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Posts Tagged ‘first drafts’

Well, it was bound to happen. It’s just the opposite of what I expected.

As I’ve mentioned before on this blog, I’m about two-thirds of a discovery writer. Even when I’ve tried to write a chapter-by-chapter outline, I ignored it completely once I started to write and went where the story and the characters wanted to lead me. So, I don’t put myself through that anymore.

At the same time, my second book (now shelved) broke me of the idea of writing entirely by the seat of my pants. I require a few milestones before I’ll actually start writing. Generally, that’s the central conflict, the inciting incident, and the climax at a minimum. Better yet to have an idea of the first and second try/fail cycles, too. Enough of a road map, generally, to keep me from going too far off into the weeds with still enough freedom to discover some fun and exciting things along the way.

It’s not a guarantee, though. Well, nothing is, in writing or any other creative endeavor.

I’ve written myself into a bit of a corner on BLOOD IS THICKER. I know what needs to happen next. I just haven’t figured out why my characters would do that. From where I’ve go them now–and I like what leads up to this point–I just don’t see their motivation. I have to let my subconscious play with that and bubble up a few ideas. There needs to be something that pushes them back out. I have the beginnings of a notion of what that should be. If it works out, it’ll tie nicely into a subplot I started a few chapters ago. And that’ll strenghten the whole thing.

I know that I will eventually find the way out of this corner because I’ve done it before. I had the unfortunate experience last week of being stopped on both projects. MAGIC’S FOOL wasn’t really in a corner, though. I was just working out one of the new combined characters.

So, in the interim, I started work on the query for SEVEN STARS even though I don’t plan to start querying that until around March. It’s never too soon to start that because queries take a lot of polishing.

And then MAGIC’S FOOL came together in my head. I see my way clear to the ending now. Most likely I’ll go ahead and finish that while I let my subconscious play with the problem in BLOOD IS THICKER. 

What’s surprising is that MAGIC’S FOOL was the one I was struggling with because it’s a rewrite. I was deeply insecure about this one. Now I see pretty clearly exactly what I need to do. Not only to get to the end, but also what elements will need to be strengthened in the second draft. And I’m not worried about it anymore. This rewrite is going to work!

I really expected it to be BLOOD IS THICKER that grabbed me by the scruff of the neck and made me finish it first. Goes to show you never can tell.

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I’m sure I’ve blogged about this before, but it bears repeating. Sequels and series are hard. And since I’m working on BLOOD IS THICKER, which is the first sequel to BLOOD WILL TELL, it’s on my mind right now.

You’d think they’d be easier. You’ve already got the world built. You know the characters inside and out. And that’s exactly the problem.

You know all that stuff. And so do readers of the first book. But a reader who picks up the second or third book cold won’t. I’ve stated before that I have a very strong preference for the books in a series to be able to stand alone. Okay, it might be a better reading experience if you read them in order, but each should be able to stand on its own. I can’t stand series (which shall be nameless) that go on and on and on and . . .  Well, you get the point. If it takes more than three books to get to a resolution, you’d better resolve something in between or you’ll lose me. So, I won’t write that kind of series.

Perhaps more so because I’m not counting on readers to have read the previous book(s), there’s a very delicate balancing act of trying to put in enough world building, at the right time, without boring someone who’s read the first book and already knows all of this. The tried and true learn-as-you-go method of showing the world is a little trickier the second time around.

This is where critiques from readers who haven’t read the first book can be invaluable. Precisely the places where they ask questions or say “Wait. What?” are the places where you need a little more world building. Either right there or even better a little earlier so when they get to that place, they understand what’s going on.

Then there are the characters. In the first book, you can start with one or two and build your cast of characters gradually. In the second book, all these characters have already been established. Once again, you have the balancing act of describing who these characters are to one another without bringing the story to a complete stop.

How difficult this is depends in part on how many characters you have to introduce in the early chapters. In the first sequel I ever wrote (now shelved), I think I had in the neighborhood of a dozen established characters in the same location as my main character when the story started. Way too many to introduce all at once. I won’t make that mistake again (I hope). Of course, that story had too many characters to begin with. BLOOD IS THICKER starts off with just two, fortunately.

At the same time, of course, you don’t want to load the first chapter with so much back story that you drag this story down. That’s what makes it a balancing act. I don’t expect to get it right on the first draft, of course. But it does help to have some readers point out the places where I’ll need to beef up the background in the next go round.

Added to that, I have a theory about sequels, series, and especially about trilogies. (BLOOD WILL TELL, BLOOD IS THICKER, and the as-yet-unamed third sequel will form a series, but not a trilogy. There will be overlapping settings and characters, but not an overarching conflict that ties them together as a unit.)

My theory is this: The second book is almost always the worst. In the first book, you have the joy of discovering this world and these characters. In fantasy, especially, hopefully also a sense of wonder. In the third book, you have the big bang of the trilogy climax. The middle book is, well, the middle. I can think of very few trilogies that avoided the pitfall of the second book.

Yet, that’s what I’m writing now. The second book in a series (not a trilogy).  Wish me luck.

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I came across this problem last week. I’m not talking about the main conflict of the story, of course. That would mean I’d completed the story in eight chapters. Trust me, it’s not close.

No, but no novel (or very, very few) lives on a single conflict. There are always others–internal conflicts between mutually exclusive desires or fears. Conflicts between characters, even when they’re on the same side in the larger conflict. Sub plots. A dozen other kinds of conflict that enrich the story.

And I acknowledge that I have a problem. I have a desire to end a particular kind of conflict too early. It’s the conflict between my two romantic leads. I have no problem stringing this out before they come together. It’s after they’ve become a couple that I tend to want to smooth over their little differences. I want them to be happy together. But the course of true love never does run smooth–certainly not in fiction.

BLOOD IS THICKER is the sequel to my paranormal romance BLOOD WILL TELL. The central conflict hits very close to newly-weds Rolf and Valeriah. And there’s a conflict between them in how to deal with it. Rolf wants to run around trying to fix it (typical male). Valeriah is driven to protect . . .  well, you’ll just have to wait and read it to find out what she wants to protect.  Can’t give too much away.  (Besides, it’d take too much backstory to explain in this post.)

Rolf is basically clueless and occasionally puzzled by Valeriah’s reaction. For Vallie, it’s a sort of hot and cold conflict. Sometimes she’s really pissed off with Rolf. (And she’s half werewolf.  You really don’t want to make her mad.) Other times, she’s merely annoyed. Which, of course, only makes Rolf more confused. He’s trying to be strong for her and she’s reading it as detached.

I had the scene in my head where Rolf finally gets it and they get back on track. So, I wrote it. Nothing wrong with that. But I’d only gotten a couple of chapters further before I realized my mistake. It’s a good scene. I’m going to keep it. It just can’t happen for about a dozen more chapters, bringing them back solidly together just before the climax.

So, I’ve spent the last few days redoing chapters 7 thru 9. I don’t usually allow myself to go back during a first draft. I try to make the first draft forward only and keep the infernal internal editor switched off. But when it’s a conflict I need to pull forward in the story, well, I didn’t think I had any choice.

Even better, this conflict allows me to draw two characters closer together and set up a separate conflict which will probably continue even when the first is resolved. Don’t you love it when that happens?

Back on track, now and almost done with chapter 10.

In other news, Rebekah Loper has passed on a couple of blog awards to me.

The Blog on Fire award, which requires me to share seven (more) facts about myself and pass it on.

 

 

 

And the 7 x 7 Link Award, which requires me to choose one of my posts in each of seven different categories and then pass the award along.

 

 

Thank you, Rebekah. I’ll be taking care of the requirements in my next blog post.

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With Wolf Tracks

This is one of those days when it’s just really hard to think of a topic to blog about. Nothing much new is going on with my writing–it’s going, just in the same directions as in my recent posts. I haven’t had any revelations or discoveries to report.

I guess I’ll just have to revert to a status report.

BLOOD WILL TELL: I’m still waiting to hear back from the agent who has the full ms. It hasn’t really been that long (though sometimes it feels like it). I’m still playing around with ideas for the cover, just in case. I really want to try to insert a wolf into the oval made by the dragon’s tail. I have a couple of

With Background

images to play with, but I’m not sure whether my skills are up to it. Won’t know until I try, I guess.

 

 

BLOOD IS THICKER: Just starting Chapter 9. This story and these characters are just fun to work with. I have to think up more trouble to get them into, though, besides the main conflict. I have a couple of ideas. (Possibly one of my characters may get to thwart a kidnapping attempt. That could be fun.)

MAGIC’S FOOL: Still going slowly, but going. I’m just about to start Chapter 6.

MAGE STORM: I need to get serious about those revisions. I’d like to be ready to start querying it again at the beginning of next month. Too much later, and it’ll have to wait until after the first of the year. (A lot of agents shut down for submissions over the holidays.) I’ve identified one scene that either needs to be cut or expanded. As it is, it doesn’t serve enough of a purpose. How did that one escape the last revision? Oh, yeah. I like the way it ends. That’s not enough.

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I got so busy writing I forgot to blog.

So, here’s an update on my progress:

  1. I finished this round of revisions to SEVEN STARS and closed the file. I intend to leave it closed for about six months. Then I’ll come back, read it through, hopefully do only a polishing edit (but who knows what I’ll find after six months) and then get ready to start sending it out. I may start the query and synopsis during those six months. It’s not too early.
  2. I got through Chapter 5 of MAGIC’S FOOL. A tricky chapter because one of the characters dies. And getting to that point made it clear to me at least part of why I wasn’t happy with the first 4 chapters. It’s a first draft. It doesn’t have to be perfect or anywhere close at this point, but it is comforting to know what I need to fix in the second draft. I think (well, I hope, anyway) that I’ll be able to move along faster, now.
  3. I’m hard at work on Chapter 6 of BLOOD IS THICKER. The central problem has been set up, but the characters aren’t yet agreed on a course of action. In fact, there’s a certain amount of conflict over Rolf’s choice. Conflict is good.
  4. I’ve just started looking over the early chapters of MAGE STORM. So far, it’s just tinkering. There are more significant problems in Chapters 2 and 3 that I have to resolve. Chapter 2 is not giving the reader a good enough sense of Rell as the main character. Chapter 3 isn’t setting up Rell’s decision to go off and seek an answer “out there” nearly well enough. I’m anxious to get this back out there.
  5. I’ve just about made a decision on BLOOD WILL TELL. I think its time is now or very soon. I haven’t heard back from the agent who has a full manuscript, yet. (It’s still really early for that.) But, if this one falls through, I think I will go ahead and e-publish this one. I even started a mock-up of the cover art. I am not nor will I ever be a graphic artist.
  6. I’ve started research for THE BARD’S GIFT, my YA alternate history. This story will ake place far enough (physically) from the main events of its time that I’m not too concerned about historic events or people beyond what I already know. But I do need to have a feel for what daily life would have been like for these characters.

Whew! I guess that’s why I was too busy to remember to blog.

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So far, I’m happy with my progress in this experiment. Having BLOOD IS THICKER to work on allowed me to let a particularly tricky scene for MAGIC’S FOOL sort of percolate in the back of my head until it was ready. BLOOD IS THICKER took the pressure to write something off and made that easier to do.

MAGIC’S FOOL continues to be slow going, although I’m starting Chapter 4 today. Spoiler alert: One character does not make it out of Chapter 4. After this, maybe I’ll pick up speed. Or maybe I’ll be called back into BLOOD IS THICKER.  Sooner or later, I expect one of them to take over and push the other to the back burner, but for now it’s working for me.

In MAGIC’S FOOL, I needed to write an action scene involving a game played on horseback with three (not two) teams. That’s what needed some time to gel for me. It’s not like I’ve actually seen a lot of three-sided games (apart from board games, which don’t count) to draw on. Plus, I had to work the rules of this game into the action. (There’s no scene like the one where quidditch is explained to Harry to make that easier. All these kids have grown up with this game.) But I think I’ve got it. Readers will let me know if I’m right about that.

In BLOOD IS THICKER, I’m ready to start Chapter 5, in which the extent of the problem they discovered in Chapter 4 will become apparent. Something will have to be done, involving some sacrifice and a change of scene. That should be fun. I’m already seeing a couple of the scenes in my mind’s eye.

On top of that, I’ve started doing some research for THE BARD’S GIFT, my YA alternate history. I found a great reference book (kindle for pc edition so I’ll always have it right with me when I’m writing) for the basic daily life sort of information. This is the stuff I’d usually make up as part of my world building, sometimes using historical models. With alternate history, though, it needs to be as close to the real history as I can make it. Well, apart from the things I intend to change. It is alternate history.

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Ideas

Ideas come when I’m writing. There’s just no getting around it. I can stare at a blank screen until the cows come home (and I don’t even have any cows). I can take walks, do all the things that are times when ideas normally strike. The ideas will still likely come at those times, but they won’t come unless I’m writing. And revisions don’t count. It has to be real first draft (or at least second draft) writing. (Second drafts, I’m usually still doing quite a lot of new writing, putting in things I missed, skipped over, or didn’t know I needed until I got farther along in the story.) It seems like writing something new just engages some part of my brain that otherwise won’t talk to me.

So, I was a little stumped on MAGIC’S FOOL and decided to start BLOOD IS THICKER in addition to it. Well, wouldn’t you know it, as soon as I’d gotten a couple of chapters into BLOOD IS THICKER, my brain threw up just the ideas I needed to get back into MAGIC’S FOOL. Of course, while still throwing up ideas for the next chapters of BLOOD IS THICKER. I need to clone myself  so I can work on both at the same time.

I’m wrapping up a round of revisions from some excellent critiques on SEVEN STARS and itching to get back into both of my new projects.

I’m going to change just a little of what I’ve got in MAGIC’S FOOL. Then I’m going to start back up with my protagonist in a game of jarai (sort of soccer on horseback, but with three sides instead of two).

Chapter 3 of BLOOD IS THICKER will embroil my characters in some interesting political shenanigans.

Meanwhile, the latest interview on Farland’s Authors’ Advisories has inspired me to start the research for my alternate history story.

Looks like I’m going to be pretty busy for a while.

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First, I forgot to put in even a rough pitch of MAGIC’S FOOL in my last post, so here it is (very rough):

There are two kinds of magic in Rell’s world. In the coastal cities, certain lineages pass on magical talents from generation to generation. The magical lineages are very jealous of their inborn abilities and with good reason. It’s the basis of their rule.

On the plains, the semi-nomadic herdsmen use an initiation ceremony to create a connection to the totem spirit of their clan, which allows them to sense their totem animals–lions, ravens, eagles, bears, wolves, or wild horses. Because of their superstitious fear of magic, they don’t call their acquired abilities magic, but a rose by any other name . . .

Vatar’s troubles begin with his initiation. The magic of the initiation ceremony seems to have wakened a deeper inborn magic that must have come from his nonmagical, city-born mother. And the two kinds of magic interact in new and unforeseen ways.

Add to that, it appears that Vatar is one of those few born to be linked to another. And if he can’t find her, they’ll both go mad.

Second, I’ve been tagged. Barbara Evers passed on the Versatile Blogger award almost exactly a year after I first recieved it.  So, I’m reposting my “Seven Things About Myself” from back then. It’s probably a good introduction to the new people from the Platform-Building Campaign, anyway.

  1. My favorite author is Lois McMaster Bujold.  Her kind of storytelling, her damaged protagonists who have to overcome their own limitations as well as the external obstacles–that’s the kind of story I want to be able to write when I grow up.  Well, I could do a lot worse than as a role model than a multiple Hugo and Nebula award winner, right?
  2. I am a dyed-in-the-wool animal lover, although I do exclude things with six or more legs.  I’ve been known to rescue lizards and birds.  You tend to get funny looks when you arrive and say “Sorry I’m late.  I had to rescue a lizard.”  It’s bad enough that when it came to the place in THE IGNORED PROPHECY where I intended to kill off one of the dogs, I couldn’t do it.  It was harder than killing a character. 
  3. This is on my “About Me” page, but I’ll put it here, too.  My sport and therapy is dog agility.  It’s a sport where your dog is your team mate.  The human is intended to be the leader of the team.   (Corgis are bossy dogs by nature and sometimes that position is disputed.  I am still the only one that can read the course map, though.)  My job is to help the  dog run an obstacle course, composed primarily of things the dog has to climb over, jump over, or run through.  The obstacles all have to be performed correctly and in the right order, within a time limit.  Dogs run off leash and the handler may not touch the dog or the obstacles.  All of the instructions are communicated by voice and body language.  It’s a heck of a lot of fun for both me and the dogs.  You should see the grin my older girl gets when we play.  (Corgis are also a breed that needs a job.  Agility works very well and it helps keep them in shape, too.)
  4. Greatest time wasters that keep me away from writing:  Obsessively checking my e-mail, forums, web comics, and blog statistics.  (Sad, really sad.)  Playing stupid (and old) computer games.  Not even the new, hot ones.  Reading, when I’m into a really good book (not the case right now).
  5. When my evenings aren’t as messed up as they currently are, I frequently embroider while watching television.  Otherwise, television has a tendency to put me to sleep.  About half the time, I design my own embroidery patterns.  Almost everything that is hanging on the walls of this house has been embroidered by me.
  6. There’s a harp in my closet.  Not the kind you see in the orchestra.  That’s a pedal harp.  Mine’s neo-Celtic, which means it’s patterned after the celtic harps, but it has monofilament strings instead of gut and has been updated with sharping levers.  (Sharping levers do essentially the same thing pedals on the big orchestra harp do.  They allow you to change the length, and therefore the pitch of individual strings.  This is to mimic, as closely as the harp is able, the white and black strings of the piano, so it’s possible to play more modern music.)  I haven’t actually played the harp in a while.  In fact, not seriously since my father died.  That’s almost eleven years ago.  It’s time.  I’ve lost the calluses on my fingers.   Here’s a resolution (and it’s not even New Year’s), I’m going to take that harp out, tune it, and play at least a couple of carols this Christmas.  How’s that?
  7. I garden organically.  Although, around here, gardening could be classified more as sticking my finger in the dike than anything you’re likely to see in one of those glossy gardening magazines.  The yard’s just too big for one person to take care of, unfortunately.

 

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Blogging a bit early this week. (Usually updates are on Wednesdays and Sundays.)

Since this is (near) the beginning of the Platform-Building Campaign and new people will be popping in to look at the blog, I thought I’d blog about my various projects today.

BLOOD WILL TELL

I’m actively querying this one. (Actually, this week I’m researching agents.) I have one full request out. Fingers crossed.

Being a half-blood is inconvenient on a good day, especially when the half you got from your mother is werewolf.  Valeriah can’t take wolf form, but the full moon still fills her with manic energy.  Running helps; a tired werewolf is a good werewolf.

Living perennially caught between two worlds–human and werewolf, magic and non-magic–doesn’t leave much room for love. That suits Valeriah just fine. She’s never had any luck with that anyway.

Until her cousin’s life is threatened, that is, and out of necessity she accepts the help of a mysterious young man to protect Cristel. Rolf is everything that makes Valeriah’s pulse speed up in spite of herself. Now, with Cristel’s life in the balance, is the worst possible time for that kind of complication.

But Rolf’s secrets could destroy her trust and that might cost her life.

BLOOD WILL TELL is a 97,000-word paranormal romance and potentially the first of a series.

MAGE STORM

I have queried this one, but a response from one agent who requested a full prompted some revisions which I’m still tinkering with.

Rell doesn’t want magic. He doesn’t dream of being a hero out of old legends or a mage. Certainly not a mage, after they all incinerated each other at the end of the Great Mage War. He’d just like not to be in his big brother’s shadow for a change. Someone should have reminded him to be careful what he wished for.

All he knows of magic are the violent, frighteningly aware mage storms formed of the ashes of those dead wizards. Mage storms seek out people on whom to vent their fury. When the ashes fall like rain, red cinders explode, white burn flesh like acid, orange ashes taint what they touch, and yellow cause withering death.

Caught in a mage storm, Rell is struck by a strange blue cinder that infects him with magic and protects him and his family from the storm. Rell starts to think that maybe magic’s not so bad after all, but he finds it only complicates his life. His father expects him to bring back the benefits of magic from before the war, but Rell doesn’t know how. Meanwhile, others who only remember the terrors of the war fear Rell and his new abilities. Frustration and anger only bring out one of the most dangerous aspects of his magic: fire.

Rell soon learns that whether he intends it or not, his magic will leak out, uncontrolled, whenever his emotions are too strong. If he can find some way to learn to use this “gift”, he may be able to reduce the threat of the storms. If not, he’ll probably end up adding his ashes to the mage storms.

MAGE STORM is a 56,000-word middle grade fantasy and potentially the first of a series.

SEVEN STARS

I’ve recently completed the third draft of this Young Adult Fantasy. The pitch is correspondingly very rough, still.

Because of her berserker blood, Casora has been raised as a warrior. Now that she has activated the Curse and allowed the berserker to rule her, she can never go home. She leads her band of exiled warriors turned mercenaries in the battle against the invaders who overran her homeland.

Tiaran is the youngest and least of princes, the one who will never be a warrior. He’s so desperate to get into the fighting when his country is threatened that his gullibilty leads him to run away–and straight into a suicide mission.

It’s up to Casora’s mercenaries to rescue the prince. Cut off from the commanders who are now besieged in the capital, Casora has to mold Tiaran into a warrior and together they have to find a way to defeat their common enemy.

MAGIC’S FOOL

I’ve really just started this one (half-way through chapter three). It’s a complete re-imagining of my first novel (well, if you don’t count the thing under the bed that we don’t talk about). This time as middle grade, which it probably always should have been. As such, the original 100 K word story will have to be broken up into two or even three separate novels, each with it’s own (related) arc. I confess, I’m just a bit nervous about that. I think I’ve got it figured out, but the only way I’m going to find out if it works is to try it.

So, that’s what I’m working on these days.

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This subject comes up as I struggle to get a foothold in my new WIP. MAGIC’S FOOL (working title) is a rewrite/re-imagining of my very first novel. It starts considerably earlier. Also, since this time around it’s Middle Grade, the original plot has to be broken down into discreet segments, each with its own goal and completed conflict. I think I can do that, but I confess that I’m a little nervous about it.

However, there’s another point. My first novel, TSC (let’s just stick to the initials), was originally intended to be the first of a trilogy, later expanded to possibly four books. Now, some of what was in those stories, particularly the middle two books, will simply be deleted. But still, if I break the remaining story down, that could easily come to six or eight books in the series.

Other successful series (Flanagan’s THE RANGER’S APPRENTICE comes to mind) suggest that that’s not too many.

The other thing that brings this topic to mind is that a favorite author of mine is about to wind up a series of five books. But then she’s going to start two more series in the same world, following different characters. That worries me.

The thing is, I can think of several series or conglomerations of series using the same world that lost me part way through. I can name at least three series in which I devoured the first three or four books and was hungry for more. I kept reading, but perhaps a little less avidly after that. My interest usually puttered out somewhere between books six and nine.

One of these series continued to use the same world, but followed a different cast of characters for three or four books and then switched again to another set of characters. That one kept my interest the longest–to about fourteen books.

But in every case, eventually, I just got tired of visiting that world and those characters. It wasn’t fresh anymore. I wanted something new.

Of course with some of them there were other reasons that they lost my interest. Some went on too long without any resolution. (I don’t think I need to name that series to any student of the fantasy genre.) Some just seemed to me to be the same story told over and over again. But sometimes it just was that I was tired of visiting that particular world. It had become so familiar that it almost didn’t feel fantastic anymore.

So, maybe it’s not a good thing to write too many stories in the same world.

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