlebags and began wiping her down, even though that little run had barely raised a sweat. “You’re wonderful. You’re the best horse ever.”

Sav pulled his black stallion up beside her and dismounted.

Ailsa paused her rub down of Pearl to turn to him. “I told you she could beat your black, didn’t I? She’s faster than she looks.”

Savyon patted Pearl’s shoulder. “No. She just runs her heart out for you. It’s not the same thing.” His eyes glowed oddly as he met Ailsa’s. “It’s a gift. To be able to inspire that kind of loyalty. She runs beyond her abilities for you.”

Ailsa blushed and concentrated on wiping the last traces of sweat off Pearl’s gleaming coat. Pearl liked to run. And if Sav was about to accuse her of using magic to win the race—when she’d specifically restrained herself, too—she’d . . . she’d hit him, prince or not.

Sav looked back down the forest path to a narrow place where Cergio had somehow gotten his bay gelding turned sideways on the trail, blocking Perion. He swallowed and grabbed Ailsa’s hand. “Ailsa, I . . . I . . .”

Why was Sav stammering? He’d never been shy with her before. They’d known each other practically since she could walk, after all. And even if she did occasionally get a little irritated with him, she would never really hit him. She looked up into his eyes. “What is it, Sav?”

With a shout, Ailsa’s cousin, Perion, slipped around Cergio’s horse’s flank and raced towards them. Cergio followed at a slower pace.

Sav grimaced and drew a deep breath. “You will be coming to the ball tonight, won’t you?”

Ailsa nodded. “Yes, of course. It’ll be my last chance before I go south to school. I doubt I’ll get invited to very many parties there. Anyway, I’ll be there to study, not socialize.”

He squeezed her hand. “Promise me a dance?”

Ailsa smiled. “As many as you like, Sav. As always.” She turned back to Pearl to hide her face. Who else am I going to dance with? Perion? Aunt Izbel will prod him to ask me once or twice, but I know he’d rather be dancing with Delea. And Cergio will be on his next romantic campaign. He won’t have time for me.

“I’ll see you there, then,” Sav said and released her hand just as the others rode up.

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Possibly the single most important factor, especially for indie-published books, is the cover. It’s the first thing potential readers see. If it doesn’t intrigue them, they won’t click through to read the blurb or buy.

I started out doing my own covers because I couldn’t afford to do anything else. And my early covers weren’t just bad. They were horrible. I had to learn to do better.

Now, I probably could afford to hire at least some of my covers done, but I find I actually enjoy doing my own. But, of course, they still have to be good. I’m still learning. (I got a book on graphic design for my birthday, which I haven’t finished reading yet.) I also belong to a couple of cover art critique groups, now.

One of the areas it’s clear I’ve needed to work on is typography. With the cover for the upcoming BEYOND THE PROPHECY, Book 3 of the Dual Magics series, I changed the font to something less standard.

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Which, of course, means I now have to change the other covers to match.

Here’s the first cover for THE SHAMAN’S CURSE:

????????????????????????????????????????????????????????????????????????????????????????Not bad. But here’s the newer version, which just went live yesterday:

????????????????????????????????????????????????????????????????????????????????????????I also changed the font on the cover of “Becoming Lioness”, which is a tie-in short story. And on the cover of “Modgud Gold”, another tie-in short story that I expect to release in the next week or so.

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I’m also very happy with the font choice for DAUGHTER OF THE DISGRACED KING, which is available for pre-order. It releases May 18th.

???????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????Love that font for the title.

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March MadnessThe Clean Indie Reads March Madness Sale is still going on and two of my books are in it. Check it out, not just for my books. There are a lot of great flinch-free reads on sale. And check out the other blogs on the blog hop, too. Here.

Don’t forget the giveaway of many of the books in the hop–including The Bard’s Gift. Enter that here. It’s enough flinch-free books to keep you reading for months.

So, here’s a little bit about the world building in these two books.


Fire and Earth:

Fire And Earth Cover (Provisional)

Though raised as a fearless, faceless warrior, Casora couldn’t stop her homeland’s invasion. Bullied, hapless princeling Tiaran can’t escape his political doom. When they join forces on the battlefield they’ll rock the foundations of kingdoms.

As is usual for me, the world building for Fire and Earth is an accumulation of many things. The idea for the Deathless, Casora’s band of warriors-turned-mercenaries came from Herodotus’s (possibly inaccurate) description of the elite Persian forces at the battle of Thermopylae. “The Immortals”, as he described them, always numbered 10,000 because killed or injured Immortals were simply replaced. Also according to Herodotus, their headdress included a face-covering cloth (possibly meant to keep out dust or wind). And so, the idea for an elite force of constant numbers–therefore “Deathless”–with face plates on their helmets that prevented any individual from being recognized by outsiders.

Their enemies, the Yriri, were based on the various hordes, like the Huns, who invaded Europe during the Dark Ages.  I wanted the Yriri armor to be different from that worn by the Deathless and their allies, so I based that on certain Oriental types of chain mail, which fastened in the front, like a jacket.


and The Bard’s Gift:

TheBardsGiftCoverSmall

Astrid is too shy to even talk to the boy she likes, so naturally she’s the one the Norse gods choose to lead a bunch of stubborn Norsemen–using just stories to inspire them.

Since The Bard’s Gift is a historical fantasy, the world building consisted mostly of research.

Probably the most surprising thing I found in that research was the Greenland shark.

The Greenland shark lives farther north than any other shark species. They are comparable in size to the great white shark, averaging ten to sixteen feet in length and up to 900 pounds. They can grow as large as 21 feet and over 2,000 pounds. Usually only found near the surface only during the winter, they are otherwise denizens of the deep. They have been found with parts of polar bears in their stomachs.

The flesh of the Greenland shark is poisonous, but the hardy Icelanders (and presumably the Greenlanders), had a way of leaching the poison out. Of course, it still smelled overpoweringly of ammonia, even then.

That was way too good a monster not to find it’s way into the story.

There were also mythological sea monsters, like hafgufa.

Translated as “sea mist” or “sea reek”, hafgufa was a sea monster of the Greenland Sea between Greenland and Iceland. Hafgufa was supposed to lie on the surface to feed. The stench of its belch drew in fish, which the hafgufa would then consume, along with anything else in the vicinity, including ships. Only Orvar-Odd had ever escaped, because he knew the beast rose and submerged with the turn of the tides and was able to get his ship out of range just in time.

Hafgufa was usually seen as only a pair of rocks said to be the beast’s nose. Sometimes hafgufa was equated with the kraken. Others attribute the stories of hafgufa to underwater volcanic activity and the release of methane gas.

And that’s not even getting to Thunderbird. See my post about that, here.

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I’ve been reading–admittedly slowly because it’s just not as much fun as reading fiction–a graphic design book, trying to improve my understanding of what I’m doing when I design a book cover. I actually looked for a course at my local community college, but they didn’t have one. Graphic Arts, yes, but not Graphic Design, specifically.

I think typography will likely be an area where I need to get into more depth. I have a tendency to just pick a standard font and go with it.

This is particularly apropos because I’m trying to get a start on two covers right now. The one for BEYOND THE PROPHECY, the third book in the Dual Magics series. And one for DAUGHTER OF THE DISGRACED KING, a young adult fantasy romance that I wrote over a year ago.

I actually have the concept for BEYOND THE PROPHECY pretty well in hand. Not that it will hurt to have a better understanding of the principals of design. But the background theme–blue and red on a dark background–is already well established. The backgrounds advance from lightning, to a veritable storm of lightning, to smoke, and finally to flames. The only thing I really need to choose for those covers is the foreground image. For BEYOND THE PROPHECY it will be a white eagle (or as close as I can get, which may be a gyrfalcon. There aren’t very many images of truly white eagles.) That might, or might not, give you an idea of what happens in the story.

DAUGHTER OF THE DISGRACED KING is proving more difficult. I think I may finally have a concept. Something I may try out on a couple of Facebook groups I belong to, to see how it flies. That’s very helpful, too.

Indie authors have to wear a lot of hats.

 

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