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I’ve written about this before, but it’s what’s at the top of my mind again today.

As a reader, I love a good series.  I already know I enjoy the author’s work, the setting, the characters. As a writer, it’s something I really want to do. So far, I’ve only got one (very short) series: BLOOD WILL TELL and its sequel BLOOD IS THICKER.

http://www.dreamstime.com/-image10567743Eventually, there’ll be a third volume in this series, but I’m not ready to write it just yet.

I actually have three other stories that should be series.

MAGIC AND POWER will probably end up being the series title and there’ll be at least one more book following GREEN MAGIC (which is the current title for what used to be MAGIC AND POWER). That one will explore the same world through a different set of characters.

I have ideas for at least three more stories following MAGE STORM (or STORM OF MAGIC). Middle grade is a particular problem, though, that could be the subject of another post.

DUAL MAGICS starts with THE SHAMAN’S CURSE (TSC) and should be four books when complete. (Look for TSC later this year.) I’m currently working, part of my time, on the rewrite of the second book, THE IGNORED PROPHECY (TIP).

And that’s where the trouble with sequels comes in. It’s hard to start a sequel. You, as the author, already know these characters, the world you’ve created for them, the magic system. But, here’s the deal: you can’t assume your readers do.

When a book is launched out into the world, the author loses a measure of control. One of the things you can’t control is whether a reader starts where you want them to. TSC is the beginning. But somebody just might ignore that and pick up TIP for whatever reason. Maybe they just like the cover better. Maybe Amazon suggests that one. Whatever. You can do everything in your power to encourage the reader to start at the beginning and it still might not work.

Or, you know, some time might elapse between reading the first and second volumes in a series and readers may have forgotten a lot about the characters and the world.

So, you have to do the very best you can to make each book as easy to start as possible. Ease readers into this world and the characters.  And there’s the problem. I ended TSC with the main characters in a part of the world that probably needs the most description. It’s not even remotely a typical medieval fantasy setting. As I start TIP, I need to find a way to introduce that without boring readers who already know all of this because they just read TSC.

And then there are the characters. There are about a dozen important named characters present at the point where TSC ends. I don’t want to dump all of them into the first couple of chapters. That just becomes confusing, especially since some of them have complicated family relationships to each other. Ideally, I’d like to introduce them a few at a time.

I’ve chosen to start with the two main characters taking some private time when a situation develops. That’s fine. I was able to refer to a couple of other characters and bring two more in to help deal with the situation. Good so far.

Now, I’m confronted with the need to break off and go to another setting and another group of characters for a chapter. I know how they relate to the first group. It’s not going to be so easy to figure out how to make that clear to the reader.

This is just one of the things that makes sequels so hard to get right.

 

It’s going to take a long time to really process–not to say try out–the things I learned at IndieReCon. (BTW, almost all of the content (minus a few twitter chats and one facebook chat) is still available on their website.

I’ll focus on a couple of things I’m putting into action now.

Amazon Book Description:

This is the description that appears second on your book page, below the cover and price. It’s your chance to tell readers what the book is about, similar to a query letter in some ways. In fact, back-cover blurbs are very often what’s seen here. But you can do more than that.

What I didn’t know is that you can use some HTML tags in the description. I don’t know what all of the allowed tags are, but I know a few of them:

  1. <H2> </H2>This is a heading tag. On Amazon, it will make the text inside the tags appear larger, bold, and orange.
  2. <B></B> Bold

These are the only tags I’ve tried so far. I used them on the description for THE CHIMERIA OMNIBUS.

http://www.dreamstime.com/-image10567743

Take a look. Kind of snazzy.

Free Books:

This one’s kind of interesting. I’ve heard before that free books, particularly making the first book in a series free, can enhance sales. I kind of worked around this with BLOOD IS THICKER by making THE CHIMERIA OMNIBUS (containing both BLOOD WILL TELL and BLOOD IS THICKER) temporarily the same price as either book alone.

That turns out to have been me, well, not quite getting the point. Not the first time. It was the Write, Publish, Repeat podcast that made it clear to me. It’s not just giving the reader a bargain. It’s giving them a friction-free way to try before they buy. Something they don’t even have to think about, or not much. “Friction-free” as they described it.

It’s not the same as a free sample. Free samples, by their definition, end somewhere in the first fifth of the book. They aren’t complete. Now, if you have a series of three or more books (which I don’t yet), it can make very good sense to make the first book free. If people like it, they’ll likely buy the rest of the series. But that’s not the only way this can work.

What I’m working on now is polishing up the short story that was the genesis of THE BARD’S GIFT. The plan is to publish this for free, probably with a sample of the first couple of chapters of TBG at the back. It’ll take some time. I’ve sent the story out for some more critiques. I’ll need to find a new title for it. (“The Bard’s Gift” would likely be confusing.) Then there’s making a cover and formatting. Plus the time it will take to ask Amazon to make it permafree. Look for this some time in April.

When I get around to THE SHAMAN’S CURSE, “Becoming Lioness” will only need a brush-up to fulfill the same role. It’s already in the same world and involves some of the same characters as TSC.

More to come.

IndieReCon

Well, I’ve got this computer mostly up and functional, if not quite as updated as I’d like yet. That’s a relief.

And I finally made good on that commitment to finish the revisions to MAGIC AND POWER (now likely to be retitled GREEN MAGIC, because M & P is going to be the title of the series.) I’ve even got the revisions out to a couple of readers.

This week, I’m spending a good deal of my time over at IndieReCon. It’s a free, online conference about writing and indie publishing. I’ve already picked up a couple of ideas I’ll be trying out in the future and I hope to garner some more by the end of the conference. Hopefully, I’ll learn how to do a better job of my next launch than I did with THE BARD’S GIFT.

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In between events over there, I’m playing around a bit with the rewrite of THE IGNORED PROPHECY (sequel to THE SHAMAN’S CURSE). I’ll start in on DREAMER’S ROSE after the conference is over, when I can devote more concentrated attention to it.

Well, my last post was a little . . . optimistic.  Wanting to just soldier on and ignore the computer problem and actually being able to do it are not quite the same thing. Especially when the computer completely freezes. Just because this is the way the universe works, this happened on the same day that the plumbing completely backed up. (Picture me running to the neighbors’ to use the bathroom.) Then, I got called for jury duty. Yeah. I’m glad last week is over.

I spent two days trying to resolve the issue as a software problem–which there probably was. Unfortunately, it wasn’t the only problem. There’s also some hardware issue that has not yet been diagnosed.

So then I spent the next few days setting up my old, emergency backup computer (on which I’d had to completely reinstall windows). That’s been fun–not. One of the little catch 22 issues they get you with is that you have to have an internet connection in order to download the driver that will allow you to connect with the internet. And they don’t seem to see any problem with that. Thank heaven for friends with working computers and internet connections.

And all of this when I should have been extra busy on the internet because last week was the blog tour and giveaway for THE BARD’S GIFT.

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I still have a lot more work to do on this computer, but it is at least mostly functional, now. I’ve even gotten back to work on finishing up MAGIC AND POWER.

It’s good to be back. Now, on to better and happier things.

Computer Problems

I’m this close to finishing the revisions to MAGIC AND POWER (most likely to be retitled DESERT ROSE). The reason M & P may get renamed, is that I think I’ll reserve that title for the series. I’ve got an idea for a companion novel. Not exactly a sequel because the main characters in DESERT ROSE will not be the leads in the (unnamed) sequel. It will give me a chance to explore more of this world.

As soon as I finish, I get to get back to work on DREAMER’S ROSE and some actual new writing (the fun part). But my productivity over the last couple of days has been brought almost to a standstill because of computer issues. I hate that.

Now, to be fair, my computer isn’t exactly new. (It still runs Windows XP.) But it has to keep working for a while longer. I’m not sure what all is going on, yet. That may require some assistance. Hopefully, I’ve done a couple of things that will at least help. (I hadn’t run defrag in way too long, for one thing. It’s been run, now.)

Anyway, before I dive any further into computer issues, I’m going to actually try to finish MAGIC AND POWER. Back to work.

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Don’t forget to check out the giveaway for THE BARD’S GIFT over on Donna’s blog. There are some really great books available.

 

The fabulous Donna K. Weaver has set up a blog tour and rafflecopter giveaway for THE BARD’S GIFT.

TheBardsGiftCoverSmallThe giveaway will go live on Friday and run for a week, with the opportunity to win some really great books from some other wonderful writers. It’ll be on Donna’s blog and some of the others because rafflecopter doesn’t work on WordPress.com blogs.

Donna is the author of the SAFE HARBORS series (A Change of Plans (#1), Hope’s Watch (#1.5), and Torn Canvas (#2 — coming June 2014)) Seriously, you want to read these books.

The giveaway will include a New Adult Time Travel from PK Hrezo, a fascinating underwater young adult story from Holly Kelly (and a guest post on her blog), another young adult from Cindy Hogan (and another guest post), a science fiction ebook (and a guest post) from Jaleta Clegg, a fun young adult story from Jaclyn Weist, and a copy of a young adult urban fantasy from Melanie Crouse.

In addition to the above, there’ll be guest posts on these other writers’ blogs:

Bonnie Gwyn Johnson

Rebecca Lamoreaux

Lindzee Armstrong

So, this Friday, go visit some blogs and enter to win great ebooks.

And, for Valentine’s Day, use the following coupons to get free copies of some short fantasy romances on Smashwords.

Heart of Oak: NM24M

Becoming Lioness: RD33V

The Music Box: JG86Z

THE BARD’S GIFT, of course, is an historical fantasy. I researched the Iceland, Greenland, and the way of life there in the 14th century to get as much of the background of the story right as I possibly could. But the story is mine, not based on anything that really happened.

TheBardsGiftCoverSmallThere are other, sometimes less obvious ways, that fantasy and history meet. A medieval setting has become the default for second-world fantasy stories. Of course, some writers do medieval better than others. I still remember my confusion in reading a story in a clearly medievalish setting that nevertheless had private bathrooms with running water. Not that you can’t do that in a fantasy story. Just that you probably should provide some tiny explanation of the change. (Maybe it’s magic.)

The medieval default is so strong that an author has to work a little harder to convince readers that the setting isn’t medieval. I always seem to especially enjoy those stories. They’re like a breath of fresh air. And I’ve written a couple of them. MAGE STORM has a sort of settlement-era setting (like when farmers were first settling in the Ohio River Valley) and at least part of the setting for MAGIC AND POWER is modeled more or less on the desert southwest (without cowboys or the wild west aspects).

Sometimes history provides inspiration, too. In MAGIC AND POWER, I needed a reason for Ailsa’s family to be political outcasts. My inspiration for that was actually the Duke of Windsor, who was forced to abdicate because he married a divorced American woman (although the actual history was somewhat more complicated than that). So, just what do you do with an ex-king? And how would his presence nearby affect the new king? Those questions provide some of the external conflict for MAGIC AND POWER.

Last post, I mentioned that I’m currently working on a heavy revision of MAGIC AND POWER. It’s going well and I’m loving the changes.

This is the kind of thing that can happen when great beta readers spark ideas about what should have been in the story in the first place. Of course, if you were reading this blog this time last year, you’ll know that MAGIC AND POWER had a mind of its own and refused to do what I originally intended for it.

It was supposed to be a relatively simple story about a girl from a politically difficult background who feels she must choose between love and the work she feels called to do. Probably novella length. Then this other character popped up and forced his way into the story and suddenly I was writing my very first love triangle. It grew to about twice novella length. Like I said, mind of its own.

My wonderful beta readers pushed me to look at the story differently and shed those preconceptions I’d had for the novella. Two more things are expanding in this version. I’m significantly playing up the political intrigue and bringing it in much sooner. I actually had a couple of threads that only needed fleshing out to do a lot of this.Now they’re not just hanging out there; they’re part of the weave.

I’m also adding complications to the love triangle in the form of incompatible goals and a few annoying personality traits for all three characters. This story is going to be so great when I’m done with it.

Don’t forget THE BARD’S GIFT. I think that’s a pretty terrific story, too. And you can read it right now. Just click the pretty picture to go to Amazon of check the My Books page to find other retailers.

TheBardsGiftCoverSmall

2014 Projects

THE BARD’S GIFT is out in the world.

TheBardsGiftCoverSmallThere’ll be a blog tour and giveaway in a couple of weeks. Stay tuned.

Meanwhile, I’ve started looking ahead to my 2014 projects. Actually, it’s probably wildly optimistic to call all of these 2014 projects. I don’t think there’s any chance that I’ll get to all of them this year. But here’s what’s on my list:

  1. MAGE STORM (middle grade fantasy or adventure fantasy) is in the query process.
  2. MAGIC AND POWER (young adult fantasy romance) is what I’m working on right now. It’s getting a heavy revision/partial rewrite to incorporate some more elements and more conflict. It’ll be much better on the other side. I’m getting close to half-way through.
  3. UNTITLED (young adult fantasy romance) will be a sequel to MAGIC AND POWER, sort of. It will take place in the same world, but the main characters of M&P will only be supporting characters in this one. (It’s possible that MAGIC AND POWER will become the series title and M&P will be renamed DESERT ROSE.)
  4. THE SHAMAN’S CURSE (epic fantasy or sword and sorcery) has just been turned over to beta readers.
  5. THE IGNORED PROPHECY (sequel to THE SHAMAN’S CURSE) is in the queue. Like TSC, I wrote a draft of this a few years ago, but it needs a complete rewrite, just like TSC did.)
  6. DREAMER’S ROSE (young adult fantasy) is probably next up. It’s a partial rewrite of another old story, but the other part will be brand new. I’m going to have some real challenges figuring out how to weave the three character arcs together. It’ll be interesting.
  7. WEIRD OZ is still on the list. It’s just not quite ripe. I need to do a little more development before I restart on this one.

More distantly, I have :

  1. An idea for a retelling of the Little Furball fairytale.
  2. An idea for a retelling of the Welsh story Culhwch an Olwen (a less well-known part of the King Arthur cycle)
  3. My secret history idea, which needs a lot more development.
  4. And a bright, shiny new idea that came to me a few days ago.

Yeah, I think I can keep busy for the foreseeable future.

 

 

The Bard’s Gift officially launches tomorrow (but you can really get it now, almost everywhere).

TheBardsGiftCoverSmall

The mead of poetry was a real element in Norse mythology. It was made by dwarves who mixed the blood of the murdered go Kvasir with honey. The dwarves gave it to a giant in payment of a blood debt. Odin stole it for the gods by tricking the giant’s daughter into letting him have three sips. In three sips, he drained the mead, turned himself into an eagle, and flew back to Asgard with the treasure.

This excerpt is all about how Astrid comes by her gift. Braggi is the Norse god of eloquence and poetry.

Excerpt:

Astrid made her way down the long center aisle of the longhouse to her place on the wide bench. She pulled her straw pallet, blankets, and the white bear pelt out from the storage space beneath the bench, and wrapped herself up to sleep.

Warm and full, Astrid drifted quickly into sleep and into a dream. In her dream she stood on a headland, the wind off the ocean blowing her hair back from her face. But this wind was cool, not icy. She turned landward to see a broad grassy land. Hilly, but much less steep than anything she’d seen in Greenland. There were even a few clusters of trees. It certainly wasn’t any place she knew, although she could see the long hummocks of several longhouses down below. A strange bird with a long naked tail and colorful wings circled high above.

A young man walked up the slope toward her, carrying a drinking horn. Torolf? Her heart did a little flip in her chest.

Astrid started to look down out of sheer habit, but realized to her delight that her dream self wasn’t blushing. The thought of talking to Torolf didn’t scare her, either. If only she could feel this way when she wasn’t dreaming.

Her eyes narrowed as she watched the young man approach. Yes, he looked like Torolf, but also not. His face wasn’t end-of-winter pale and gaunt. His cheeks were full and ruddy and his eyes sparkled in a way she’d never seen Torolf’s do. Not that she’d met Torolf’s eyes that often. There was something else about him, though. It took her a moment to recognize it. The way he held his body, his gait as he strode forward, were not at all like Torolf. Neither was the smile he gave her as he stopped just a few feet away.

“You’re not Torolf,” she said.

The man smiled. “No. Though this form seems pleasing to you.”

“Who are you?”

“I am called Braggi.”

The name was familiar, but Astrid couldn’t quite place where she’d heard it before.

He pressed the cup into Astrid’s hands. “Drink.”

The sweet smell of fermented mead rose to her nostrils. Astrid shook her head. “I don’t drink mead.”

“This is a very special brew. Drink it, Astrid.”

Astrid wrinkled her nose. She didn’t like mead, or, more properly, she didn’t like how mead made her feel. “No, thank you.”

Braggi’s eyes almost seemed to glow. “I insist.”

She tried to push the cup back toward Braggi, but found that her arms wouldn’t move in that direction. Every attempt to push the cup away from her only resulted in bringing it closer to her lips. Braggi’s eyes seemed to bore into her.

Her arm trembled, but the liquid didn’t spill. Astrid tried to turn her head away, but that didn’t work either. Instead, her face lowered to the cup until her lips touched the rim. Her heart hammered in her chest. There was no way she was going to escape drinking this, whatever it was.

“Don’t fight it so hard, Astrid,” Braggi said. “You’ve wanted this. It will give you the ability to speak–yes, even to Torolf. It’s also for the good of your people. You must trust me on this.”

Trust was about the last thing Astrid felt. Everything she tried to do ended up as something else, as the very thing she was fighting against. She could feel sweat popping out on her upper lip. She clenched her jaw, but none of her muscles seemed to be obeying her. Instead of locking her mouth shut, the effort caused her lips to part.

The sweet smell of the mead filled her nose. She could feel the liquid against her teeth. Braggi put a hand to the bottom of the cup and tipped it upward, so the liquid filled her mouth. She would not swallow. She wouldn’t. She tried to spit the mead back out and once again her body did the opposite of what she intended. She swallowed and felt the liquid burn as it slid down her throat.

All at once, the spell or whatever it had been was broken. Astrid’s legs folded beneath her and she crumpled to the ground. She threw the cup away from her, but Braggi caught it, holding it reverently.

“Careful, Astrid. There’ll be no more of this brew until the end of the world. It wouldn’t do to spill it.” He raised the cup above his head and another hand reached down from somewhere else to take it from him.

Whatever the drink was, it was different than anything she’d tasted before. Unlike mead, this seemed to make her mind clearer, not muddled. Her body, now that it was hers again, seemed to pulse with life. “What was that?”

Braggi smiled and offered her a hand to help her stand up. “That, Astrid, was the mead of poetry. And now you will become the bard of your people. Their guide to a new and better life.”

“Me? I’m no bard.” The thought of trying to sing or speak or tell a story in front of anyone made her feel slightly queasy, even in her dream.

“You are now. When the time is right, you will know the stories your people need to hear.”

She was still shaking, but she pulled her chin up in an attempt at defiance. “And what if I don’t want to tell these stories?”

Braggi shook his head. “Oh, Astrid. There’s more of your father in you than I allowed for. You may fight us, but you can’t expect to win. In time, you’ll realize that what we do here is for your good and the good of your people. Then, maybe, you’ll accept the gift we offer with better grace.”

Although the sky was clear and there was no hint of recent rain, a rainbow appeared behind Braggi. He turned and stepped onto it as if it were a bridge to another world.