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Posts Tagged ‘revisions’

The plan was that I’d work on the first draft of BECOME

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during this month while the first draft of WAR OF MAGIC rests.

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And I will be doing some of that. But the plan was also that BECOME would be the next thing I publish after completing the DUAL MAGICS series. And that might not be true.

And the reason is that there are some complexities regarding the ASCENSION series that starts with BECOME that make me want to have at least a first draft of the whole series–or at the very least the first two books–before I start publishing it.

  1. The first part of BECOME, as currently written, is somewhat episodic, because it covers certain pivotal events from the childhood of the main character–both the development of his goals and the development of a relationship with his half-brother, which will be very important to the overall story. I’m writing that in chronological order, but ultimately that may not be the best way to tell the story. It might not be the best way to capture reader interest or keep the story moving. The overall story would make it easy to shift some of those episodes to flashbacks. But I won’t know how I want to handle that until I’ve gotten to that part of the story (likely in the second book, CONVERGE).
  2. The overall series has three main characters, in a way. The overarching story belongs to the main character of BECOME, but his two supporters are more than just sidekicks. And they’re both younger than the main character, so they won’t even show up until the second book. And they’ll have stories of their own that intertwine with his, but are not part of his story.
  3. And here’s the kicker. I really can’t come up with any way to end the first book that isn’t . . . well, not a cliffhanger, but definitely not a satisfying ending, either. The kind of ending that would make me as a reader spit tacks if the second book wasn’t already available. And I hate that as a reader. And therefore I try very hard to avoid it as a writer. If that’s in fact where this story has to end–and I’m very much afraid it is–then I want to have the second book ready for pre-order before I ever publish the first.

And all of that means that I’ll be working on a third story–a rewrite of MAGE STORM–during this month. Too, not instead of BECOME. But that will inevitably slow BECOME down.

And it’s why I spent way too much time yesterday trying to come up with a cover image for MAGE STORM. (One that, hopefully, does not include lightning this time. It’s dramatic and all, but I think I may be overdoing that particular image.)

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Celebration time! The first draft of WAR OF MAGIC is finally complete!

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Now to get a little work in on BECOME, so that one story can drive the other out of my head and I can come back to the first round of revisions with fresher eyes.

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My last post was about part of the world I’m creating from BECOME.

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This area of the story’s world will be very important, so it needs description.

My first drafts tend to be pretty spare on description, generally. But this is one of those places that requires a full description. I have to make this part of the world real to the reader. I don’t think I’ve done that yet. I’ve got the bones, maybe, but not the flesh. I’ll need to engage more of the five senses–the ones that are harder for me, like smell and touch. (I’m really not sure how a forest tastes, so I think I may have to leave that one out.) So I know I’m going to have to revisit this in the revisions.

And I have to describe it not just as I saw it (twenty years ago), but as my character would experience it. Some things that I recall might not be important to him. And some things I barely noticed might well draw his attention. So that’s going to take some thought and digging a little–or a lot–deeper.

Meanwhile, it’s time to build to the climax in WAR OF MAGIC.

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I decided that instead of trying to continue grinding through the first draft of WAR OF MAGIC, what I really needed was to take a short break from it–only a week or so–and come back to it fresh.

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Hopefully that will actually result in getting the draft done faster. (It could hardly be slower.)

Meanwhile, I’ve gone back to look over some of the critiques on the early chapters of BECOME (also in first draft, but incomplete).

One of the things that became clear early on was that no one really liked my prologue. They were confused whether this less-than-likable character was to be the main character. They were confused about some of the world-building issues (which is a much bigger thing I’ll be working on). And they didn’t see enough conflict or hook to start the story.

So . . . it’s gone. But not forgotten. Because you get to read it here:

Prologue:

Queen Carala hung on tight to the railing at the top of the staircase for balance and scowled at the spectacle below her, clearly visible through the great doors, which had been flung wide for the occasion. A procession of priestesses, led by the High Priestess herself, climbed sedately up the broad steps of the Palace and were met by Carala’s husband of less than a year, Leradan, the Year King.

If she weren’t so heavily pregnant, she’d be down there herself. Not to welcome the priestesses, but to monitor whatever foolish promises Leradan made to them. Not that she’d have been able to sway him. Goddess knew she’d talked herself hoarse last night trying. But no one could change that man’s mind once he’d made it up. And he’d decided to let himself be thoroughly gulled about this.

Carala sighed. Much as she wanted to be there, it took two of her husband’s strongest guardsmen to see her safely down the steep staircase at this point. She’d just have to rely on her half-sister, Lady Damina, to let her know what ridiculous oaths the High Priestess extracted from Leradan.

Below, the High Priestess accepted a small, blanket-wrapped bundle from one of the other priestesses and passed it to Leradan. The infant squalled at the transfer and Leradan, blast the man, put the baby on his shoulder and rocked, completely oblivious to the effect on his dignity. Not that the demonstration that he would be a good father wasn’t reassuring. Carala placed a hand on her own swollen belly. But there was a time and place for everything. And the great hall, with the doors wide open to the whole kingdom, was not the place.

It was bad enough that he’d brought his brat down from the north and installed her in the Palace. At least she was the daughter of his dead northern wife, not the bastard of some random priestess. And, of course, a girl and so no threat to Queen Carala’s child. Leria was at least quiet and polite. With this Temple brat, who could tell? Who was to say it was even Leradan’s?

Still cradling the infant, Leradan actually went down on his knees to seek the High Priestess’s blessing. Incredible. Carala knew he was a barbarian from some dreadful place in the north, but he’d been king of Juturna for three-quarters of a year. Past time he learned to behave with the dignity required for that role. She’d tried, Goddess knew. Carala was the daughter of the third Year King before Leradan. And one of those who’d ruled the longest. She knew about the proper demeanor for a king, if Leradan would just listen to her.

When Leradan started up the stairs, still carrying the infant and trailed by a buxom peasant woman, Carala retreated into her sitting room, seated herself in her large padded chair, and feigned disinterest.

As the group passed her door, Lady Damina scuttled inside.

“Well?” Queen Carala asked.

“It’s a boy, just as the priestess predicted,” Damina said.

“And? What did they make Leradan promise in return for this foundling?” Carala asked.

Damina shrugged. “Only that he would raise the boy as his own, my queen.”

Carala tossed her head. “Hmph! We’ll see about that.”

Damina patted her arm. “Well . . . really, what difference does it make? It might be good for your son—Goddess willing—to have a playmate in the Palace. And it’s not as if any of Leradan’s sons can inherit the throne after him.”

“Don’t be a fool, Damina. Juturna cannot survive if it maintains this barbaric practice of forcing its kings to fight for the crown every year. Quite apart from the instability, there’s no guarantee that a good fighter will make even a competent king. Goddess knows the last was a disaster and it was a secret relief to everyone when Leradan bested him in the warrior’s circle. And the one before him wasn’t much better. Leradan’s worked from dawn to dusk just repairing the damage they did. It can’t go on this way. My father knew that. If ever a Year King were strong enough to win his combats ten or fifteen times in a row, he could gather enough support to make himself permanent—and hereditary—king. Only, Father fell in his tenth combat. He never had the chance.”

“You think Leradan will succeed?” Damina asked.

Carala thought of her husband and smiled. He was young enough. He was tall and strong, though some of his guard were taller and stronger. What set Leradan apart was that he was the canniest fighter the Great Combat had seen in a hundred years. “Don’t you?”

Damina glanced toward the hallway. “He could win that many times, I think. But . . . will he try to overturn the combat? Will the Temple let him?”

“That’s why a king must win so many times. And be a good king, of course. So that the people will support him against the Temple, if necessary. As for the will . . . I’ve got years to work on that.” Carala placed a hand protectively over her belly. “And the birth of a son—a true son—gives a man more reason to think of the future.” Her expression darkened. “That’s why we can’t have this interloper, foisted on us by the Temple, given credence as Leradan’s first born.”

Queen Carala glanced toward the door in time to see a small grey cat stroll along behind Leradan and the nursemaid. Really! True, all cats were sacred to the Goddess. She’d never harm one, of course. That didn’t mean one had to allow them inside the Palace.

With a little help from Lady Damina, Carala hoisted herself out of the chair and waddled down the hall to the nursery that she had lovingly prepared for the birth of her own child in just a few days. She paused in the door. The room had changed since she’d last been here. There were two cribs now, side by side. And a small curtained alcove with a bed large enough for an adult—though not one of Leradan’s size. Sometime before Carala arrived, Leria had joined the group and now the girl strained on tiptoe to get a glimpse of the baby in Leradan’s arms.

“Can I hold him? Please?” Leria asked.

Leradan looked to the peasant woman, who smiled. “Of course you can. Go sit down in that chair.”

Leria obeyed instantly. The peasant woman took the baby from Leradan’s arms and placed it carefully in the girl’s lap. “Put your hand so, to support his head. That’s it.”

“What’s his name?” Leria asked.

“Gaian,” her father answered.

Carala drew in a sharp breath. “Glory of the Goddess.” They’d dared to name the boy that?

Leradan turned his head in her direction, so Carala placed a hand on her side as if a stitch there had been the cause of her gasp.

“I didn’t realize you intended to put him in with our own child. Surely, the Palace has enough rooms that they could each have their own,” she said.

It was the peasant woman who answered. “Truly, you highness, it will be easier to care for the babes this way. Until they’re old enough to need more room for their play.”

Carala pinned her with a haughty gaze. “And you are . . . ?”

Leradan answered, “This is Sarala, the wet nurse supplied by the Temple for Gaian.”

Carala raised her eyes to her husband’s. “And you mean for her to care for both babies.”

“Well, not as a wet nurse for both. But to care for them both? Yes. Why not? What higher recommendation could you wish than the Temple?”

There wasn’t a good answer to that. The Goddess’s priestesses would surely do all in their power to protect any child. Still . . . she’d planned on someone more . . . sympathetic to her and her own child. Perhaps when they were older, she could arrange for that. Carala nodded acceptance.

Sarala lifted the baby from Leria’s lap and laid him in the nearest cradle. The little grey cat—Carala had almost forgotten about that—leapt up to the edge of the cradle and then down into it. It pushed its nose into the baby’s face once, then curled up at the foot of the cradle, purring.

“You don’t mean to let that creature stay in here, do you? That can’t be healthy.” Or sanitary.

Leradan smiled down at the sleeping pair—baby and cat. “She is the Goddess’s gift to Gaian. To guide and protect him. Of course she stays wherever he does.”

Carala opened her mouth to say something more about that, but what came out instead was a gasp as pain lanced through her.

Leradan was at her side, instantly. “What is it?”

“I . . . I think our child is coming . . .”

 

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I’ve reached the point in WAR OF MAGIC,

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where the plot line intersects with my already-published short story, “Becoming Lioness”.

Becoming Lioness Cover 2You’d think that’d make this section easier, because I’ve sort of already written it. And in some ways, it will. But it’s also going to be . . . interesting to manage, because there are some noticeable differences between the two, as I’ve blogged about once before. I realized there’d be an issue back then, but now that I’m up to the actual writing of that part, the problems are a little clearer.

Some things are just minor points that changed between the time “Becoming Lioness” was published three years ago. Mostly small things, some of which I can fix with minor adjustments to “Becoming Lioness”.

The birth order of three siblings has changed in the interim, for example. That’s not a huge deal. I can just leave the second brother out altogether. That’ll mean deleting all of one or two sentences.

One thing that’s changed won’t be quite so minor: how a character whose ability to use her magic was blocked, gains the use of her magic after all. That’s not necessarily insurmountable, but it’s sure going to be interesting to deal with.

I’m already planning a revised version of “Becoming Lioness” to deal with some of this, but I’ll eventually want to put together a boxed set of the DUAL MAGICS series. And if I include the couple of tie-in short stories already published, plus a couple that I haven’t pulled together yet–well, that’ll put the two versions side by side.

And that’s an issue for all of the short stories. Because the main thing I have to change to make the short stories work at all is to reduce the number of characters. The cast appropriate–and necessary–for a four-book series of epic fantasy novels is simply unmanageable in a short story.

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Here are my 2016 Writing Goals:

  1. WAR OF MAGIC: Complete first draft, revisions, get critiques, revise again, polish, and publishWarOfMagic5
  2. Revise the already-published “Becoming Lioness” and publish the new edition. Pull together the tie-in short stories, “Hunter and Huntress” and “The Seeker”. Put them through the same revision process.Becoming Lioness Cover 2
  3. Publish a boxed set of the DUAL MAGICS series.
  4. MAGE STORM: Rewrite this as an epic fantasy. Same revision process as above. Try to publish in 2016 or early 2017.
  5. BECOME: TO CATCH THE LIGHTNING: Get a first draft done.
  6. Planning, world-building, etc. for some of the other stories on my back burner:
    1. Another story in the same world as DAUGHTER OF THE DISGRACED KING.
    2. A set of fairy-tale retellings I’ve been playing with.
    3. The prequels to the DUAL MAGICS series that explain how the world got that way.
    4. The sequels to MAGE STORM.
    5. My Weird Oz story.
    6. The last novel in the Chimeria series.
  7. I would dearly love to be able to get to a writers’ conference somewhere in there, but that will depend on both time and finances.

I think that should keep me busy.

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For 2015 my writing goals were:

First: BEYOND THE PROPHECY (Book 3 of the Dual Magics series): Finish the first draft. Revise. Get critiques. Revise again. Polish. Format. And Publish.

Yes.

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Second: Tie-in Dual Magics short stories: “Modgud Gold”, “Hunter and Huntress”, possibly “The Seeker”. These stories expand on the events of the novels. Some things that there just wasn’t room for in the novels. Often from the point of view of side characters.

Of those, I only completed “Modgud Gold.”

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I guess the other stories will just have to get pushed to next year. Honestly, any time I have to decide between working on a novel-length story and a short story, the novel is likely to win. They’re just more fun.

Third: MAGE STORM: my middle grade adventure fantasy. There’ll be at least two periods when I need to let BEYOND THE PROPHECY rest so I can come back to it with fresh eyes. During one of those, I want to go back over this story. Possibly change the age of the main character. Then give it a try with a small press.

Yes, but no luck. Middle grade is a really tough market, whichever way you try to go with it. I have a different plan for this one now. And its three sequels.

Fourth: DAUGHTER OF THE DISGRACED KING: This one is complete and ready to go. I’ll query it for a little longer, but there’s also a good chance I’ll just decide to go ahead and publish it myself.

Yes. I did decide to just go ahead and publish it.

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Fifth: BOOK 4 of the Dual Magics series (No title yet): Start the first draft for publication likely in 2016.

Yes. And it now has a title–WAR OF MAGIC. And a cover.

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Sixth: At some point, I’m likely going to need to go play in a different sandbox for a while to keep things fresh. That will likely mean work on either DREAMER’S ROSE or that weird Oz story that’s been tickling around in the back of my brain for a while now.

Yes. What was DREAMER’S ROSE is now BECOME: TO CATCH THE LIGHTNING. Weird Oz is still fermenting.

I guess I did pretty well against my 2015 goals.

Here’s hoping I do as well next year. I’ll be setting those goals in the next few days.

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I’m closing in on a section of WAR OF MAGIC that was also written–several years ago–in the short story “Becoming Lioness”.

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Now “Becoming Lioness” tells this part of the story from the point of view of a different character than the one who will be the focus in WAR OF MAGIC. But that’s not the only difference between them.

 

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Some of the differences have to do with “Becoming Lioness” being a short story. (Actually, it’s a novelette, but that’s kind of an inside writing term for a long short story–not a short novel, which is called a novella.) Some characters that will be present during these events in WAR OF MAGIC were left out of “Becoming Lioness” because they got in the way of telling the smaller story in a streamlined way, for example.

“Becoming Lioness” was published in 2012, almost two years before THE SHAMAN’S CURSE. And it was written well before that.

????????????????????????????????????????????????????????????????????????????????????????In other words, it was written before the current version of the DUAL MAGICS series, though I had proto versions of what became THE SHAMAN’S CURSE (actually, that was always the title of the first book) and THE VOICE OF PROPHECY (which grew up under the pseudonym THE IGNORED PROPHECY). And some fairly major things changed in the rewrite of those first two book in the series.

  1. The birth order of some of the sibling or half-sibling characters changed. In the original version, Fenar was only a little more than a year younger than Vatar (the main character). And Kiara (who is the main character of “Becoming Lioness”) was the baby.Fenar ended up not having as much to do as I’d originally thought and Kiara’s age caused some problems for a major subplot, so I switched their birth order and made Kiara several years younger than Fenar originally was. “Becoming Lioness” still reflects the original birth order–Vatar, Fenar, Kiara–instead of the new one–Vatar, Kiara, Fenar. Now, that would be fairly minor to fix in the short story–if it were the only problem.
  2. Now, there’s something about the birth of the youngest sibling–no matter which of them it is–that potentially affects that character’s magic. And “Becoming Lioness” assumes that this explains Kiara’s unusual relationship with her magic. In WAR OF MAGIC, there’s another explanation for this. Again, I could probably fix this and bring the short story into better congruence with the series.
  3. But there’s one I’m going to have to work on–how she learns to use her magic. Now, maybe I’ll be able to keep that more or less intact in WAR OF MAGIC. Maybe not. I’d like to, but I’m not there yet and it might not make sense when I do get there. If I can’t, there basically isn’t any reason to fix the first two.

And there will be readers who won’t like the two stories not lining up. Actually, there will probably be some who don’t like the streamlining changes, either. In any case, there are already almost a thousand copies of “Becoming Lioness” out there.

So, I’m going to do some thinking about whether and how much to revise this short story now that the “real” (in the novels) version of these events is going to be available, too, sometime next year.

 

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I hadn’t been making much progress in WAR OF MAGIC.

WarMagicBlankI can’t even tell you why. There wasn’t a good reason I couldn’t make progress on the scene I was trying to rewrite. I just couldn’t find my way into the newer version. Until yesterday.

Whew. Now that scene’s done and the next one, too, and I’m well on my way to having this revised beginning in good enough shape to let me move forward again.

Sometimes these things happen. But they’re extremely frustrating.

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As I posted (sort of) on Wednesday Thursday, I’m working my way back into WAR OF MAGIC, the fourth (and final) book in my DUAL MAGICS series.

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Having decided on a title, I guess I can go ahead and finish the cover now.

I’m redoing the first couple of chapters because I just didn’t feel they were doing what I wanted or needed for the beginning of this book. This dissatisfaction may have been part of what was keeping me from making progress before. This is where taking a short break can really help.

It doesn’t help much with the other issue, though. Which is that I really think I’m going to have to kill off at least some of my characters at the climax of this one. It’d feel like cheating to get to this huge war and have everyone survive unscathed. But . . . I really don’t want to. Writing is hard, sometimes.

Meanwhile, I’m still tossing around the idea of putting together a boxed set of my three stand-alone young adult novels: FIRE AND EARTH, THE BARD’S GIFT, and DAUGHTER OF THE DISGRACED KING. But I’m still stuck on a cover image for these three disparate stories. So, I thought maybe coming up with a title would help. Right now, I’ve got:

BY SWORD, TALE, OR MAGIC:

Three Girls Who Changed Their Worlds

(Referring to the different weapons used by the heroines of these stories.) Not sure about that yet, though.

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