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Posts Tagged ‘queries’

Query letters are incredibly important and very hard. Your first introduction to an agent you hope will want to represent your work. As I struggle with revisions to my current query letter for FIRE AND EARTH, I thought I’d take a look at how it evolved. Fair warning, this is going to be a long post. And, at that, I’ve left out a couple of intermediate queries. There are currently six versions of this query on my hard drive.

This is what I started with back in November, five months before I actually started querying:

At seventeen, Casora has spent nearly all of her life either training to be a warrior or fighting in someone else’s battles. That’s the fate of anyone born with the mark of the berserker curse until they prove they can fight without losing control. The alternative to such discipline is exile for those who let the berserker out. 

Then her homeland is overrun by a fierce enemy and the young man she loves is killed in the retreat. This news reaches Casora just before she goes into battle. In grief and rage, she triggers the curse and goes berserk. When she comes back to herself, she’s filled with regret. Now she can never go back to help fight the invaders or even find out if her family is still alive. Instead, she becomes the leader of a band of teenage warriors with no options but to turn mercenary. They’re united by a hunger to avenge themselves on the marauders that destroyed the homes they can never return to. What she really wants is to find a cure for the curse and go home.

Eighteen-year-old Prince Tiaran is the youngest and least of the princes of a neighboring country. He’ll never be the warrior his two bigger and older half-brothers are, and they take every opportunity to remind him of it. When the raiders turn to attack his country, Tiaran knows he must take part in the fighting, but no one will take him seriously. His brothers exploit his desperation and gullibility to send him off on what they think is a wild goose chase.

Tiaran is on the wrong side of the walls when the capital city is besieged. Casora rescues him from certain death. Tiaran, by default the leader of the resistance, must rely on Casora to help him become the warrior he needs to be to save his kingdom. In helping him, she discovers knowledge that might help to manage her curse.

It’s just possible that they may be the answer to each others’ prayers.

Well, you shouldn’t expect the first one to be good. For one thing, there’s way too much back story.

By April, when I actually started querying, I’d brought it down to this:

Now that she’s lost it and gone berserk, seventeen-year-old Casora is doubly cursed and there’s no going back.

Born with the mark of the berserker, she’s been sent away to learn war craft. Those skills are no use when her home is invaded while she’s far away. She turns mercenary, leading a band of teenage warriors looking for the chance to avenge themselves on the marauders.

What she really wants is to find a cure for the curse so she can go home. When she prays for an answer, she’s told to rescue the youngest prince to find what she needs.

Tiaran, third prince of a neighboring kingdom, is considered more a scholar than a warrior, but he’s determined to fight for his home. When the raiders attack, he’s trapped on the wrong side of the city walls. Casora and her band are sent to rescue him. With the capital city now besieged, there’s no option but to keep him with them and teach him to be a warrior.

But Tiaran has something to teach them, too. It’s just possible that Tiaran and Casora may be the answer to each others’ prayers.

This query actually got a couple of partial requests, but then there was a long drought with nothing but straight rejections. My request rate was only about ten percent, so it was time for a revision. Version 4:

Born with the mark of the berserker, seventeen-year-old Casora has been sent away to learn war craft. When her native land is invaded, she’s not there to do the one thing she’s been prepared for all her life–to use those skills to protect her family and home. Learning that the young man she loves was killed in the fighting is the final straw. She releases her curse and goes berserk.

Now she’s doubly cursed, because she can never go home to find out what happened to her family. With no way to help the ones she cares most about, Casora turns mercenary, leading a band of teenage warriors looking for the chance to avenge themselves on the marauders. She prays for a way to cure the curse and gets a mystifying answer: rescue the youngest prince to find what she needs.

Tiaran, third prince of a neighboring kingdom, is considered more a scholar than a warrior, but he’s determined to fight for his home. When the raiders attack, he’s trapped on the wrong side of the city walls. Casora and her band are sent to rescue him. With the capital city now besieged, there’s no option but to keep him with them and teach him to be a warrior.

But Tiaran has something to teach them, too. It’s just possible that Tiaran and Casora may be the answer to each others’ prayers.

This query got sent out to half a dozen agents. The responses weren’t encouraging. But, I’d gotten a few positive responses on a pitch contest (more like an elevator pitch than a full on query pitch) that had a slightly different approach.

Start revising again. At every step along this process, I’ve sought other opinions on my query. I got a really good one, here and discovered that there’s still too much back story.

The next version is at least pared down to just Casora and Tiaran. Agents can find out about the mercenary band in the synopsis. Plus, have you noticed one line that stayed the same in all versions? Something about being the answer to each others’ prayers? It may just be time to kill that little darling, too.

The new query will look something like this (no guarantees it won’t be revised again . . . and again.):

When her country is invaded, seventeen-year-old Casora loses her battle against her berserker curse. Being a berserker turns her into a ferocious warrior, but that’s no help to her family when she must be exiled as a danger to everyone around her. She turns mercenary while searching for a way to tame the berserker so she can return home. Being sent to rescue Prince Tiaran gives her hope.

No matter how hard he tries, Tiaran will never be the kind of warrior his brothers are, but he still feels compelled to fight to defend his homeland. When the raiders attack, he’s trapped on the wrong side of the city walls. Rescued by Casora from his first disastrous battle, he learns from her that there’s more than one way to be a warrior.

Tiaran has something to teach Casora, too. He’s the only one who’s ever been able to calm her berserker rage. The only one who has ever called her curse a blessing. Together, they may be able to shake off the expectations of others and find a future neither of them ever dared dream of. First, though, they have to stop the marauders from destroying everything in their path or there won’t be any place for that future to unfold.

That’s it for now. I have query fatigue.

 

 

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It’s amazing the power a simple request has–as in a partial or full request for a manuscript. I swear a request makes me feel like I’ve lost 30 pounds. For a little while, I can float.

I’ve had a few, now, on various projects. They always make me feel the same. I got one yesterday from the Pitch Slam over on YALitChat. So did a fellow member of the Pied Pipers. Another Pied Piper actually got an agent (from a different contest, not Pitch Slam). It can happen.

For the most part, we send our queries out into the void. Often we never hear back at all. In the subjective nature of the business–and given the difficulty of drafting a really good query–the most common response is “No, thank you.” But we keep sending those queries out because one of them, sometime, is going to be the one that works, the one that gets us an agent and one giant step further along in this process.

And that’s what makes requests so wonderful, because every once in a while, the response is “Please send more.” And maybe this will be the one. One of them, sooner or later, will be the one that says “Yes.” And it’s very nice to float in that maybe-this-time space for a while.

Hurray for requests.

Now, back to writing.

 

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Well, this is why I like to have multiple projects to work on. I can let THE BARD’S GIFT simmer a bit more, while I work out how to bring my main characters firmly together in a short amount of time and in just about one more chapter. I want it to feel like the end of the world to them when they’re parted, but I can’t spend half the book getting there. That’s a tall order and I need to do some more brainstorming on it.

Multiple projects are wonderful for this. I don’t have to lose productivity; I can just switch to something else–in this case, a bit of editing.

  1. I’ve had some ideas about that ill-fated science fiction story of mine, “Apocalypse Cruise”. I think maybe, just maybe, I can fix it–more conflict and a more satisfying ending. Actually, the ending won’t change. Just a bit more build up may make it work better. It’s worth trying, at least.
  2. Now that my critique group has had a crack at it and I’ve had time to digest their comments, I need to make the revisions to “The Music Box” so I can e-publish it next month. The main revision on this one will be to put back a bit of world building that I’d removed when I was trying to make it fit into a more (traditionally) publishable word count. Novellas are a tough sell, traditionally. If I e-pub it, I don’t have to worry so much about the word count. And it’s precisely the kind of story that should do well in that venue (romance, with only a slight fantasy element).
  3. I was beginning to think that the query for FIRE AND EARTH needed a touch up. The contest below, celebrating the publication of Wilde’s Fire, has provided me with some ideas on a couple of directions I can take to improve it for the next round.
  4. The contest has also given me an idea or two on how to improve the opening of FIRE AND EARTH.

By the time I work through that list, my subconscious should have thrown up some good ideas on how to get through this part of THE BARD’S GIFT. If not, then I’ll either:

  1. Skip ahead and write around it, for now. Not my preferred course, but it can be done.
  2. Or, do a little work on the first draft of my backup, MAGIC’S APPRENTICE.

Forward, always forward.

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Almost a month ago, I posted this set of priorities:

  1. Finish the revision to “The Music Box” and decide what to do with it.
  2. Get ready to query FIRE AND EARTH.
  3. Start THE BARD’S GIFT.
  4. Revisions to MAGIC’S FOOL.
  5. Prepare BLOOD WILL TELL for e-publishing.

I’m doing pretty well on these goals.

  1. I’ve finished the revisions to “The Music Box” and have it out to one reader. I’ll probably seek more readers at the beginning of the month, and then decide what, if anything, I need to change before e-publishing it. There simply isn’t any other market for a romantic fantasy novella. I’m also waiting to hear about a novelette, “Becoming Lioness”. It’s currently out on submission and I expected to hear back almost a month ago. Maybe that’s good news. If not, I’ll be e-publishing that one, too.
  2. I’ve now sent out nine queries on FIRE AND EARTH and gotten one request for a partial.
  3. I’ve started THE BARD’S GIFT, but only barely.
  4. I’ve just about completed the revisions to MAGIC’S FOOL. I’ll be looking for new readers soon.
  5. I haven’t yet done anything about preparing BLOOD WILL TELL for e-publication.

So, here are my current priorities:

  1. Keep querying FIRE AND EARTH.
  2. Complete the revisions to MAGIC’S FOOL and find a couple of new readers to see if I’ve solved the problem of the slow beginning. The revision should be complete by the weekend.
  3. Mark up the revision notes for the last segment of BLOOD IS THICKER. That’ll only take a couple of days at most. I’m not ready to actually start on the revisions, yet, though.
  4. Then I’m going to concentrate on getting BLOOD WILL TELL e-published. That’ll also involve getting way more serious about some marketing.
  5. And once all of that is out of the way, I can go full bore on the first draft of THE BARD’S GIFT.
  6. I’ll probably tinker with the first draft of MAGIC’S APPRENTICE during any slow spots on THE BARD’S GIFT.

That’ll do for at least the next month, don’t you think?

 

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The other side of querying, of course, is waiting for the replies. When you open your mailbox and see a response to one of your queries, there’s a moment of anxiety, because, statistically, most of those replies are going to be some variation on “Thanks, but no.”

Then, every once in a while, you open the response to find a partial or a full request and your heart starts beating a little bit faster. There’s a chance.

I had both experiences last Friday. I have to say it’s just a little nerve wracking to be getting query responses on Friday the 13th. The first query reply I recieved was of the “no” variety. The second, though, was a partial request–my first partial request for FIRE AND EARTH (formerly known as SEVEN STARS).

I sent off the partial and did a little happy dance for most of the rest of the day. It always feels really good that one of these busy professionals wants to see more of my work.

Now, for a few weeks, I get to day dream about getting a second request for the rest of it and maybe, just maybe, that offer of representation. The next step on this path I’ve set myself on.

I will get there one of these days. And I really believe FIRE AND EARTH just might be the one.

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Query Time Again

I’m always more nervous when I start querying a new story. Not as nervous as the very first time I started querying, but much more nervous, or is it anxious, than when I’ve been querying the same story for a while.

I started querying FIRE AND EARTH (formerly known as SEVEN STARS) a week ago. I’ve sent out six queries so far. I already have a couple of form rejections racked up, too.

Here’s the query:

Now that she’s lost it and gone berserk, seventeen-year-old Casora is doubly cursed and there’s no going back.

Born with the mark of the berserker, she’s been sent away to learn war craft. Those skills are no use when her home is invaded while she’s far away. She turns mercenary, leading a band of teenage warriors looking for the chance to avenge themselves on the marauders.

What she really wants is to find a cure for the curse so she can go home. When she prays for an answer, she’s told to rescue the youngest prince to find what she needs.

Tiaran, third prince of a neighboring kingdom, is considered more a scholar than a warrior, but he’s determined to fight for his home. When the raiders attack, he’s trapped on the wrong side of the city walls. Casora and her band are sent to rescue him. With the capital city now besieged, there’s no option but to keep him with them and teach him to be a warrior.

But Tiaran has something to teach them, too. It’s just possible that Tiaran and Casora may be the answer to each others’ prayers.

FIRE AND EARTH is a 76,000-word young adult fantasy. Readers who liked Kristin Cashore’s GRACELING will enjoy FIRE AND EARTH. I have included the first three chapters per the instructions on your website.

Thank you for your time.

Fingers crossed for the four queries that are still out and for the queries I plan to send out in the coming weeks.

If this one doesn’t work–get me at least a partial request–after a few more tries, I’ll have to go back to the drawing board and try to revise or rewrite the query. That’s the way this process goes.

In other news, Mary Robinette Kowal published this terrific guest post on writing sequels. I just wish some of those points were more adaptable to my sequels to either BLOOD WILL TELL or MAGIC’S FOOL. I’m definitely going to have to put some thought into how I could incorporate at least some ot those tips.

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When I look ahead, I’m feeling a little scattered, so it’s time to lay out a plan again.

E-Publishing:

  1. “Heart of Oak” is out. I’ve made four sales so far–two on Amazon and two on Smashwords. Not exactly setting the world on fire, but then I haven’t done very much to try to promote it, either. Actually, “Heart of Oak” is likely to be part of the promotion when I eventually get BLOOD WILL TELL out.
  2. “Becoming Lioness” is another novelette, currently out on submission. I should be hearing in the next week or so. If it comes back, it’ll be my next e-publishing venture.
  3. “The Music Box” is a novella I had shelved because it’s really much more romance than fantasy. The speculative element is very slight and, in fact, you could remove it altogether and the story wouldn’t be noticeably changed. But I’ve always liked it anyway, so I keep coming back to it. So, I’m halfway through a revision right now. I’ll probably try to get a critique or two. Then I’ll either submit it to the same market that has “Becoming Lioness” now or just e-pub it.
  4. All this leads up to e-publishing BLOOD WILL TELL probably at the end of April or the beginning of May. It’s ready to go except for the specific e-publishing formatting, but that’ll be more complicated than for the shorter works. One or more of the shorter works published in advance of this will probably then be used as giveaways to help pomote the novel.
  5. I’ll need to make the revisions to BLOOD IS THICKER, the sequel to BLOOD WILL TELL, so I can e-publish this sometime later this year.
  6. Then I’ll have to write the third book in the series BLOOD STAINS, so that I can e-publish it no later than this time next year.

Traditional Publishing:

I haven’t given up on this.

  1. I’m still querying MAGE STORM, at least until I get FIRE AND EARTH (formerly SEVEN STARS) ready to query.
  2. I need to finish up the last little details to get FIRE AND EARTH ready to start querying, probably next month. I think the query’s good–for this pass anyway. Experience tells me I’ll probably do a revision or two during the querying process. I do need to polish up the synopsis. I’ve got some feedback coming in on the first chapter. I’ll need to give that a shine and also make one more pass through the whole thing before starting to query.
  3. MAGIC’S FOOL is out for critiques now. I’ll need to make revisions to that, too, when all the critiques come back.
  4. I’ve started work on MAGIC’S APPRENTICE, sequel to MAGIC’S FOOL, but I’ll probably be setting this aside, soon. It really doesn’t make much sense to devote a lot of time to the sequel before I even start querying the first book.
  5. I’m just about ready to start work on the first draft of THE BARD’S GIFT, my young adult alternate history (with dragons).

All right. No wonder I’m feeling a little scattered, is it? Now all I have to do is prioritize. For the moment:

  1. Finish the revision to “The Music Box” and decide what to do with it.
  2. Get ready to query FIRE AND EARTH.
  3. Start THE BARD’S GIFT.
  4. Revisions to MAGIC’S FOOL.
  5. Prepare BLOOD WILL TELL for e-publishing.

That ought to keep me busy for the next couple of months.

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There’ no getting around it. The first chapter of a novel is as important to the querying process as the query letter itself and the dreaded synopsis. Some agents ask for a sample along with the query, which is usually the first chapter or some portion of it. (Very few, in my experience, as for more than the first chapter.)

So, along with polishing the query letter to a high sheen (which I’m still working on), and trying to write a good synopsis, I also have to try to polish up that first chapter so it will entice an agent to ask for more. I just finished the polishing edit on this one and I really, really, still love this story. I want to give it its very best chance.

The whole manuscript of SEVEN STARS has been critiqued by seven different critique partners. I’m confident in the story as a whole, but I want a little extra on the first chapter. And I know a lot of other writers are in the same boat. Therefore, what better than to help each other out. With that in mind, I’ve started a First Chapter Challenge on Hatrack River Writers Workshop. We can read and critique each others’ first chapters.

The great thing about a challenge like this 

is that you can learn so much. Not just from the critiques on your chapter, but from what you notice in other people’s chapters that maybe you would never notice in your own. It’s a win/win.

I’m only just a little nervous about the time commitment. In addition to my regular number of critiques, I expect to have three full novels to critique in the next two months. And now I’ve added the first chapter challenge, too. Judging from the number of responses to the challenge in the first day, it’s going to be a popular one. That’s good.

I may be crazy, but I’m looking forward to it. Critiquing is as important a part of growing as a writer as writing and learning to get critiques are.

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Whew! I finally finished my stint in query and synopsis purgatory. Well, mostly. Experience tells me that these things are never really done. I’ll still be tweaking them as I go along. But I now have two queries I like.

MAGE STORM:

Rell doesn’t want magic. He doesn’t dream of being a hero out of old legends or a mage. Certainly not a mage, after they all incinerated each other at the end of the Great Mage War. He’d just like not to be in his big brother’s shadow for a change. Someone should have reminded him to be careful what he wished for.

All he knows of magic are the violent, frighteningly aware mage storms formed of the ashes of those dead wizards. Caught in a mage storm, Rell is struck by a strange blue cinder that infects him with magic that protects him from the fury of the storm and allows him to shield his family. Rell starts to think that maybe magic’s not so bad after all, but he finds it only complicates his life. His father expects him to bring back the benefits of magic from before the war, but Rell doesn’t know how. Meanwhile, others who only remember the terrors of the war fear Rell and his new abilities. Frustration and anger only bring out one of the most dangerous aspects of his magic: fire.

Rell soon learns that whether he intends it or not, his magic will leak out, uncontrolled, whenever his emotions are strong enough. Now, he has to find some way to learn to use this “gift” before he ends up adding his ashes to the mage storms.

BLOOD WILL TELL (still working a bit on the last line of this one):

Being a half-blood is inconvenient on a good day, especially when the half you got from your mother is werewolf.  Valeriah can’t take wolf form, but the full moon still fills her with manic energy.  Running helps; a tired werewolf is a good werewolf.

Living perennially caught between two worlds–human and werewolf, magic and non-magic–doesn’t leave much room for love. That suits Valeriah just fine. She’s never had any luck with that anyway.

Until her cousin’s life is threatened, that is, and out of necessity she accepts the help of a mysterious young man to protect Cristel. Rolf is everything that makes Valeriah’s pulse speed up in spite of herself. Now, with Cristel’s life in the balance, is the worst possible time for that kind of complication.

But Rolf’s secrets could be fatal, both for their budding relationship and for Valeriah.

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I believe I’ve mentioned that this isn’t my favorite kind of writing. In fact, I don’t think I know anybody who’d say it was. But it is necessary. So, I’m back at it–doubled this time because I’m doing new queries and revised synopses for two books–MAGE STORM and BLOOD WILL TELL–at the same time.

I think I’ve just about completed the MAGE STORM (MG Fantasy) set and will be ready to start sending that back out into the world of agents next week. Now I’ve got to work on the query and synopsis for BLOOD WILL TELL (paranormal romance). This time around with BWT, I’m emphasizing the paranormal romance aspect, rather than the urban fantasy. It’s a somewhat different set of agents. Maybe it’ll play better, since the story really doesn’t have the hard edges often associated with urban fantasy.

Queries are bad enough. At least they’re only about 250 words. Of course, I agonize over every one of those words. The hardest part for me is to get some semblance of the story voice into the query. Too many years of practice writing bland business letters, I guess.

Synopses: that’s a whole new level of torture. I didn’t have to do too much to the MAGE STORM synopsis. Just reflect the changes in the latest revisions. Not that I’m thrilled with it. There’s no way I’ll ever be thrilled with trying to tell a 50,000 word story in 1,000 words. Just not going to happen.

I’ll probably have to do more to the BLOOD WILL TELL synopsis, since I’ve changed the focus of the query.

After this, I need to do a serious round of revision on my Writers of the Future entry for this quarter. Then it’s back to MAGIC’S FOOL. I’ll be really glad to get back to original writing by then, I’m sure.

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