I’ve posted about this before, but it really does bear repeating. There is nothing in writing more valuable than beta readers and insightful critiques of your work. You simply cannot, no matter how long you let it rest, ever really see your own story objectively. You need somebody who will read it and be honest with you–brutally honest if necessary. Especially someone who will take the time to really analyze exactly where you’ve gone off into the weeds.
I’m fortunate to belong to two great writers’ forums–Hatrack River Writers Workshop and David Farland’s Writers’ Groups (the Pied Pipers). Links to both forums can be found in the sidebar.
MAGE STORM’s history goes something like this:
- I wrote it last year (2010) and submitted for readers in the Pied Pipers (a group on David Farland’s Writers’ Groups specializing in YA, especially fantasy YA). I got some good ideas, incorporated them, and started querying. I had a crit partner from over on Hatrack River read through the revised ms.
- MAGE STORM has been queried moderately lightly (37 queries). Of those, it’s gotten one request for partial and one request for the full, but neither went any further.
- However, the agent who requested the full did give me some feedback. Boiling it down, I decided that the main problem was that the central conflict wasn’t clear enough. (She complained that a certain event hadn’t happened soon enough. But that event was the second try/fail cycle, not the central conflict, and it happened pretty much right on schedule.) Well, partly that was a fault of the query and synopsis, for highlighting the wrong thing. But it was also true that there were things I could do in those first three chapters to really make the central conflict more clear. One way and another, I’ve been working on that since last June.
- I went back to my first readers to kick around some ideas and then revised the first three chapters. I submitted them back to the Pied Pipers for critique.
- Those revisions weren’t entirely successful. Basically, I’d managed to mess up the progression of Rell’s magic. It should have gotten scarier and scarier in order to propel him into the rest of the story. Instead it had done the reverse and so his decision didn’t make much sense. This, I find, is a pitfall of piecemeal revisions. It’s too easy to lose sight of the bigger picture.
- I made an attempt to fix that and asked for critiques over on Hatrack River. This is where having more than one critique group can be invaluable. It’s easier to find fresh readers who have never seen the story before (or never more than the first 13 lines) and can look at it with fresh eyes and no expectations of where the story is going to go from there. (Thirteen lines is all you’re allowed to post on Hatrack River. Anything else is handled through emails.)
- Well, I got some good critiques and one really extraordinary one. That one–that’s the one you’re always hoping for–really showed me where the problem was. What I had added that really didn’t need to be there. And where I needed to go to raise the stakes. (Thank you, MattLeo.)
- I’ve just submitted that revision back to Pied Pipers to see what they think.
- I’ve still got one critique on the whole ms outstanding. We’ll see what that turns up.
The point is, I can’t even begin to express how much stronger the story is for the input of all these wonderful critique partners. Thank you all.
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