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Posts Tagged ‘short stories’

I finished the “first draft” of the rewrite of THE IGNORED PROPHECY last week. I put first draft in quotes because it’s a rewrite, so the story was basically all already there, though it needed considerable cleanup and improvement in style. TIP is the sequel to THE SHAMAN’S CURSE, which is still doing pretty well, even after the price went up on August 1st.

????????????????????????????????????????????????????????????????????????????????????????While I let that draft cool just a little before the next pass, I’m working on a tie-in short story. “Modgud Gold”. Again, a good part of this is already done, because it’s built around scenes (and chapters) that were cut from THE SHAMAN’S CURSE. This one centers around a side character–Vatar’s cousin Arcas.

I’m not sure how much the tie-in short story “Becoming Lioness” helped to pave the way for THE SHAMAN’S CURSE to do so well, but it’s certainly worth repeating in preparation for THE IGNORED PROPHECY. I’ll have at least one more short story, this time about one of the more neglected cultures of this world, before this series ends.

Meanwhile, I’ve purchased some mapping software to see if I can turn out a passable map of this world to include in the next book. If so, I’ll go back and put it in THE SHAMAN’S CURSE, too. One of the advantages of digital publishing. But it’ll have to be significantly better than the hand drawn one, I shared before.

Dual Magics MapPathetic, right?

I also need to start spending a little time on cover art again, for both “Modgud Gold” and THE IGNORED PROPHECY.

And I can’t let TIP cool too long. I need to go through it again before turning it over to my writers’ group in September.

Okay, I’ve just convinced myself I need to get back to work right now.

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While I try to figure out how to get the word out about the preorder of THE SHAMAN’S CURSE, here’s another deleted scene.

????????????????????????????????????????????????????????????????????????????????????????This one is definitely going to be part of a short story/novella about Arcas. Arcas is an important side character in THE SHAMAN’S CURSE. Cousin of the main character, Vatar. In this, he and Vatar have changed places. Vatar is back in the city, living with Arcas’s parents and apprenticed to Arcas’s father, while Arcas has gone out onto the plains with Vatar’s family and now he’s about to be adopted into their clan.

Arcas squared his shoulders and pushed the hide door covering aside to step down into the ceremonial hut. The inside was lit by an abundance of oil lamps. It was remarkably like any other Dardani hut, with the sod dug out and stacked around the edges to make the walls only much, much larger, built to hold the whole clan, not just a single family. Benches lined three sides in ranks. On the fourth side there were seats for the seven Lion Clan chiefs. An impressive life-sized carving of a lion’s head hung on the wall behind the chiefs’ seats. Arcas couldn’t stop staring at it. The carving looked so life-like; he could almost feel the eyes watching him.

Uncle Danar went to stand with the other chiefs at that side of the room. Arcas found a seat on one of the front benches, next to Pidar and some of the other boys.

He fidgeted nervously in his seat and tugged at his tunic, unable to sit still.

“Are you sitting on an ant hill?” Pidar whispered.

“No.” Arcas forced himself not to squirm. He tried to listen to the clan business that was being discussed before the initiations, but he couldn’t understand most of it. He still had a lot to learn about the way the Dardani did things and lived out here in the wilderness. He started to wonder how much the Clan Mark would hurt.

Arcas almost missed the signal that the discussion of clan business had ended and the council was now moving on to the initiations. Several men stood up and walked to the center of the hut, bringing their sons or daughters with them. Arcas took a deep breath and stepped out to join them.

Uncle Danar laid a hand on Arcas’s shoulder and guided him forward to be formally introduced to the clan. Arcas flushed at the clan’s shout of acceptance. He gladly stepped back again as the next initiate, a girl, was pushed forward by her father.

When all had been presented and accepted, the lamps were extinguished, leaving the interior of the hut in almost total darkness. The only light was at the far end, where the chiefs had been sitting. Complete silence fell, more startling in contrast to the cheers only a moment ago. Arcas only knew the rest of the clan was still there because he could hear them breathing and an occasional shuffle. A soft drumbeat started from somewhere in the darkness, like a heartbeat.

Concentrating on the darkness around him, it took a moment for Arcas to realize that his uncle was gone. Uncle Danar had been right beside him just a moment ago. Now it was just the initiates. The youngsters stood clustered together in the center of the hut, taking comfort from each other’s nearness.One of the girls slipped her hand into Arcas’s.

Uncle Danar reappeared at his side out of the darkness. At least, the voice was Uncle Danar’s. He pressed a large clay cup into Arcas’s hands. “Drink it all. But not too fast.”

It smelled fruity, mostly like apples. Arcas took a mouthful and coughed. Not apple juice. The drink had a pungent taste and it burned his throat.

“Slowly,” Uncle Danar said. It sounded like he was smiling.

When Arcas had emptied the cup, he felt very warm and the light of the remaining lamp seemed blurry.

One by one, the youngsters were led up to the far end of the hut, toward that single lamp. When it was his turn, Arcas saw that all but one of the chief’s seats had been removed. The carved lion’s head rested on that last seat. As he approached, he got his first close-up look at the Clan Totem. It had been realistically carved from some type of tawny wood. The mane was made of grasses, dyed darker and carefully woven into the wood. And the teeth were carved from pieces of bone. It looked exactly like the lion Pidar had pointed out to him. But the eyes almost made him stop short. The eyes were looking at him! The appraising stare was just like that of the real lions, too. A second glance showed him that the eyes were highly polished stones, of the kind called dragon’s eyes in Caere. But they looked so real, Arcas couldn’t suppress a shudder.

“Put your hand in the lion’s mouth,” Uncle Danar said.

Arcas shot him a look of disbelief, but Uncle Danar only nodded confirmation. Taking a deep breath, Arcas reluctantly did as he was told. The bone teeth pressed against his wrist, but they didn’t feel as sharp as they looked. Inside, the wood was smooth and warm. He held completely still as those uncanny stone eyes appeared to focus on him even more closely.

The texture of the wood under his fingers made him feel oddly welcomed, though he couldn’t have said why he felt that. A strange, tingling sensation crept up his arm. The light from the single lamp seemed brighter all of a sudden, making him squint. He sensed a connection to something bigger and wilder. It felt as if he’d expanded to fit a wider world than he had known before.

Arcas followed Uncle Danar back out into the center of the hut. Even turning his back on the one burning lamp, somehow the dim light didn’t obscure as much as it had before. As if he had acquired the lions’ night vision, he could see the interior of the hut clearly, now. Arcas blinked in the sudden blaze as all the lamps in the hut were relit. Had the light been that bright before?

The new clan members sat down on the floor. Arcas was glad. He’d begun to feel a little unsteady. Uncle Danar knelt behind him, holding him by the shoulders. The healers came forward to give each initiate their first clan tattoo.

“This will be quick,” the healer said, pulling Arcas’s tunic up.

She dipped a cloth into a small bowl and swabbed his left breast. Arcas smelled the sharp tang of something unfamiliar in the ointment. The skin the ointment touched went numb. Then the healer took up a long, yarn-wrapped thorn, dipping the thorn and yarn into a bowl of pigment. Despite his best efforts, Arcas flinched as she raised the thorn. Uncle Danar held him steady, as if he had expected that reaction.

The healer smiled at him reassuringly. “It might help if you look away.”

Arcas turned his head slightly and squeezed his eyes shut when he felt her press the thorn against his skin. He held his breath, anticipating the puncture, but he never felt it. What was she waiting for? He opened his eyes and turned his head back.

The healer smiled again. “Almost done.”

Arcas relaxed. This wasn’t so bad after all. Now that his fears had passed, whatever had been in that cup Uncle Danar gave him took full hold. He felt warm and sleepy, safely enveloped in the Spirit of the Lion.

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There’s one thing I’ve already started for the launch of THE SHAMAN’S CURSE this summer.

I put out a new version of “Becoming Lioness”, which is a short story set in the same world and sharing some characters with THE SHAMAN’S CURSE. In fact, “Becoming Lioness” is a somewhat stripped down (to make a tighter short story) version of something that will happen in the fourth (as yet untitled) book in the series. Which makes “Becoming Lioness” a perfect way to introduce readers to the series.

I changed the cover just a little. Actually, I just added a subtitle–A Dual Magics Story–to tie it in to the series.

???????????????????????????????????????The main change though is what comes after the end of the short story. The original edition of “Becoming Lioness” had an excerpt from BLOOD WILL TELL at the back. (Actually, the only review this story has gotten on Goodreads came from a reader who didn’t seem to notice the “Bonus Material” header. Her review was that the story was disjointed because it changed to a different character and a different story in the middle and then just ended. Yeah, that was the first chapter of a different book. Sometimes it’s really hard not to respond to bad reviews.)

The new version has the first two chapters of THE SHAMAN’S CURSE at the back. The plan is to make this story perma free. Experience with “Wyreth’s Flame” suggests that this is going to take a while to accomplish on Amazon, so an early start may not be a bad thing.

 

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One of the most important ways to sell books is reviews–honest reviews, not those unethical purchased reviews. In our digital age, they’re the word-of-mouth advertising that has always been the most valuable. Social confirmation that someone else read this and like it. Or hated it. Sometimes even those reviews can help.

But reviews can be hard to get. Even people who love a book just may not log on to Amazon or Goodreads to tell the world about it.

I’m trying something new (for me) with THE BARD’S GIFT.

TheBardsGiftCoverSmallIt’s up on Story Cartel now. For the next three weeks, you can download it for free in return for an honest review. Try it now. What have you got to lose?

I did get a very nice review of “Wyreth’s Flame” on Smashwords.

I’m also still working on getting “Wyreth’s Flame” free on Amazon. (It’s currently $0.99 there.)  To accomplish that, I need people to report lower prices on Barnes and Noble and the Apple iBookstore. There’s a really easy link right below the product details. This ebook also includes a hefty excerpt from THE BARD’S GIFT.

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Red Wyreth Cover Small

It’s here!

Sometimes the gift of the right story to tell at the right time is a blessing. Sometimes it’s a curse. But the Norse gods don’t leave Astrid much choice, either way.
On the eve of a desperate battle, with her father lying mortally wounded, the gods give her a story about the first dragon to learn to breathe fire. As usual, the story doesn’t come with instructions. It’s up to Astrid to decide if the story is meant to calm the frightened children or encourage the dispirited men. Or if she just might be able to do both with the same story. All their lives may depend on her skill with a story.

Wyreth’s Flame is available on both Amazon and Smashwords. It’s free on Smashwords. I’ll have to wait until it gets out to Barnes and Noble before I can start the process of making it free on Amazon, too. In the meantime, it’s only $0.99.

You can add it to your to-read list on Goodreads too.

There’s a healthy extract of The Bard’s Gift (twelve chapters) included in the ebook.

TheBardsGiftCoverSmall

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Well, the computer problems I had earlier sort of took the wind out of my sails for a while, but I’m starting to build up steam again.

I’ve gotten through a slow patch in THE IGNORED PROPHECY (sequel to THE SHAMAN’S CURSE) and into a section where more is happening. Things are moving faster now, both in the story and in my rewrite of the story. That slow patch is a section I’m going to have to revisit in the next patch, of course. I’ll need to either punch it up or delete a fair bit, probably some of each. But rewrites, like revisions, are an iterative process. The key is not to try to fix everything all at once, but concentrate on a certain aspect in each pass. This pass is more about technique (and a little bit about adding emotion as I improve things like dialog mechanics and internal dialog).

Meanwhile, I’m about ready to start on the final edits and formatting of “Wyreth’s Flame” for publication next month. I’ve pretty much got the cover:

Red Wyreth Cover Small

The plan is for “Wyreth’s Flame” to be free everywhere (which will probably take some work to bring about on Amazon). This short story was the germ that eventually grew into THE BARD’S GIFT.

TheBardsGiftCoverSmallThe ebook for “Wyreth’s Flame” will include a bonus section with a substantial portion of THE BARD’S GIFT.

Oh, the first five chapters of TBG are available free on wattpad, if you want to take a look. I’m putting out a chapter a week, which means it’ll take 33 more weeks for the whole story to be available there (around the middle of November).

So, things are moving well again. Just in time for me to start work at a new job (part time) tomorrow. I’ll be a crossing guard. Wish me luck.

 

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I’ve never really done a proper cover reveal. Not the kind of cover reveal that’s meant to start raising awareness and interest for the forthcoming story.

Partly, that’s because the cover has often been one of the last things I did in preparation for epublishing. That’s something I’ll have to change. Probably for my next book (THE SHAMAN’S CURSE).

I’m not going to do that kind of big cover reveal with all the associated fanfare today, either, for a couple of reasons. Mainly, this cover is for a short story, “Wyreth’s Flame”, which is intended to be free. (We’ll see how easy or hard Amazon makes that when I get there.)

The point of publishing this short story (which was where the inspiration for THE BARD’S GIFT came from) is to provide a free entry point. The ebook will contain the story and a fair-sized excerpt from TBG and hopefully be a cost-free, resistance-free way to get readers interested in the bigger story.

So, without further ado, here’s the cover as of now. There’ll likely be a few tweaks before I’m done, but it should look pretty much like this:

Red Wyreth Cover Small

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The central conflict is what drives a story forward. Without that, you have a vignette, maybe a very long vignette, but not a story. I learned this 0ne the hard way. I learned it with the second book I wrote after I got serious about writing. (We’re not counting that thing under the bed I wrote in college, all right?)

I wrote roughly 100,000 words and, literally as I was writing the last page, I looked up and realized that it didn’t come out to a story. I had characters and a setting and things happened, but I knew instinctively that it didn’t come out to be a story. I’m ashamed to admit how many different things I tried to fix before I realized the real problem. It didn’t have a strong central conflict that unified all those things that happened to my characters and made the final resolution feel like, well, like a resolution.

Lesson learned. I’m willing to plunge into a project, particularly a shorter project, and discover the story as I go. But I won’t start anything until I feel I have a handle on the central conflict.

I’ve mentioned before that my current project, working title MAGIC AND POWER, has surprised me more than once. The first surprise was when it decided to grow from an intended novelette or maybe novella into a full-fledged novel. It’s currently at almost 58,000 words and I project 65,000 to 70,000 when I reach the end of the first draft. (It’ll grow a bit more in second and third draft. They always do as I flesh out descriptions and give more attention to the secondary characters.)

Why this is a problem and how it relates to the title of this post is this: the original conflict for a nice little novelette can’t sustain a novel. I’ve had to work in a bigger conflict and allow the original to become a subplot. Unsurprisingly, this is something that’s going to need a lot more attention in the next draft. It’s sort of a hodge podge right now. But it has to be done for the whole thing to come together.

The irony of this situation is that I took up this story at this time (intending it to be much shorter) as a way to keep the writing muscles flexed while I try to work on the central conflict of what I intended to be my next novel. The best laid plans of mice and men . . .

Don’t forget, FIRE AND EARTH is now available just about everywhere.

 

And, as always, new chapter of FIRE AND EARTH and BLOOD WILL TELL are available free on wattpad. (Although, if you like the stories, you can read them much faster then two chapters a week if you buy a copy.)

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My current WIP (working title “Magic and Power”) took a turn of it’s own about a week ago. This turn leads me into unfamiliar territory–the first time I’ve ever written a love triangle.

Well, technically, it’s not a true triangle, because there’s no relationship between the two love interests. That added relationship, where it works into a plot, can add another layer of conflict. That’s just not going to work out in this story, though. It’s okay, my main character has other issues to add to the conflict. Plus some conflicts external to the whole romance element.

I didn’t plan this story, originally, to have a love triangle, but this second character popped up and said he loved my main character, too and to give him a chance. It’s not where I intended the story to go, but I think I like this new twist better. Still, it’s a little outside of my comfort zone, so making it work is going to be interesting. We’ll see what my critique partners have to say on whether or not I pulled it off.

I also hadn’t planned for this story to be this long. I thought it was probably a novelette (between 7500 and 15,000 words) or maybe a novella (between 15,000 and 50,000 words), which is why I was willing to dive in without more planning. I just passed 26,000 words, so it’s definitely at least a novella and might even decide to grow into a full novel. If I get to–or close to–50,000 words, I’ll have to give serious thought to expanding it to a full novel.

Well, meanwhile, I’m having fun with this story.

In other news, new chapters of FIRE AND EARTH and BLOOD WILL TELL are up for free on Wattpad. Take a look!

Also, although I missed out on Pitch Madness, I did get a partial request for THE BARD’S GIFT out of WriteOnCon’s Luck O’ the Irish Pitch Fest.

 

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 First, let me say Happy Saint Patrick’s Day!

 Saint Patrick

And fingers crossed for a little of the Luck of the Irish. (I am part Irish, after all.) I made it in to The Luck of the Irish Pitch Fest. We’ll see what, if anything, comes of that next week. And I have to wait a couple of weeks to find out if I make it into Pitch Madness. In both cases, I’m pitching my YA alternate history, THE BARD’S GIFT.

Next, a small announcement:

Chapter 2 of FIRE AND EARTH and Chapter 5 of BLOOD WILL TELL are now available on Wattpad. It’s free, so go check them out.

Now, back to the topic, stories taking on a life of their own:

I just passed 20,000 words on this story I’m working on now–and it’s starting to veer off in an unexpected direction.

This was supposed to be a short story or maybe a novella. I picked it up to fill the time (productively) while I figured out which of my novels-in-waiting to take up next and do a little more prep work on the chosen novel. This one is looking more and more like it might decide that it needs to be a novel, too.

That’s–I won’t call it a problem, let’s say interesting (as in the Chinese curese “May you live in interesting times”)–because I deal with short stories and novels a little differently.  I’ve mentioned before on this blog that I’m a discovery writer by nature and a modified discovery writer by experience. I’m willing to freestyle (fly by the seat of my pants) with a short story or even a novella. After all, it’s only a few thousand words. If it doesn’t work out, well, no writing is ever wasted. Hopefully, I always at least learn something. Maybe I try something that I’ve never done before, like first person or a different genre. Short is the place to experiment.

But when I plan to start a novel, I do at least a little planning. I want to know the inciting incident (obviously), the central conflict, and if possible the try/fail cycles. I don’t outline, exactly, but I do usually have a separate file with a paragraph or so about key points that the story will hit. Most importantly, where the story is going to end. I have a plan.

I had an idea where this story would go, but it left a lot of room to explore. Well, now I’ve introduced a new character who has decided that he’s going to be a second love interest. I’ve never written a real love triangle before. Not as in there’s real doubt about who she’ll choose in the end. Now this new character is turning out to be maybe the better choice. Which wasn’t in the plan at all. Stinker.

Oh well, I better fasten my seat belt. I’m already on this rollercoaster. There’s nothing to do now but ride it to the end–and hope.

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