I’m working through the revisions on BECOME: TO RIDE THE STORM.
Usually, I more or less go through the manuscript in order, picking off revisions as I come to them. Unless, of course, a revision requires a little more thought. Then I might skip over it the first time and come back to it in a later pass.
This time, though, I find myself skipping around, working on whatever revision seems to appeal at the moment. It’s interesting, but I found myself reading through a sequence yesterday, just to make sure I hadn’t messed it up with a bit of cut and paste surgery I’d performed. I’ll have to read the whole thing through again, of course, when I finish the revisions and before I hand it off to my critique partners.
One of the side effects of this, however, is that I’ve knocked off most of the easy ones and now find myself wrestling with one of the revisions which requires generating more emotional response for one of the characters.
Those are sometimes the most difficult revisions. This one, I’ve decided, can’t be dealt with in a single revision. This is something this character has been avoiding dealing with for a long time. And it’s going to take several scenes, over the course of the whole book to build the pressure on this character and then release it–right at the climax.
This is going to be so much better.
Leave a Reply