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Posts Tagged ‘Alternate History’

 TheWorldBuildingBlogfest

Day 3 of the World Building Blog Fest hosted by Sharon Bayliss is about Religion, so today I’m going with something a little more fun: mythologies.

The Norse had stories about dragons, like Fafnir. Dragons were cunning and dangerous symbols of greed and ultimate evil. In Norse stories, they were all things that some hero, like Sigurd, had to kill.

But, when the Norse in THE BARD’S GIFT move into the heart of North America, they come up against a new creature that doesn’t quite fit into any of the mythologies they know, though in some ways it resembles the dragons of their legends–the thunderbird.

KotP - Witchita, KS - #10

KotP – Witchita, KS – #10 (Photo credit: wes_unruh)

Thunderbird is a creature of Native American legend. Generally described as a huge rainbow-colored eagle. In the Pacific Northwest, Thunderbird is often depicted carrying off a whale in much the same way that a bald eagle might carry off a salmon.

Thunderbird is strongly associated with storms. Its wing beats gather the clouds and cause the thunder. Opening and closing its eyes or beak create lightning.

In some stories, Thunderbird is solitary. In others, there’s a community of thunderbirds. In the Pacific Northwest, Thunderbird could remove his feathers and bird head like a cloak and take human form.

Thunderbird is also a defender of mankind, but one that’s easy to annoy. Thunderbird must always be approached with utmost respect and caution. So, people who were used to thinking in terms of dragons, might just have a hard time dealing with thunderbirds, instead, don’t you think?

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TheWorldBuildingBlogfest 

Day 2 of the World Building Blog Fest hosted by Sharon Bayliss is about history. Here’s the history behind what happens in THE BARD’S GIFT:

The High Middle Ages coincided with a climatic period called the Medieval Warm Period. The North Atlantic region was warmer then than it is now. For example, winters were mild enough to grow wine grapes in England.

This is the age of the Vikings, a period of expansion throughout Europe, but especially in the North. The Norse raided throughout Europe and into the Mediterranean. They created Norse settlements almost everywhere they went. At this time, they also discovered and settled Iceland.

Iceland technically owed allegiance to Norway, but they were far enough away to have considerable independence for the first couple of hundred years of the settlement. There was no hereditary nobility in Iceland. The Icelanders developed their own form of government, based on regional chieftains and an annual gathering called the Althing, where they would hash out any disputes or changes in the laws.

Soon after the discovery of Iceland, a ship got blown off course and discovered Greenland. Some time later, Erik the Red, a man with apparent anger-management issues, was sentenced to lesser outlawry–three years of exile–for killing another Icelander in a dispute. Erik spent his exile in Greenland. When the period of banishment was over, he returned to Iceland and gathered settlers to return to Greenland. Even during the relatively temperate Medieval Warm Period, the passage was risky. Twenty-five ships left Iceland for Greenland and only fourteen arrived.

Greenland at the time really would have been green, at least along the fjords, with plenty of grass for the Vikings’ livestock. There would even have been stands of birch trees in the most sheltered parts of the fjords, which the settlers used to build their longhouses. Archaeology tells us that the original settlers’ diet came 80% from the land and only 20% from the sea, despite plentiful schools of cod just off Greenland. Nevertheless, the Greenland settlement was never completely independent. The Greenlanders were always partly dependent on trade with Iceland and through Iceland with Europe.

The Greenland settlement was also never very large. There were about 600 farms in three enclaves–the largest East Settlement (500 farms), the West Settlement (95 farms), and a small scattering of farms in the Middle Settlement (20 farms), which is sometimes considered part of the West Settlement. (This story begins in the Middle Settlement.) At its height, there may have been between 4,000 and 10,000 Greenlanders.

In 985, shortly after Greenland was settled, another ship was blown off course and discovered that there was still more land farther to the west–North America. Fifteen years later, Erik’s son Leif the Lucky led an expedition to explore this new land. They named three separate areas.

Helluland, meaning “land of flat stones”, is almost certainly in northern Canada, possibly Baffin Island.

Markland, meaning forested land, is probably the area around the Saint Lawrence River. This would have been a very important discovery to the Greenlanders. Iceland’s forests had all been harvested and so had much of Greenland’s. Wood was needed for building ships and longhouses, as well as for cooking and heating.

The location of Vinland is unclear, although it is certainly farther south. Vinland may be named for wild grapes (or other native berries such as gooseberries that the Norse mistook for grapes) or it may refer to pastureland. Since the Norse lived largely off their flocks of sheep and herds of cattle, this would also have been an important discovery for the Greenlanders.

There was certainly a Viking habitation at L’Anse aux Meadows. It was probably a gateway camp used as a place to make repairs, and possibly over winter on voyages to Markland or Vinland, but not a permanent settlement.

The Greenlanders made several attempts to establish a colony in Vinland, but failed for several reasons. The main one appears to be that they just couldn’t keep from getting into fights with the local Native Americans, who were far more numerous. Ultimately, the Greenland settlement, which was itself a fairly recent colony, just wasn’t large enough or rich enough to sustain another colony at that distance in a hostile environment.

However, the Greenlanders did continue to make regular voyages to Markland to harvest timber until at least 1347, within 150 years of Columbus’s voyage to “discover” the New World. The Vikings’ usual method of navigation was to sail to a known location at the same latitude as their destination, then sail directly west or east. The passage from Greenland to Helluland and beyond, however, could also be made by following the Greenland current north along the Greenland coast to the Nares Strait, which separates Greenland and Ellesmere Island by only about 15 miles at its narrowest. From Ellesmere Island, nearly constant northerly winds and the south-flowing Labrador Current could carry them to Helluland and then on to L’Anse aux Meadows. This is the route detailed in Erik the Red’s Saga.

Graphical description of the different sailing...

Graphical description of the different sailing routes to Greenland, Vinland (Newfoundland), Helluland (Baffin Island) and Markland (Labrador) travelled by different characters in the Icelandic Sagas, mainly Saga of Eric the Red and Saga of the Greenlanders. Modern English versions of the Norse names. (Photo credit: Wikipedia)

In the 14th century, the climate began to shift toward the cold period known as the Little Ice Age. The weather became much colder. There were more frequent and fiercer storms. This was a one-two punch to the Greenland settlements. It was harder to survive by the Viking way of life in Greenland. By the end of the settlement, archaeology tells us that the settlers’ diets came 80% from the sea and only 20% from the land, the reverse of what it had been at the beginning of the colony. The storms and the increase in sea ice also made travel between Greenland and Iceland more hazardous. There were years in which no trade ship made it back to Greenland.

History tells us that the Greenlanders starved to death, probably in the 15th century. But there are at least three other things that they could have chosen to do.

The last written records of the Norse Greenlan...

The last written records of the Norse Greenlanders are from a 1408 marriage in the church of Hvalsey – today the best-preserved of the Norse ruins. (Photo credit: Wikipedia)

They could have tried to sail back to Iceland. Political changes in Iceland would have made this undesirable for them, especially after the settlers’ families had been living in Greenland for 400 years or more. As in the story, that voyage had become hazardous.

They could have learned the techniques of the Inuit who were also living in Greenland at that time. The Inuit survived the Little Ice Age in Greenland, but the Vikings had contempt for them and seem to have been much too determined to stick to a way of life that wasn’t well suited to Greenland.

Or they could have tried again to colonize North America. There is some disputed evidence that Vikings might have made it into the heart of North America. To do this, they would essentially have had to sail to that part of the map that medieval mapmakers would have labeled “Here be Dragons”. That, of course, is how this story started.

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 TheWorldBuildingBlogfest

 

Today is about Geography (including endemic wildlife) and Climate in the World Building Blog Fest hosted by Sharon Bayliss.

THE BARD’S GIFT is set in the late 14th century primarily in Greenland, Newfoundland (L’Anse aux Meadows) and up the Saint Lawrence River. I would love to be able to actually go to those places (and a few in between), but unfortunately I live on the opposite coast, so that’s just not practical right now. That means I had to do a lot of internet searches and find photographs that could inspire me.

My research did turn up some odd ball things. One of them was the Greenland shark. Yes, such a creature really does exist–and figure in my story. You can’t waste a find like that.

 The Greenland shark

The Greenland shark is the most northerly of its kind and one of the largest–about the same size as a great white shark or up to 21 feet long and weighing over a ton. Parts of polar bears and reindeer have been found in the stomachs of Greenland sharks.

The flesh of the Greenland shark is actually poisonous. To make it edible, it must be either boiled, with several changes of water, or pressed and dried. Traditionally, this pressing was done by placing the gutted shark in a hole dug in gravelly sand. This hole also had to be on a rise, so that the liquids pressed out of the shark would drain away.  Then sand, pebbles, and rocks were piled on top to press the shark meat. It was left this way for up to three months. Then it was dug up, cut into strips, and hung to dry for another four or five months. That’s a really long preparation time.

The cured shark meat, called kaestur hakarl, is still served as part of the midwinter meal in Iceland. It’s said to still have a strong ammonia smell, which causes many people to gag the first time they eat it. First timers are advised to hold their noses because the smell is supposed to be stronger than the taste.

I’m sorry. I don’t eat what can’t get past my nose. And no, I didn’t make my characters eat kaestur hakarl, either. The shark gets away.

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TheWorldBuildingBlogfest

I’ve decided to participate in the World Building Blog Fest hosted by Sharon Bayliss. That means I’ll be posting every day this week with something about the world of THE BARD’S GIFT, my young adult alternate history, so keep checking back for new posts Monday through Friday.

By the way, there’s information about some of the other worlds I’ve built for my writing on the page labeled “Worlds”.

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And likely to be revising for a while.

I’m still deep in the revisions to FIRE AND EARTH, though I hope to finish up today or tomorrow. The agent round started today, so it really needs to be ready, just in case I get a request.

That’ll be the major revisions. There are a few smaller suggestions that I may tinker with later. Things like name changes, which literally, with the magic of word processors, take about a minute. Pitch Wars aside, I think I may want to try to find another reader just to look this over after I’ve torn it apart and put it back together again in the course of two weeks. I’ve lived this story for that period and I don’t think I’ll be in a position to see it clearly myself. Then I’ll make a decision about what to do with it next.

After that, it looks like I’ll be getting to the revision on THE BARD’S GIFT. I have four critiques back to start working on. I’ll need to really work on the query and *gasp* write the synopsis, too. I want to have this one ready to start querying by this summer. Maybe earlier.

That’s part of the reality of writing. Revisions usually take more time than the first draft.

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Well, it was nice while it lasted, but it looks like I’m leaving the first draft behind for a while and heading back into revision land.

I think I mentioned here before that I’m a first alternate in Pitch Wars with FIRE AND EARTH. I got the revision notes back from my mentor on Friday and I’ve been digesting them for the last day or so. Some of them I completely agree with, but one in particular has taken me awhile to come around to. She says I started the story in the wrong place–by about eight chapters. Yikes. And then use some of the saved words to further develop the characters, side characters, and their goals and conflicts, as well as more showing of emotions.

But, you know, she has a point and what she identifies as the inciting incident may be a better choice than what I thought was the inciting incident. Now, I don’t know yet if I’m going to be able to delete all of that. There are some things in there I really do believe the reader needs to know to understand what’s driving the characters. But I’ve already identified–and cut–quite a lot that isn’t really necessary. I might be able to work in some of the rest later in the story.

I’ve got a lot of work to do on this. And I have to try to do as much as possible by the 20th, because where the story really starts will determine what the first 250 words are. Duh! (Also, you know, it’s just good form to have a completed ms for things like this just in case an agent makes a request.) Plus I need to write a 35-word pitch. I have about four possibilities right now and frankly, they all suck. This is not the part of writing I’m good at. I really like the description by a critique partner (thank you MattLeo) that trying to boil the story down to 35 words is necessarily like trying to decide which blind man had hold of the most interesting part of the elephant.

Plus, the reader critiques of THE BARD’S GIFT are starting to come in much earlier than I expected. (I was planning on the end of the month.) I think that’s good. It takes longer to read a story to critique it and I only sent it out on (I think) the 30th of December. I’m taking that to mean that the story kept them reading.

Back to work with a vengeance.

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Okay, enough goals for the new year and holidays and birthdays. Back to the important stuff–writing.

THE BARD’S GIFT is out to readers. I’ve even gotten my first response back–and it was a good one. I’m still waiting for feedback on FIRE AND EARTH and MAGE STORM. So, it’s time to move on with something new.

Right now, I’m working on the rewrite of last year’s MAGIC’S FOOL, which was itself a partial rewrite of my first (serious) novel, THE SHAMAN’S CURSE. Since the main character’s age (13) was going to be a show-stopper with agents, this time he’s a couple of years older and it’s a boy-oriented young adult story. I feel better about that after reading David Farland’s NIGHTENGALE. It’s a balance between writing some new material and reusing a good bit of what I wrote last year, so it’s going pretty fast. 

Meanwhile, I’m letting a couple of shiny new ideas percolate in my subconscious. I love them both, but neither of them is quite ripe. I’m still mostly a discovery writer, but I know better than to start in on a novel-length story without a reasonable idea of where I want it to go–and what it’s central problem is. One is a sort of Oz story–if Oz was more like a magical Jurassic Park than Munchkinland and Dorothy wasn’t sure if she could trust the scarecrow, cowardly lion, or tinman. The other is a secret history of King Arthur–with dragons.

Here’s to a successful and productive 2013.

Cowardly Lion's Courage Medal

Cowardly Lion’s Courage Medal (Photo credit: Wikipedia)

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I gave up making resolutions a couple of years ago. No one keeps them. Instead, I try to make goals. Goals–good ones, anyway–are concrete and are able to be broken down into achievable steps. There’s a much better chance of at least making progress toward a goal than there is of keeping a resolution. At least, there is for me. So, here are my writing goals for 2013:

  1. Get THE BARD’S GIFT in shape to start querying it. It’s going out for critiques this month. Then revisions and polish. Plus, of course, getting the query in shape and writing the evil synopsis.
  2. Get MAGE STORM into shape to start querying it again. It’s been off the market since last March. This one is still in the hands of a very thorough critique partner.
  3. FIRE AND EARTH, too. This one is currently in the hands of a mentor from Pitch Wars. Once I hear back, beat it into shape and get it out there again. If I haven’t found an agent for one of the above by the end of 2013, I’ll e-publish FIRE AND EARTH.
  4. Whip BLOOD IS THICKER into shape and e-publish it.
  5. Enter Writers of the Future at least one quarter.
  6. Write the first drafts of two new novels. One will be the rewrite of MAGIC’S FOOL (which I have outlined and ready to go). The other will likely be one of the two shiny new ideas that came to me in the last couple of months. I’m excited by both of them, but I have more world building and prep work to do before either is really ready to go.
  7. Learn and improve.

I have a list of personal goals, too, but this post is already long enough.

Happy–and productive and successful–New Year!

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Well, it’s that time of the year. Time to look back and see what was–or wasn’t–accomplished in the last year and declare goals for next year. I’ll do the first in this post and blog about next years goals in my next post, which will actually be next year.

The full post of my goals for 2012 is here.

Teen and Young Adult Fiction

   Writing goals:

  1. BLOOD WILL TELL was e-published during 2012. It’s original cover wasn’t very good, which I’m sure affected sales. It has a new and much better cover now.
  2. I did query MAGE STORM during 2012, but I currently have it torn apart for revisions with the help of a very thorough critique partner. I expect to give it another go in 2013. I believe in this story. Plus, I have at least three potential sequels for it that I’d like to write.
  3. SEVEN STARS, which is now titled FIRE AND EARTH, has also been queried. It got chosen as first alternate in Pitch Wars this month and I’m waiting for the feedback from my mentor so I can make revisions and see what happens.
  4. MAGIC’S FOOL will never get beyond first draft, I’m sorry to say. I learned in this year’s WriteOnCon that the age of my protagonist is poison. Too old for middle grade and not old enough for young adult. I can’t make him any younger, so I’ll give the story a rewrite as young adult, including material that was planned for the sequel (MAGIC’S APPRENTICE), possibly in 2013.
  5. Keep writing. This was an unqualified success. I finished three drafts of THE BARD’S GIFT, which is now ready for readers in a few days.

As for the personal goals, well, let’s just say I did better with my writing.

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. . . of the best possible kind.

I’ve finished my drafts of THE BARD’S GIFT, ready for readers next month. I’ve got two other projects–FIRE AND EARTH and MAGE STORM–currently out and I’m expecting revision notes back on both. I’ve been revisiting some short stories that have been waiting for a little attention–and I’m getting excited about one. I think I finally see the way to make it better, as opposed to just tweaking it.

But that’s the background. The new year is almost upon us and it’s time to start planning my next project and get ready to plunge back into first draft mode after all this revision stuff. And I have a number of projects to choose from:

  1. It could be a rewrite of my embarassing first novel. Most uncharacteristically, I actually have an outline for this one. There are a couple of decisions I’d still have to make, but I basically know these characters and where the story would be going. (By the way, this is the same world as my short story “Becoming Lioness”.)Becoming Lioness Cover
  2. It could be a shiny new idea I had just a couple of months ago. A twist on “The Wizard of Oz”–if Oz was much more like a magical Jurassic Park than Munchkinland. I wrote a flash story based on this idea, but I’ve got a lot more world-building, not to mention plot development, to do before I’d be ready to start.
  3. It could be a fairy-tale retelling based (loosely) on “Little Furball”.
  4. Or a retelling of an old Welsh tale, Culluch and Olwen.
  5. Or another alternate history that’s been bouncing around in my head for the last month or so. This one could be a series. Maybe even *gasp* epic.

Decisions, decisions.

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