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Posts Tagged ‘Multiple Projects’

Well, unless lightning strikes, it looks like I’ll be in revision mode for most of the rest of this year. Being more or less the three-quarter mark of the year, it’s a good time to make plans and set goals.

  1. MAGE STORM: I actually completed the revisions on this ahead of schedule. I’ve got one reader for the revised version and I probably need to look for one or two more. Then, of course, incorporate anything coming from the revisions that I feel is right for the story. I’m feeling really good about this one. So I’ll also need to go back over the query and synopsis. This one is likely to go out to agents again early next year.
  2. BLOOD IS THICKER: I’ve started the revisions to this one. This is actually the first round of revisions and in places it’s probably one of the roughest rough drafts I’ve written in quite a while. I wrote the first draft early last year and had a few alpha readers on it, but I haven’t touched it since last May (busy with the first draft of THE BARD’S GIFT). Now I need to read through it and incorporate as many of the revision notes as I can. Then I’ll be able to see what to do with it next. This is the sequel to BLOOD WILL TELL.
  3. Time permitting, I have a couple of short stories I might take a second look at. “Infected With Magic” is the short story that spawned MAGE STORM. It also got me an honorable mention from Writers of the Future. I won’t undertake another round of revisions on it, though, unless I can figure out a better ending. Endings are still my Achilles heel when it comes to short stories. I can land a novel no problem, but short stories, especially ones under 5,000 words, are just a lot harder for me. I’m more likely to take another pass at “The Seeker”. I’ve gotten some feedback on this one recently and I think I finally have a better idea of what I need to do with it. We’ll see.
  4. There’s also a novelette, “Becoming Lioness”.  I’m going to put this one up to my writers’ group in October. After I shine up whatever they find, I’ll probably e-publish it. It’s an awkward length for traditional publication and it’s already been to most places I’d be willing to send it. It just came back from the last one after 230 days on submission.
  5. Then it’ll be time to get back to THE BARD’S GIFT and get it shined up for the writers’ group to read in January. Fortunately, that one is a pretty clean first draft. It needs the usual (for me) things added to it–antagonists motives and a stronger presence of the antagonist, setting descriptions, etc.–but I think the draft will stand pretty well without major plot changes. At least until after I get a few reader reactions.
  6. If I just get an itch to start something new, I’ve got the outline for THE SHAMAN’S CURSE/MAGIC’S FOOL (I don’t know which title I’ll choose for the third time around) to play with.
  7. I also really need to use this time to set up a marketing plan for the things I’ve e-published. Something I really should have done first, I know. But I know me and I knew I wouldn’t do it without some skin in the game. Now that my head’s not completely in the first draft of THE BARD’S GIFT every time I sit down at the computer, maybe I can make some headway on this. I’m going to have to start laying out concrete, short-term goals to get it done. Marketing was never my favorite subject.

Well, that ought to be enough to keep me out of trouble for a while.

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I’ve posted before about my difficulties with a particular story.

It started life as THE SHAMAN’S CURSE, my first completed novel (if you don’t count that thing I wrote in college). There really wasn’t much wrong with the story, but there was a lot wrong with my abilities as a writer and story-teller. So, I left it alone for a few years.

But I still really like those characters and that story. So, last year I rewrote a portion of that story as middle grade. It worked at least reasonably well. That version, MAGIC’S FOOL, still needed a little work, but I was pretty happy with it. And then, during WriteOnCon, I discovered that agents and editors don’t like stories that start off with thirteen-year-old protagonists. This was a problem because, for this story to work, I really couldn’t make him any younger. Drat. I had laid out several possible options for how I might proceed.

Well, last week, while I was trying to get THE BARD’S GIFT out of my head so I could start revisions on MAGE STORM, I sat down and as an exercise outlined the original novel. I have to say that was an eye-opener. It really highlighted some of the weaknesses in the original writing. I mean, I knew it, but it’s different when you see it in color-coded black and white, so to speak.

Anyway, my subconscious obviously kept playing around with the idea while I was working on other things. And then it forced me to sit down and type out a new outline. It’s the original, nearly-complete storyline with a couple of things left out that just really didn’t work well for a young adult story. Yes, it will be YA with a boy protagonist. The timeline is compressed from eight years (which was one of the weaknesses of the original story) to about two. And I like it.

There are a couple of things not clearly defined, but I’m a discovery writer; this is way more outline than I usually have at the beginning of a story. In fact, I’m sure that I’ll probably diverge from this outline at least once. That’s just what happens.

So, I guess I know what my next starting-from-scratch project will be, likely some time next year. Between now and then, I have to finish the revisions for MAGE STORM (I have a reader lined up who happens to be a great critique partner), revise BLOOD IS THICKER, possibly work on a couple of short stories, if I can squeeze them in, and then do the second and third drafts of THE BARD’S GIFT to have it ready for readers in January.

Looks like I’ll be busy for the foreseeable future, which is just how I like it.

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Just a (relatively) quick status update today.

Monday, I finished the first draft of THE BARD’S GIFT. Yay! I took longer with that than with any first draft since my first novel. Now it rests for a while before I go back for revisions. I have it slated to be read by my writing group in January.

It’s good I have something to celebrate because my chances of getting into the second round of the GUTGAA (Gearing Up to Get an Agent) agent pitch contest aren’t looking too good. That’s a disappointment, but with four anonymous judges making the picks, you just can’t ever tell what particular kinds of stories will appeal to them–just like with agents.

Meanwhile:

Yesterday, I went through and outlined the existing version of that first novel, THE SHAMAN’S CURSE, as a way to help me decide what direction I want to take with this story. That was a very interesting exercise and certainly exposed some of the weaknesses. It also proved to be a pretty good way to get the last story out of my head and clear it for the next. Whatever I do with this will be a rewrite, but I need to decide on audience first. After I play around with it some, I may just submit this to my writing group for some brainstorming.

Now, it’s time to get back to the revisions on my middle grade fantasy, MAGE STORM. I know exactly what I want to do, so once I get into it it shouldn’t take long. 

Then I think I’ll get to the revisions on BLOOD IS THICKER (paranormal romance). I might even squeeze in a couple of short stories that need some attention.

And then it’ll be time to go back to THE BARD’S GIFT.

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If you’re here looking for my GUTGAA Pitch Polish entry, go here.

I’m within sight of finishing the first draft of my YA alternate history, THE BARD’S GIFT, probably next week. So it’s time to look up and start thinking about what I’ll work on next, while the first draft cools a bit.

I have plenty of choices. Revisions to MAGE STORM are certainly at the top of the list. I have another story in first draft that I need to get back to, BLOOD IS THICKER, the sequel to BLOOD WILL TELL. And there are a couple of short stories that I need to polish up. I have a pretty good idea what to do with all of those stories. And that’s certainly enough to keep me busy until I can go back to work on THE BARD’S GIFT.

But, even though I may not start working on it yet, there’s one more story I’ll at least be thinking about as I try to figure out what to do next. This story was my first completed novel (if you don’t count the thing I wrote in college–and I don’t). In that incarnation, as THE SHAMAN’S CURSE, I thought it was a mainstream fantasy. Now, that version has so many serious flaws, I’m not even going to try to list them here, but, in spite of those flaws, I still love the characters and the whole arc of the story (which was always intended to be a series).

Therefore, last year about this time, I started a rewrite, this time as middle grade. I called it MAGIC’S FOOL and had even started the sequel, MAGIC’S APPRENTICE. The original story had to be changed, of course. Some elements had to be dropped and in order to tell a complete story in about half the length I had to choose a different central conflict. I like the results and was planning on going back for another round of revisions and then polish it up.

That was until WriteOnCon, where I found out that agents and editors don’t want stories with main characters betweeen twelve and fourteen years old. Bummer. My main character in MAGIC’S FOOL was thirteen. (He had started out as fifteen in THE SHAMAN’S CURSE.)

So now, I have to go back to the drawing board and decide what to do with this story. It’s not an easy choice, like MAGE STORM, in which I can easily change or delete a couple of elements and make the protagonist younger, say around eleven. Thirteen was already pushing the limits on just how young this character can credibly be.

So, as far as I can see right now, my choices are:

  1. “Damn the torpedos, full speed ahead.” Just ignore this age limit or maybe delete the one or two references to the protagonists age and go ahead with it as it is. This feels a little like trying to swim upstream (even more than is normally the case).
  2. Keep the story as it is now (more or less) and just make the main character a bit older. Go back to fifteen as he was in the original. To do this credibly, the story would have to be expanded by about half again as much (from around 50,000 words to somewhere around 75,000 words). There are things I could expand. There are also a couple of subplots that could easily be added–and which would add depth to the overall plot. I’d be betting that agents and editors really mean it when they say they want boy YA stories.
  3. And the third possibility would be to go back to the original story line and central conflict. I’d still have to rewrite it, of course. That would actually be better and easier than trying to revise it. This version has what may be a more satisfying central conflict. That’s a draw, frankly. Now, I could still go two ways with this. I could still try to make it YA. There really aren’t any plot elements that are inappropriate for YA, although I might handle one of them a bit differently. Or I could just leave that alone and let it be a mainstream (adult, but not in a sexy way) story.

I’ll be giving this some thought as I work on the other revisions I’ve got stacked up.

 

 

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Something new I learned in the very last event of WriteOnCon this year. Apparently there’s a gap between the middle grade (8 to 12) age group and the young adult (14 to 18) age group. Nobody wants books about twelve- to fourteen-year-olds.

The reason given? Bookstores don’t know where to shelve such books. The main characters are too old for middle grade readers and too young for young adult readers. It seems like a pretty thin reason to ignore an entire group of readers. Makes me think that online bookstores, like Amazon, are a very good idea. It’s no big deal to create a new category in the database and nobody has to move bookshelves or books.

Plus, of course, that skips over the difficult period called puberty, which strikes me as just cowardly. Admittedly, it’s been a few years, but there are parts of that time that are indelibly etched on your memory. Not only is it a time just rife with conflicts, which we all know make good stories, it’s also a time when reading about others going through some of the same embarrassing, confusing things might be more than usually beneficial. But, there’s no space on the shelves for it.

It also makes me wonder about something else. The standard wisdom that you’ll see quoted around the internet by industry professionals is that girls graduate from middle grade to young adult, while boys, if they keep reading, graduate straight to the adult section. I have to wonder if at least a part of the reason for this is that the romance element of just about all young adult stories satisfies at least a part of the needs of pubescent girls. On the other hand, the young adult stories in which the boy is almost always older, hot, and at least socially adept enough to ask a girl out without blushing maybe just don’t address the needs of pubescent boys, so they turn elsewhere.

Part of me wants to say that this is an under-served audience just waiting for the right books. On the other hand, I can wonder and even rant about this as much as I want, but one fact remains: getting started in this business is an uphill battle as it is. Making it any steeper than it has to be is akin to banging your head against the wall because it feels so good when you stop. An established author with a great track record might be able to write these books successfully. A debut author–or a writer hoping to be a debut author–just hasn’t got the horsepower to get up that hill.

Rats! And I’d started MAGIC’S FOOL with the MC at age thirteen. I’m shelving that one and the sequel, MAGIC’S APPRENTICE, while I decide what to do. Make the MC younger? That complicates the plot of MAGIC’S APPRENTICE enormously. Make him older and take this story to the younger side of young adult? It’s ironic that he was fifteen in the original version of this story. In that case, I’m going to have to weave in a subplot or two or else change the central conflict to expand the story–a rewrite, either way. Otherwise, at less than 50,000 words it’s just too short for a young adult novel. Hmm. I already have at least one idea for a subplot, though.

It’s not all bad, though. I got a couple of really good ideas on how to improve MAGE STORM and make it even better before I start sending it out again. That will probably be my next project after I finish the first draft of THE BARD’S GIFT.

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In those moments when I need to take a short break from my YA alternate history, THE BARD’S GIFT, I’ve started reading through another one of my projects, MAGE STORM.

MAGE STORM is a middle grade fantasy. It’s also a boy adventure story, something that I see several agents/editors saying that they want. I queried it last year to some interest but no offers. Now, I’ve given it a couple of months to cool off and I’m taking a fresh look at it. I’ve already identified one place where I think I could do a bit better and I’m halfway through a new scene to do that.

But, one of the things I’m considering is whether or not to rewrite the whole thing in first-person. It’s currently close limited third person. Everything in the story is filtered through the main characters perceptions already.

Still, changing it to first person would be a rewrite. Done right, in my opinion, it can’t just be changing the pronouns and the conjugations of the verbs. It’s a lot more involved than that–or it should be. First person point of view invites the reader to live inside that character’s skin. It’s a lot more intimate than even close limited third person.

I’ve written first person before, but only in a couple of novelettes. (Shameles plug: “Heart of Oak”, which is currently free on Smashwords and all the places Smashwords distributed it to, is one of those.) In both cases, it was because I “heard” the story in my own head that way. I’ve never written first person just because it’s the popular thing right now.

Just a quick survey of recent novels in both young adult and middle grade makes it impossible to deny that first person is strongly in favor right now. Is that reason to rewrite this in first person? I haven’t decided yet. After all, I really do want to see this published.

So far, I still “hear” this story in third person, although I could easily see it done in first person. Nearly all of the character’s emotions are already there, and quite a few of his thoughts. While there are a number of action/fight scenes in which, eventually, he comes out as the hero, he’s nearly always frightened enough during the action that he wouldn’t come off as bragging. That can be one of the downfalls of first person.

Another consideration, though, is that this story can be the first in a series. I already know, in a general way, what the next two books in this series would be about. I think I need to consider whether first person would also serve those stories as well as third person.

So, for this pass, I’m just going to concentrate on the sorts of things I’m working on now. When I get through this read-through/revision, I’ll make a decision on whether to make the change or not.

Now, I’m going to get back to work on that improved scene.

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Seriously, sometimes in this business you just feel like you’re beating your head against a brick wall. It’s so hard to break in. But I’m nothing if not stubborn. I’ll keep banging on that wall just as long as I have to.

I’ve been querying FIRE AND EARTH–a story I love maybe more than any other I’ve written so far–since April. I’ve had three requests for partial, two of which are still out. But that represents only about a 10% request rate. Not bad, but hardly great. I’ve recently overhauled the query. Too soon to tell how well that’s going to turn out. On the other hand, if I choose to look at the glass as half-full, I had three requests on MAGE STORM in a little over a year and more than twice as many queries sent out. So, my current request rate is actually progress. (And nothing says that I can’t requery some of those agents with the revised query in four or five months. What’s the worst they could do? Reject me again? Been there, done that, survived.)

Recently, my mind has been going back to MAGE STORM. I still really, really like this one. I keep hearing that agents and editors are crying for middle grade boy adventures. Well, that’s what MAGE STORM is, darn it. I just may have to take another pass through this one, revamp the query, and send out some more queries. I’m half inclined to use this one for the Christmas in July contest. Hmm. I wonder if it’s allowed to submit more than one book to that contest. I might have to ask.

I did get “The Music Box” e-published, but it’s going to languish just the same as “Heart of Oak” and BLOOD WILL TELL unless I start figuring out this marketing thing. It’s out of my comfort zone, but that’s part of the whole point. I need to learn how. Skin in the game was supposed to force me to do that. That hasn’t been too successful so far. I may just have to force myself to schedule in some time for that exclusively in order to make this work.

I don’t really write enough short stories to make much progress on that front. I’ve only written one and an abandoned partial so far this year. I should try to write more, but novels are just so much more satisfying. On the short story front, I’ve got two out on submission. One has been out for 147 days and a response on the other should come back any day now, assuming the publication keeps to their stated response time.

I’m making good progress (not roller-coaster, nanowrimo type progress, but good steady headway) on THE BARD’S GIFT again. That actually feels great. I’ve got my two characters close enough to begin depending on each other. Now it’s time to drop the axe and separate them for awhile. Have to make your characters suffer. And I think the opening of this one is the very best first page I’ve ever written.

So, even though sometimes it feels like standing still, I really am making progress. Sometimes, you just have to stop and remind yourself of that. It makes banging on the wall a little easier.

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Well, this is why I like to have multiple projects to work on. I can let THE BARD’S GIFT simmer a bit more, while I work out how to bring my main characters firmly together in a short amount of time and in just about one more chapter. I want it to feel like the end of the world to them when they’re parted, but I can’t spend half the book getting there. That’s a tall order and I need to do some more brainstorming on it.

Multiple projects are wonderful for this. I don’t have to lose productivity; I can just switch to something else–in this case, a bit of editing.

  1. I’ve had some ideas about that ill-fated science fiction story of mine, “Apocalypse Cruise”. I think maybe, just maybe, I can fix it–more conflict and a more satisfying ending. Actually, the ending won’t change. Just a bit more build up may make it work better. It’s worth trying, at least.
  2. Now that my critique group has had a crack at it and I’ve had time to digest their comments, I need to make the revisions to “The Music Box” so I can e-publish it next month. The main revision on this one will be to put back a bit of world building that I’d removed when I was trying to make it fit into a more (traditionally) publishable word count. Novellas are a tough sell, traditionally. If I e-pub it, I don’t have to worry so much about the word count. And it’s precisely the kind of story that should do well in that venue (romance, with only a slight fantasy element).
  3. I was beginning to think that the query for FIRE AND EARTH needed a touch up. The contest below, celebrating the publication of Wilde’s Fire, has provided me with some ideas on a couple of directions I can take to improve it for the next round.
  4. The contest has also given me an idea or two on how to improve the opening of FIRE AND EARTH.

By the time I work through that list, my subconscious should have thrown up some good ideas on how to get through this part of THE BARD’S GIFT. If not, then I’ll either:

  1. Skip ahead and write around it, for now. Not my preferred course, but it can be done.
  2. Or, do a little work on the first draft of my backup, MAGIC’S APPRENTICE.

Forward, always forward.

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This last week has not been a very productive one. There are a couple of reasons for that.

On one hand, I’m just a little bit stuck on my current WIP. It’s a problem I anticipated, but it’s still a problem. THE BARD’S GIFT is about Astrid, a shy girl who finds that she’s been given the gift of storytelling–but the gift comes with a catch. Sometimes, even when it embarasses her or when people don’t want to listen to her, she’s compelled to tell a particular story. It’s potentially a very powerful gift, but not a very comfortable one.

Well, the problem with this story is that I have to put in those stories that she tells, which is almost like stopping the flow of the main story and writing a short story in the middle of it. That’s proving a little more difficult than I anticipated.

By preference, I’d like to have Astrid start with traditional stories, then maybe start finding that the story she has to tell has some variations from the traditional story, and then telling entirely new stories. This is an alternate history, so that means I need to find a traditional story from her culture (Norse or Icelandic) that fits with that point in the story. I have some more research to do. The books arrived yesterday.

Now, there are a couple of ways I could deal with this. I could just go around and come back to fill in the story. Or I could work on something else while I figure out the story Astrid needs to tell. I have a novella “The Music Box” that needs work before it’s ready for e-publishing and a short story “Apocalypse Cruise” that might be worth revisting because I might have figured out how to address a couple of its issues. The problem with that is that it typically takes me a day or two to really switch stories in my own head.

The other reason I’ve been having trouble with my writing this week is interruptions. They are, I think, going to turn out to be good interruptions, but I’m going to need to find a way to deal with them without losing productivity.

If you’ve ready my “About Me” page, you know that I take care of my mother, who has advanced Alzheimer’s disease. For several years, Mom attended an adult day care run by the Salvation Army and I had my writing time worked out around that. Last year, that day care closed and Mom had a one-week hospitalization. For someone like Mom, an event like that often results in a drop in functioning. Mom was no exception.

So, for the last year, I’ve been basically going it alone with Mom at home 24/7. Now, I’m deluged with potential help. Mom’s doctor switched her over to the home care portion of her HMO, which means nurses will come out to her instead of me having to try to get Mom back and forth to the doctor (not a smal task, believe me). Great. The home care people suggested that maybe she should be on hospice. In the last week, I’ve had the home care nurse, a social worker, another nurse to draw a test sample, and the hospice intake person out. And the hospice people are coming back today. I’ve not been very successful switching back and forth between these roles.

The house is a mess. I’ve never been a great housekeeper. It’s just not where my interests lie. I can always find something more interesting to do–like getting lost in my current story. But it finally does reach a point where I have to stop and deal with it. Those efforts usually run aground in the clutter.

But now I need to find some documentation. And so far, I haven’t been able to. (I have found some other things that I’d misplaced, but not what I’m looking for right now.) So, I’m going to have to start attacking the clutter and the semi-hidden stacks of paper lying around this house.

Looks like I’m going to have to make a plan. I might even *shudder* have to make a schedule.

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Almost a month ago, I posted this set of priorities:

  1. Finish the revision to “The Music Box” and decide what to do with it.
  2. Get ready to query FIRE AND EARTH.
  3. Start THE BARD’S GIFT.
  4. Revisions to MAGIC’S FOOL.
  5. Prepare BLOOD WILL TELL for e-publishing.

I’m doing pretty well on these goals.

  1. I’ve finished the revisions to “The Music Box” and have it out to one reader. I’ll probably seek more readers at the beginning of the month, and then decide what, if anything, I need to change before e-publishing it. There simply isn’t any other market for a romantic fantasy novella. I’m also waiting to hear about a novelette, “Becoming Lioness”. It’s currently out on submission and I expected to hear back almost a month ago. Maybe that’s good news. If not, I’ll be e-publishing that one, too.
  2. I’ve now sent out nine queries on FIRE AND EARTH and gotten one request for a partial.
  3. I’ve started THE BARD’S GIFT, but only barely.
  4. I’ve just about completed the revisions to MAGIC’S FOOL. I’ll be looking for new readers soon.
  5. I haven’t yet done anything about preparing BLOOD WILL TELL for e-publication.

So, here are my current priorities:

  1. Keep querying FIRE AND EARTH.
  2. Complete the revisions to MAGIC’S FOOL and find a couple of new readers to see if I’ve solved the problem of the slow beginning. The revision should be complete by the weekend.
  3. Mark up the revision notes for the last segment of BLOOD IS THICKER. That’ll only take a couple of days at most. I’m not ready to actually start on the revisions, yet, though.
  4. Then I’m going to concentrate on getting BLOOD WILL TELL e-published. That’ll also involve getting way more serious about some marketing.
  5. And once all of that is out of the way, I can go full bore on the first draft of THE BARD’S GIFT.
  6. I’ll probably tinker with the first draft of MAGIC’S APPRENTICE during any slow spots on THE BARD’S GIFT.

That’ll do for at least the next month, don’t you think?

 

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