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Posts Tagged ‘revisions’

I’m now on the very last chapter (for this round of revisions). That doesn’t mean it’s done. There’s still some work I need to do on it. At least two more passes, actually. More extensive revisions (but only in some parts) and a polishing edit. However, it does mean that I’m confident enough to plan dates.

So. I expect to put THE VOICE OF PROPHECY

?????????????????????????????????????????????????????????????????????????????????????????????up for pre-order on November 17. The pre-order price will be $0.99. With a release date of December 15 (when the price will go up).

Now, I have to polish up the blurb:

When the two kinds of magic combine, unexpected things happen.

Vatar overcame his people’s superstitions to accept his own magic. That doesn’t mean he’s prepared to tell them about it. He’d rather keep that secret forever. Especially when unprecedented things start to happen that even the experts in magic can’t explain.

Even more when a mysterious voice only he can hear starts volunteering information Vatar can’t possible know.

After enduring an Ordeal to prove he wasn’t possessed by an Evil Spirit, Vatar now thinks he may be after all. Or losing his mind. Or cursed. It’s enough to make him want to give up on magic altogether.

But he’s going to need all his wits—and all the magic he can muster—to defeat those who want to use him and his magic for their own ends.

I also need to start planning for both launches–pre-order and release. Oh, and finish those revisions by at least December 5.

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Other things first:

I’m two-thirds of the way through this round of revisions on THE VOICE OF PROPHECY.

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And I’m starting to form plans for the launch. Actually, there’ll sort of be two launches–one for the pre-order and one for when it goes live. The pre-order price is going to be a good deal (probably $0.99 pre-order only). And I’ll likely plan a few other things around those same times, so stay tuned.

Prequels:

There’s quite a lot of backstory that’s never explicitly addressed in the DUAL MAGICS series, because it’s not needed there. But I know it. And it has the potential for a good story–or three (maybe four). So, there’s a pretty good chance that there might be a prequel series at some point when this series is complete that will explain things like:

  1. Why are the Valson and the Fasallon so similar when they live on opposite sides of this world?
  2. How did the Fasallon come to be the ruling class all along the coast (and up a couple of rivers)?
  3. Why do the Dardani have such a strong distrust of magic?
  4. Why do the Modgud, who are in all other ways like the Dardani (and for a reason), live in isolation on their plateau, barely interacting even with the Dardani?

In other words, what happened in the history of this world to cause all these things? Hint, it all started with one decision.

I don’t know at this point whether the prequels would be novels or shorter–novellas maybe. I’m not going to do anything more about them until this series is complete. But the possibility is out there.

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Revisions on THE VOICE OF PROPHECY are going well.

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In fact, I’m just about at the halfway point. It really is mostly downhill from here. Most of the revisions for this round were in the first third or so of the book. I’ve been picking up speed over the last couple of days after I passed that point.

With any kind of luck, I should be able to finish this round by mid November, maybe sooner. Which means, I’ll feel comfortable (I think) putting it up for pre-order on Amazon. Watch for it.

There’ll be a celebration of some kind at that point.

I also now have a good idea what I need to do to make the tie-in short story, “Modgud Gold”, ready. I think it’s doubtful that I’ll be able to publish that next month as I’d originally hoped. More likely sometime after the first of the year. I already have a good idea what the cover art will be.

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Well, not all plans work out. I last posted about my plans for chapters seven, nine, and what was then ten (now eleven) of THE VOICE OF PROPHECY.

?????????????????????????????????????????????????????????????????????????????????????????????Chapter Seven worked out pretty well, I think. Chapter Nine didn’t. I followed my plan with the mini-flashbacks and still just wasn’t in love with the result. So, I went back to the drawing board.

Chapter Nine had three main parts (which were not necessarily separate scenes). The last, which is now a separate chapter, allows one character to reflect on what had just happened and reveals to the reader a few things this character knows or suspects that he hasn’t–yet–shared with the others. That stayed. It had to be a separate chapter because it needs to be in his POV and the rest of the chapter isn’t anymore.

Right before that is a discussion of the current problem, along with a magical experiment to test a hypothesis. That has been revised a bit, but basically remains intact.

The first part, though, was mainly a retelling of something that had happened in the first book, THE SHAMAN’S CURSE.

????????????????????????????????????????????????????????????????????????????????????????That part is what needed work. The mini-flashbacks helped liven it up, but just not enough. So the next thing to do was decide just what I needed out of that part.

Now, because this is book two of a four-book series, sometimes I need to include things that aren’t immediately important, but will become important. (Like Harry Potter had to go through Professor Lockhart’s Dueling Club in order to learn the expelliarmus charm that he would ultimately use to defeat Voldemort.) But, you know, I don’t necessarily have to spend pages to establish it.

I’d already added a short “The Story So Far” at the beginning of the book. So, the information is there for anyone who needs a refresher–or who didn’t read the first book. What I chiefly need that part for is to expose an unusual magical gift that Vatar possesses and that he hasn’t had a reason to bring up before now. (Like Harry doesn’t think it’s unusual to be able to talk to snakes, until Ron and Hermione tell him.) And I found a way to fold that into the second part above. So the whole retelling can be cut to just the parts where the retelling is interrupted by one of the listeners for clarification. Much better.

Now it’s on to Chapter Eleven and what can be cut from there. I suspect a great deal can be included just by a quick reference later, rather than drag the reader through it.

The point is to get to where things really start moving quicker.

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Revisions on THE VOICE OF PROPHECY are proceeding well.

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The first thing I did when I started this round of revisions was make a plan. It started with going through the various critiques I’d received (three and a half–one person didn’t finish) in detail. I marked up each comment in my master manuscript. (Well, except for the ones I addressed immediately, like the few typos.) I also put some thought into the more extensive comments made at the end of those critiques (partly in response to some questions I’d posed, partly volunteered) and marked those up either at specific places in the document or at the top. I asked one of my critique partners some clarifying questions.

Now, as I proceed through the revisions, I have three main goals.

  1. Clarifying. This is especially the case for those critique partners who had not read the first book, THE SHAMAN’S CURSE. This involves mostly minor revisions, often just a sentence or two, to provide a little background to those readers who didn’t read THE SHAMAN’S CURSE first, or who might have forgotten certain aspects. This will mostly be in the first quarter or so of the book. One or two scenes that I’d deleted earlier may make it back into the book. ????????????????????????????????????????????????????????????????????????????????????????
  2. Tightening. Especially in the first part of the book, I may need to just cut a bit more, move the plot along a little more briskly. In fact, I’ve just gotten to one chapter in particular that I need to look at seriously for this. This goal, of course, is slightly at odds with the one above. That’s the way it sometimes goes.
  3. Upping the Central Conflict. The first two will likely be completed in one pass. This one is more likely to require two passes. The heart of this book is essentially a mystery concerning the magic. Something (actually some things) happen that either aren’t supposed to be possible or are very disturbing to the main character. This is, in fact, where the issue of the Dual Magics comes out into the open. There are probably at least two things I’ll need to do to fix this. In some places, I’ll need to just make everything scarier. Others I’ll need to drag out for longer. (I allowed part of the mystery to be resolved too quickly. Need to fix that.)

That issue with the conflict is also the reason for the title change. I think some readers just had the wrong idea about what kind of conflict they’d be getting in this book. Of course, there are quite a few supporting conflicts that demand the use of magic–and sometimes spears–too.

When I feel like I’ve got a good handle on these revisions (possibly after I finish the first pass), I’ll put THE VOICE OF PROPHECY up for pre-order. This will be my first experiment with pre-order on Amazon, so I’ll be interested to see how that goes.

So, that’s what I’ll be doing for the next month or so. I also need to do the same thing for the related short story “Modgud Gold”, which needs some work before I can publish it.

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I’m ready to really dive into the revisions on The Voice of Prophecy, now.

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I’ve got all of the comments from my critique partners marked up in the manuscript. The beginning needs to be tightened–a lot. Maybe a little more action added in. The world building needs to be filtered in much better.

Meanwhile, I’ve made some really good progress on my new office space.

Digital Camera Digital Camera Digital Camera

Not nearly done yet. But I predict much better productivity than in my previous cramped space.

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Want a sneak peek at the cover of THE VOICE OF PROPHECY (which used to be called THE IGNORED PROPHECY)?
Here it is.

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Love that feeling of a wave about to crash (as opposed to the lightning strike on the first cover). Both are very apropos for the character’s experience in those books.

Look for a possible pre-order on Amazon as soon as I have a good handle on the needed revisions.

Meanwhile, I’m busy going through my beta readers’ comments in detail and planning the revisions to make the story even better.

Not surprisingly, some areas need to be tightened up. Some may need a little extra attention. The main thing is that I need to do a much better job of reintroducing the world, the cultures, the locations, and the people (just in case someone picks up this book first)–all while not bogging the story down for people who did read THE SHAMAN’S CURSE. Okay, that may not be as easy as I just made it sound.

Also, THE SHAMAN’S CURSE

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and FIRE AND EARTH

Fire And Earth Cover (Provisional)

are both on sale for only $0.99 thru the 11th.

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Most of the critiques of the second book in the Dual Magics series (formerly titled THE IGNORED PROPHECY, now likely THE VOICE OF PROPHECY) have come back. I have some work to do to make it ready for publication in December. So, very soon, I will have to transition back to revision mode and start work on that.

I’m trying to finish up a couple of chapters of book three (BEYOND THE PROPHECY, probably) first. The ones I already have fairly clearly in my head. Best to get them out before they fade.

Meanwhile, I’m trying to come up with a new concept for the cover art. I thought I had that all wrapped up, but the title change to emphasize a different part of the story needs to be paired with appropriate cover art. I think I’ve got a fair idea now of what I’m going to do. Unfortunately, it’ll be a bit more work than the previous concept.

Lots to do.

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More Sequels Are Hard:

Partial feedback from another reader indicates that the beginning may be on the slow side. Readers who were already invested in these characters were willing to go along for the ride, but this was a new reader, unfamiliar with the first book.

I think it’s to do with the conflicts.

THE SHAMAN’S CURSE has two main, interweaving conflicts. There’s the external conflict with the shaman, which starts first and ends the story, and then there’s Vatar’s internal conflict over his magic. The external conflict is the one in the title and it’s more the sort of conflict that may be expected in this kind of book.

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THE IGNORED PROPHECY has three main conflicts, but the one that starts first (and has to carry the first part of the book) is the internal one. Some very strange things happen with Vatar’s magic and the characters have to figure out why and whether or not it’s dangerous. The two more external conflicts (very closely related to each other) start a bit later in the story. I think, probably, that that internal conflict was not what that reader was expecting.

That may mean two things. One is to try to get to the external conflicts sooner. (Balancing that with also adding content to better introduce the world!) The other is to wonder whether I have the right title for this book. This one has always been THE IGNORED PROPHECY. It never even had a different working title. But maybe I need to think of a title that better describes that internal conflict so that readers get the kind of story they’re expecting. Right now it looks like possibly THE VOICE OF PROPHECY. I like THE SPIRIT’S VOICE, too, but that one might be open to the wrong interpretation. ThE PHANTOM VOICE has an outside chance.

Sigh. That’ll also mean a change to the cover art. Good thing I hadn’t finalized anything yet.

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I’ve said it before and I’ll say it again: Sequels are harder than stand alones.

My first critique on THE IGNORED PROPHECY, sequel to THE SHAMAN’S CURSE, came back a few days ago.

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There are several things I need to work on, but among them are the hardest things to do in a sequel–reintroduce elements.

Among the jobs a sequel has to do is to reintroduce characters, setting (world building, in the case of fantasy or science fiction), and any events in the earlier book(s) that will be important to the plot in this book. Ideally, this has to be done in a way that isn’t boring to a reader who has recently read the previous book, but still be enough to orient a reader who starts the series in the middle or one who doesn’t clearly remember the previous book because of elapsed time. All while keeping this plot moving at the correct pace. This is one reason why I like to have a few beta readers who did read the previous book and a few who didn’t.

Apparently, I did at least a decent job of introducing my cast of characters. (Although a chart of the complex familial relationships like this might not hurt.)

Vatar’s Family 2

(I’ve got to figure out a way to change that into a graphic.) But I didn’t do as good a job of reintroducing the world, particularly the various cultures and how they relate–or don’t–to each other.

Now, figuring out how I can work that in without slowing down the beginning too much–that’s the next challenge.

I also have a theory that middle books in series are harder, too. Especially in fantasy. In the first book, the reader gets all the fun of discovering this new world and its magic. In the last, they get the big explosion of the series finale. It’s really hard to make the middle as interesting as either one of those.

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