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I’m a discovery writer (or pantser), but a modified one. Why modified? Because once, when I was fairly new to writing, I actually managed to write over 100,000 words on a novel and, as I was writing the final scene, I looked up and said to myself, “But it’s not a story.” I knew intuitively that it wasn’t a story, but it took me a lot longer to figure out why. (By the way, once I finally figured it out and learned a few other matters of craft, that not-quite-a story became THE VOICE OF PROPHECY.)

?????????????????????????????????????????????????????????????????????????????????????????????So, now I try to figure out a few sign posts along the way before plunging in.

Obviously, I need to know where the story begins. By which I mean not necessarily the opening scene, which can change. The inciting incident is usually pretty stable, though, and that’s what I need to know.

A few of the major plot points along the way is nice. I do make notes of or even sketch out a few scenes that come to me, but I’ve always done that (even in that draft that wasn’t really a story). Some of those will make it into the final version intact. Some will have to be changed to fit. And some will have to be left out or cut.

I like to know the climax. Of course, I’ve known the climax the DUAL MAGICS series was headed for for a long time, now, so that’s not a problem.

Sometimes I’ll even write out what I call a proto synopsis, hitting just the high (or low) points of the story.

But the main thing I absolutely have to know is the central conflict. Without that, it’s just a string of events. That’s the reason that that very first version of THE VOICE OF PROPHECY (then known as THE IGNORED PROPHECY) wasn’t a story. The germ of the central conflict was there, but it just wasn’t clear enough to be the backbone of the story.

I’ve been organizing all of this because, very soon now, I’m going to be starting the first draft of Book 4, the final book of the DUAL MAGICS series, tentatively titled WARRIOR OF MAGIC. Can barely wait.

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That’s what I’ve calculated I need to accomplish on this round of revisions to have BEYOND THE PROPHECY ready for beta readers on June 1st.

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So far, so good. Fortunately, this round is only looking for small inconsistencies and some style issues. Also, places where I need to add more description.

As soon as I’ve handed it off, I get to start work on the fourth (and last) book in the DUAL MAGICS series. Looking forward to that.

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I’ve started the third round of revisions to BEYOND THE PROPHECY.

????????????????????????????????????????????????????????????????????????????????This will be the last round before I turn it over to my beta readers next month.
Whew! Good thing, too. It’s sort of beginning to all run together. About time I gave it a rest and came back to it fresh.

On schedule for a September release, if all goes well.

While my beta readers have it, I’ll be starting the fourth (and final) book of the DUAL MAGICS series, tentatively titled MAGIC’S WARRIOR or possibly WAR OF MAGIC. Yeah, this is the one where it all hits the fan.

Though I’m a (modified) discovery writer, I’ve been doing a little planning for that.

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Daughter of the Disgraced King releases Monday (May 18th).

???????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????It’s only $0.99 to pre-order.

The world building for part of this world is based largely on the settlement-era desert Southwest. Adobe buildings, stagecoaches, though not the political structure or the magic. Here’s a little sample:

Early the next morning, Ailsa gave each of her parents one last hug and turned to board the stagecoach that would take her to the imperial capital. It was a plain, functional coach that, from the visible wear, had made many trips across the desert. When she put her weight on the small folding step to climb in, the coach swayed alarmingly. Evidently, maintenance hadn’t included replacing the worn springs. Hopefully, the roads wouldn’t be too rough or this was going to be a very bumpy ride. The padding on the seats was thin, too. Ailsa sighed. It would have been faster and more comfortable just to ride Pearl all the way. She wouldn’t have had to share the cramped space with strangers, either.

As soon as she was aboard, the four guards climbed up to the seats on the top of coach. Ailsa placed the smaller valise that held the things she’d need en route under her seat and leaned out of the window to wave goodbye one more time.

Ailsa had never traveled far before—and never alone or in a public conveyance. Papa could have sent her by private coach, but that might have been construed as an impolitic show of wealth and privilege. The public coach wouldn’t be as comfortable, but there were royal guards riding on top, so it should be, if anything, safer than a private carriage.

Ailsa sat back and turned her attention to her fellow passengers. An elderly man had the seat next to Ailsa. He’d already leaned his head against the opposite wall of the coach, closed his eyes, and started to snore—loudly. A young girl sat across from Ailsa, apparently accompanied by the woman about Mama’s age sitting next to her.

On the other side of the woman, sat a slightly younger man—too old to be her son and too young for her husband. From the distance between them on the bench, Ailsa didn’t think they were traveling together. His clothing and appearance would be consistent with a well-off merchant or maybe some distant relative of one of the barons. Nothing about him should be alarming except for his manner. His open, appraising stare made Ailsa want to pull the demure collar of her traveling dress closed in spite of the growing desert heat. Ailsa looked away. He had no business looking at her like that, but perhaps a closed coach wasn’t the best place to confront him about it. They were already as far apart as the coach permitted. It would be best to try to ignore him.

Ailsa smiled uncertainly across at the woman and turned to look out her window. The road was wide enough for two coaches to pass each other going in opposite directions. Ailsa’s seat gave her a view on the outer side of the road, where a double row of sycamore trees shaded the highway from the desert sun. The trees weren’t thick enough to completely obscure the desert beyond.

Ailsa felt heavy and enervated. It must be all the emotional ups and downs of the last few days. She had trouble even keeping her eyes open, but she didn’t want to miss anything on this trip. If only everything along this highway didn’t look so much the same . . .

Ailsa jerked awake as the coach pulled to a stop. She couldn’t have slept all day. No, the sun was high overhead and the heat was oppressive. They’d come to a wider green area, surrounding a small oasis. A rustic building made of crude mud bricks stood across a cobbled yard. The coachmen leaped down and began to unhitch the sweaty horses.

One of the guards climbed down from the roof right in front of her, making Ailsa start. He opened her door and stood back. “We’ll stop here for a meal and to change the horses. If you’d care to disembark . . .”

Ailsa stepped down and stood in the yard, uncertain what to do now. She stretched gratefully, easing out the kinks in her neck and legs. The coach’s springs weren’t nearly as good as those on her father’s coach. It was surprising that she’d been able to doze with all the bouncing, but maybe she’d needed that nap. She certainly felt better. The midday heat didn’t seem to bother her so much, even though there was no air moving at all. The others climbed out of the coach more slowly. Ailsa followed them inside.

Inside, a long table of rough boards was already set with five places, platters of cheese, fruit, bread, and two pitchers of water. Ailsa sat down at one end of the table, across from the older woman and her daughter. She poured herself a cup of water before anything else. She’d forgotten how parched the desert could make her feel, even without moving around much. The rude man sat down beside her—too close beside her for Ailsa’s liking. She shifted over a little away from him.

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It’s now less than two weeks until the release of DAUGHTER OF THE DISGRACED KING.

???????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????It’s only $0.99 on pre-order until May 18th. Then the price goes up.

So, here’s a sample. The opening scene:

Ailsa pushed a low-hanging branch out of her way and emerged onto the wider trail. Even the sharp, clean scent of pine couldn’t distract her from the dead tree directly across from her, a mature oak that had been green and healthy the last time she rode this way. Now it was bare and the bark was already turning black. Her stomach clenched at the sight. This was very nearly the heart of Far Terra. If the magic was failing even here, how much worse would it be on the fringes, nearer the surrounding desert? Without more mages—and soon—Far Terra would die.

She shook her head as if to clear it. She couldn’t really begin to plan until she knew what kind of magic she had and she couldn’t learn that until she got to the Institute of Magical Arts. Today was supposed to be a farewell ride with her friends. Ailsa should be enjoying that. They’d had to leave early to escape the gaggle of girls who always seemed to be around to flirt with the princes. This was the last chance they’d have to ride like this for at least a year, maybe longer. She wanted to let Pearl have a good run and this seemed like the best place for it. Sav came out onto the trail, Cergio and Perion right behind him.

She grinned, deciding to throw out a challenge she knew they couldn’t refuse. “There’s an old oak farther on, about a quarter mile. Race you there!” She leaned forward and dug her heels into Pearl’s sides.

Sav’s big, leggy black caught up to her and then passed her. Ailsa’s lips thinned. At the last moment, she jerked the reins to the side and guided Pearl onto the narrower track, which also cut off a sweeping bend in the main trail. It wasn’t cheating. She’d only specified the destination, not the path.

Ailsa sat up in the saddle to look ahead. Three fallen logs lay across this less-used trail, with no room for a horse to take a full stride between them. The undergrowth was too dense to allow any chance of going around them. Pearl could jump any one of them easily, but three together with barely room for the mare to gather herself for the next jump was more challenging. Ailsa had faith that Pearl could do it.

She bent low over the withers of her horse and urged her forward. Pearl lifted off, easily clearing the first log, landing, and lifting off again. It felt like flying. Ailsa laughed as the wind of Pearl’s speed whipped her hair into her face. They broke out onto the main trail again only a couple of lengths ahead of Sav.

This time they were going to do it. This time they were going to win. Ailsa turned her head to look over her shoulder. Sav’s long-legged black was gaining on them, but the other two were lost in the dust, too far behind to have a prayer of catching up.

She wasn’t going to come in second. Not this time. A tiny whirlwind of fallen leaves would distract his horse and slow Sav down. She was tempted, but using magic really would be cheating. And that would take the luster off the win. Instead she leaned forward to whisper encouragement into Pearl’s ear. “Go, girl. You can do it.” The mare put on a burst of speed. Ailsa whooped and raised her arms in triumph as they passed the oak tree that marked the finish line.

She jumped down and hugged Pearl’s neck, then grabbed a cloth from her saddlebags and began wiping her down, even though that little run had barely raised a sweat. “You’re wonderful. You’re the best horse ever.”

Sav pulled his black stallion up beside her and dismounted.

Ailsa paused her rub down of Pearl to turn to him. “I told you she could beat your black, didn’t I? She’s faster than she looks.”

Savyon patted Pearl’s shoulder. “No. She just runs her heart out for you. It’s not the same thing.” His eyes glowed oddly as he met Ailsa’s. “It’s a gift. To be able to inspire that kind of loyalty. She runs beyond her abilities for you.”

Ailsa blushed and concentrated on wiping the last traces of sweat off Pearl’s gleaming coat. Pearl liked to run. And if Sav was about to accuse her of using magic to win the race—when she’d specifically restrained herself, too—she’d . . . she’d hit him, prince or not.

Sav looked back down the forest path to a narrow place where Cergio had somehow gotten his bay gelding turned sideways on the trail, blocking Perion. He swallowed and grabbed Ailsa’s hand. “Ailsa, I . . . I . . .”

Why was Sav stammering? He’d never been shy with her before. They’d known each other practically since she could walk, after all. And even if she did occasionally get a little irritated with him, she would never really hit him. She looked up into his eyes. “What is it, Sav?”

With a shout, Ailsa’s cousin, Perion, slipped around Cergio’s horse’s flank and raced towards them. Cergio followed at a slower pace.

Sav grimaced and drew a deep breath. “You will be coming to the ball tonight, won’t you?”

Ailsa nodded. “Yes, of course. It’ll be my last chance before I go south to school. I doubt I’ll get invited to very many parties there. Anyway, I’ll be there to study, not socialize.”

He squeezed her hand. “Promise me a dance?”

Ailsa smiled. “As many as you like, Sav. As always.” She turned back to Pearl to hide her face. Who else am I going to dance with? Perion? Aunt Izbel will prod him to ask me once or twice, but I know he’d rather be dancing with Delea. And Cergio will be on his next romantic campaign. He won’t have time for me.

“I’ll see you there, then,” Sav said and released her hand just as the others rode up.

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Yesterday, I finished the first round of revisions on BEYOND THE PROPHECY.

????????????????????????????????????????????????????????????????????????????????There are probably two more to go before I turn it over to beta readers in June.

During June, I can start the fourth–and final–book in this series. (Final, unless I decide to write the prequel stories at some point in the future.

Then July and August for the revisions coming out of the critiques and the polishing edit. And I’m on schedule for releasing BEYOND THE PROPHECY in September.

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Every writer I know has this problem. It’s always when you’re elbow deep in another story that the shiny new one comes along to taunt you.

I have to hold this one back until I’ve finished not only BEYOND THE PROPHECY, but also the fourth (and last) book in the DUAL MAGICS series. That’s at least a year!

So, maybe writing a little bit about it now will help with that. Fingers crossed, because, of course, it could just as easily make it worse.

DREAMER’S ROSE is not precisely a new idea. I’ve actually written an earlier (and very bad) version of it. Then I let it sit and re-imagined it. I played around with it a little, but it was tricky because the story involves three main characters and two of them aren’t even born when the story starts. I wasn’t sure exactly how I was going to handle that.

Then the inspiration came to me a couple of weeks ago. All I really had to do was free the story from the box I’d been trying to shove it into. Now I can see how it needs to go. It’s most likely a trilogy. Possibly with each book focusing on one of the three characters. And no matter how badly my fingers itch, I can’t start writing it yet.

Can’t. Mustn’t. Must finish DUAL MAGICS first. (Keep repeating that.)

cropped-princess-louisa-inlet.jpgThis is a glimpse into part of the world of DREAMER’S ROSE–a temperate rainforest.

The first part of the story is the legend of Hercules turned on its ear. (The real version, not what Disney did to it.)

In the Greek myths, Hercules led a cursed life, because Hera (who was not his mother) had it in for him. He failed at absolutely everything in his life, except killing monsters and completing other impossible, but mostly useless, tasks. Really, how helpful was it to retrieve the three-headed dog, Cerberus, who guarded the underworld, just to prove he could, and then take him right back again? (By the way, in the original Greek version, Hades helped Herc by giving his permission for that.)

Then he became a god and there were actually altars for his worship. I’ve always kind of wondered what you would pray to Hercules for. I mean, if you had a hydra in your backyard, I get it. But certainly not for any kind of domestic happiness. (Hera drove Hercules mad so that he murdered his own wife and children.)

How did his very unsuccessful life prepare him to be a god?

And that’s where DREAMER’S ROSE starts. Will start. In about a year. Keep repeating that.

 

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I’m at the point in my revisions on BEYOND THE PROPHECY

????????????????????????????????????????????????????????????????????????????????where I have to balance multiple threads of the story. I now have major characters in three different locations doing three different things in support of the main goal.

Things get complicated at this point. I have to keep the timeline straight. Does Event A actually belong in chapter 30, or should it happen after the events–in another location with different characters–in chapter 32? Moving whole chapters around isn’t too difficult, but remembering what any given character should know if I move that chapter might be.

Add in that I don’t want any one of those three characters to get left out of the plot for too long and it becomes a real balancing act.

Progress slows a bit at this point for a reason.

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I started the revisions on BEYOND THE PROPHECY just about a week ago.

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I’ve made really good progress up ‘til now. I’m on Chapter 25 of (currently) 51.

Honestly, the most major change I’ve had to make so far—other than adding some details and punching up the emotions in a couple of places—was to delete part of a few scenes since I’d decided that a couple of characters weren’t there after all. Not too big a deal.

Not that I’ve addressed everything in those first 24 chapters. There are things I left for a later pass because I hadn’t decided quite what to do with them yet. And there will still be the need to edit for more setting details in some areas. (Always something I tend to gloss over in a first draft.)

But I’ve just arrived at the part of the story that’s going to need more work. The part I wasn’t happy with in the first draft anyway. It’s always the middle, isn’t it? I know what needs to be done—generally. But now I have to do it. New scenes. At least one new chapter. New emotional conflict—can always use more of that in the middle. This part will be almost like going back to the first draft.

But the story will be so much better for it.

Once I get through this, hopefully the rest will be more of a downhill slide. Then at least two more revision passes until I’ll be glad to close it up while my trusted beta readers have it. Then I’ll know how well I did.

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I’ve been doing so many other things today–laundry, a bit of house painting, and the first round of revisions on BEYOND THE PROPHECY

????????????????????????????????????????????????????????????????????????????????that I almost forgot to blog. In my defense, I’m at one of the most fun parts of the story, where two young characters are starting to feel the first urges of something more than friendship–and still don’t quite know what to do with that. To cap it off, one of them is about to go away for a while. Here’s a snippet:

“You are coming back aren’t you?” Kiara asked.

“Nothing could keep me away. This is my real home.”

“How . . . how long will it be?”

“I don’t know. Two years. Maybe three. I’ll study hard and try to make it back as soon as I can.” He looked down and back up. “Will you . . .” He stopped and shook his head. “It’s not fair to ask you to wait for me.”

“I’ll wait.”

Theklan smiled. “I . . . I made something for you. It’s not a courting gift. I’m not even allowed to offer a courting gift until after the manhood test. More . . . more maybe something to remember me by?”

Kiara smiled. “I’ll keep it for you.” The traditional reply to an accepted courtship gift. She looked around. “What is it?”

Theklan laughed. “It’s not here. I hid it in my bedroll. It’s a bridle with a pattern of lions and eagles worked on it.” Unaccountably, he blushed. “That’s what I wanted the berries for . . . that day. To make a dye to bring out the pattern.”

“Pity we lost them all.”

His eyes blazed as he looked into hers. “No. Vatar’s bringing a purple dye from Caere. That’ll be better. It’ll last longer and . . . the other would have been pinkish. That’s not really the right color for you. You’re more . . . vivid than that.”

Kiara sucked in a breath. Then she leaned forward and pressed her lips to his, just briefly. A promise for another time. In two or three years. When they were both ready. It would seem like a long time, but maybe it was better this way.

Unfortunately, all is not going to run smoothly for these two. Not for a while at least. But it’s still fun writing this.

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