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WriteOnCon

Really short post today since I’m spending most of my time over on WriteOnCon yesterday and today. How can you not like a writers’ conference that’s free and online?

No requests at this point. But I’ve gotten lots of comments on my queries and first pages for both FIRE AND EARTH and MAGE STORM.

Even better, one of the posts today sparked the idea I need to make some revisions to MAGE STORM. I’ve been dissatisfied with the middle. Now I have a very good idea on how to fix it.

Very worth while despite the occasional frustration with internet connections.

There’ll be a more substantive post on Sunday, I promise.

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First, an acknowledgment. I got the idea to try this from Patricia Awapara, although, of course, what I did was just a little different. For one thing, budget considerations being what they are, I wanted it to be free or as close to free as I could make it. Turns out, that is possible.

I started with “Heart of Oak” because of the three stories I’ve e-published, that was the one that was easiest to think of in images.

Step 1: Think up half a dozen or so images that help to tell the first part of your story. This is going to be a lot like a query or book blurb, so you only need to go far enough to introduce the characters, setting, and conflict, not all the way to the end. For “Heart of Oak”, this was fairly easy. A forest. A tree stump. A hut or shack. A vegetable garden. The first two were easy. There are a couple of places you can look for images you can use for free. I like the free section at Dreamstime. Be a little flexible here, especially if you’re looking for free images.

Step 2: Lay out the images in whatever tool you’re going to use to make the trailer. My first and last images were the book cover. I used Windows Movie Maker because I already had it and it’s pretty easy and fairly flexible. At this point, I also played around with the transitions between images.

Step 3: Write a script. This is very similar to an elevator pitch, back cover blurb, or even a query. I find it’s easier to write the script to the images than try to find images to fit the script.

Step 4: As it happens, I already have the ability to record this script, because I’ve been planning to do recordings of at least some of my e-published stories. I have a pretty good recording microphone. Audacity recording software is free. So, I recorded the script myself.

Step 5: Add the recorded script to the movie and match the images to it. In Movie Maker, this just involves stretching some images and squeezing others so that they match up with the spoken script.

Step 6: The trailer was pretty good (for a first effort and no budget) at this point. But it needed one more thing. Titles. Just in case someone had their speakers turned off or too much ambient noise or just happened to be deaf. So I added titles to the images that more or less followed the script. Next time, I’ll plan those titles to match a little better.

And this is the result.

So, now I’ve started work on a trailer for BLOOD WILL TELL. The images for that one have proven to be a bit more challenging. A werewolf. Hmm, that’s a tough one, especially for free, but a wolf and a full moon ought to get the point across. A forest–already got that one. A tower. That actually wasn’t too hard to find. And a dragon. Well, I’m just going to have to do the dragon myself. For some reason, there aren’t any photographs available.

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Father’s Day

Well, I blogged about Mom on Mother’s Day. I suppose I should give Dad equal time. It’s not that I don’t want to. In some way, Dad is a harder topic for me because, well, he’s not here anymore. Dad died in 1999.

This is a photo of Dad long before I knew him. (I came along late and by surprise.) He was in the Air Force, only back then, it was still called the Army Air Corps. He was a B-17 pilot. Dad never talked much about that. He’d talk about life on the base and about his crew. He’d talk about some of the missions they flew after the war–dropping supplies into Holland, for example. But he never talked much about the actual war. I guess he had that in common with a lot of World War II vets.

This photo is actually probably older. Mom and Dad probably right around the time of their marriage in. I wouldn’t be surprised if this was taken in Tulsa, where they were married. It’s no place I recognize around here. Of course, many things have changed in the intervening years.

A lot of the photos of Dad are framed and hanging in the hallway. Without going through a major redecoration, about the only other photo I have handy is from their fiftieth wedding anniversary. That’s me in green. Not a current photo; remember, Dad died in 1999.

Dad was one of the most patient people I’ve ever met. Not, unfortunately, a virtue I inherited. He could also drive me right up a wall with it. Once I could drive, I never went shopping with Dad again. Totally different philosophies of shopping. He had to go everywhere first and then go back and buy what he’d seen at the first or second place he went to. I’m a much more directed shopper.

He was not the person you necessarily wanted to turn to for help with homework, either, being a strong proponent of the Socratic method. He always thought if you figured it out for yourself, it’d stick better. He might have been right, but that didn’t make it any less frustrating. And yet, some of those times are the ones I think of most fondly, now.

There never seemed to be anything he couldn’t do, though. He did most of the work around this house. In his day, we rarely needed to call anyone to fix anything. If something broke, I always took it to Dad.

Of course, Dad’s catch phrase was “If it’s worth doing, it’s worth doing right.” And could I tell some stories about things “done right” that were very hard to change, later. When, years later, I had the kitchen window replaced, the men who came out to remove the old jalousie window and put in a new garden window had to resort the their sawzall to get the old one out. Three inch nails every six inches. That was my dad.

I learned a lot from him. Somedays, I wish he’d felt it more important to teach me some of the things he knew about maintaining this old house. That’d come in handy now. But Dad was from a different generation and didn’t think I needed to know how to snake a drain. Wrong!

Miss you, Dad.

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Last week, I blogged the query and first two pages of FIRE AND EARTH as part of a contest. One of the best things about these contests is the critiques and how they help improve the work. So, to demonstrate that, today I’m going to blog the revisions, as far as I’ve gotten with them. Not quite done yet. If you want to see the before, go here.

Here’s the new query:

Born with the mark of the berserker, seventeen-year-old Casora has been sent away to learn war craft. When her native land is invaded, she’s not there to do the one thing she’s been prepared for all her life–to use those skills to protect her family and home. Learning that the young man she loves was killed in the fighting is the last straw. She releases her curse and goes berserk.

Now she’s doubly cursed, because she can never go home to find out what happened to her family or even if any of them are still alive. With no way to help the ones she cares most about, she turns mercenary, leading a band of teenage warriors looking for the chance to avenge themselves on the marauders. But she prays for a way to cure the curse so she can go home. When she prays for an answer, she’s told to rescue the youngest prince to find what she needs.

Tiaran, third prince of a neighboring kingdom, is considered more a scholar than a warrior, but he’s determined to fight for his home. When the raiders attack, he’s trapped on the wrong side of the city walls. Casora and her band are sent to rescue him. With the capital city now besieged, there’s no option but to keep him with them and teach him to be a warrior.

But Tiaran has something to teach them, too. It’s just possible that Tiaran and Casora may be the answer to each others’ prayers.

FIRE AND EARTH is a 77,000-word young adult fantasy. Readers who liked Kristin Cashore’s GRACELING will enjoy FIRE AND EARTH.

Thank you for your time.

I have a little more trouble with the new beginning. I’m vacillating between this:

Casora stepped into the practice circle and grinned as she saluted her opponent. The sword was not her best weapon, but the chance to spar with Marcian was too good to pass up. The only sanctioned time they could touch at all was during such training duels.

Marcian returned her salute and took up his stance, giving her the first move. Casora’s smile turned to a frown. She’d make him rue that overconfidence. He might be bigger and stronger–with all those muscles how could he not be?–but she was quicker, more agile, and vastly more cunning.

She rushed forward and spun at the last instant to hit Marcian from the side with the flat of her blunted practice sword. Her oldest brother had taught her that move and she didn’t use it very often for obvious reasons. With real, sharp-edged weapons, it was too risky, leaving her open to her opponent’s back stroke, if he was quick enough.

Marcian was faster than he looked, but she’d taken him by surprise with that move. In trying to follow her spin, he’d left himself open. Casora took advantage of that by dropping low and pressing the point of her sword against Marcian’s belly. It was then that she noticed the edge of his blade resting beside her neck. If this had been a real battle, they’d both be dead.

She reached up and rubbed at the little scar above her right eyebrow. Maybe she should have remembered how Marcian had given her that scar the last time she tried a trick move. She’d acquired other scars since then, of course, but that had been her first. And it had become something of a joke between them.

Marcian looked down at the sword pointed at his gut and shrugged. Casora stood up and took her stance, waiting for his move. A horn blast made them both turn toward the road that ran past their camp. At the cry of “Riders coming!” Casora dropped her practice sword and dashed to her post.

From her desk at the front of the command tent, Casora watched the large group of riders approaching. She wore the regulation leathers and enough of her armor to disguise her slender body. By reflex, she reached for her helmet to hide her face as well. No outsider ever saw the face of a Deathless.

The tent stood on a little rise overlooking the camp, where the flag bearing a circle of seven stars on a dark blue field could be seen for miles around. It was also above most of the mud, although the smell of wet earth, damp horses, and manure still reached her on the stiff breeze that whipped the flag above her.

The rise gave Casora a good view of anyone arriving at the camp long before they reached her. More than enough time to note that these riders were all redheads, not a common hair color outside of Astraea. Casora grinned and set her helmet back on the corner of the desk. They were replacements. No need to hide her face from them.

And this:

From her desk at the front of the command tent, Casora watched the large group of riders approaching. She wore the regulation leathers and enough of her armor to disguise her slender body. By reflex, she reached for her helmet to hide her face as well. No outsider ever saw the face of a Deathless.

The tent stood on a little rise overlooking the camp, where the flag bearing a circle of seven stars on a dark blue field could be seen for miles around. It was also above most of the mud, although the smell of wet earth, damp horses, and manure still reached her on the stiff breeze that whipped the flag above her.

The rise gave Casora a good view of anyone arriving at the camp long before they reached her. More than enough time to note that these riders were all redheads, not a common hair color outside of Astraea. Casora grinned and set her helmet back on the corner of the desk. They were replacements. No need to hide her face from them. They were about to become Deathless themselves and they wouldn’t be shocked to find that the second in command of the famous war band was a girl only a couple of years older than they were.

As the riders made their way down the central road, between the orderly rows of tents, she took note of their condition and readiness. The horses looked good. Someone had thought to stop and groom them before riding in. Very shortly before, by appearances, since the mud from the recent rains didn’t rise above their fetlocks. The riders’ spears had been polished and sharpened, too. Replacements usually tried to make a good impression.

The effect was spoiled by the ease of the riders and their ragged line, strung out like a hunting party. And the shiny weapons were held too loosely. In a skirmish, they’d be overwhelmed before they could get those spears into position.

The new ones always thought they’d been trained back home, but they always had so much still to learn when they got here. It’d be Casora’s job to figure out what that was and see that it happened right quick, before they had a chance to get themselves or a comrade killed.

Training, she knew. She was good at that. She grimaced as she thought of all the other work these riders would mean: billets to be found, supplies that the veterans would already have, armor to be refitted, paperwork. Casora hadn’t come close to being comfortable with that part of her new job as second in command of the Deathless. She’d only been moved up from the much smaller job of commanding the archers when the last group of replacements arrived two months ago.

Then again, maybe all that would be someone else’s worry. It was an unusually large group of replacements. Thirty people would be going home, nearly a tenth of the band. Maybe Casora would be one of them this time.

And now, because there’s another contest over at YALitChat, here’s the pitch (so far):

Seventeen-year-old Casora loses her battle against the berserker inside her just when her country is threatened by an invading army. Now she’s forever banned from returning to her home and family unless she can find some way to tame the berserker. Her search for a cure leads her to Tiaran, a scholar-prince who needs to learn to be a warrior to defend his own land against the invaders. They just might be the answer to each others’ prayers.

If you have any comments, please share.

 

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This last week has not been a very productive one. There are a couple of reasons for that.

On one hand, I’m just a little bit stuck on my current WIP. It’s a problem I anticipated, but it’s still a problem. THE BARD’S GIFT is about Astrid, a shy girl who finds that she’s been given the gift of storytelling–but the gift comes with a catch. Sometimes, even when it embarasses her or when people don’t want to listen to her, she’s compelled to tell a particular story. It’s potentially a very powerful gift, but not a very comfortable one.

Well, the problem with this story is that I have to put in those stories that she tells, which is almost like stopping the flow of the main story and writing a short story in the middle of it. That’s proving a little more difficult than I anticipated.

By preference, I’d like to have Astrid start with traditional stories, then maybe start finding that the story she has to tell has some variations from the traditional story, and then telling entirely new stories. This is an alternate history, so that means I need to find a traditional story from her culture (Norse or Icelandic) that fits with that point in the story. I have some more research to do. The books arrived yesterday.

Now, there are a couple of ways I could deal with this. I could just go around and come back to fill in the story. Or I could work on something else while I figure out the story Astrid needs to tell. I have a novella “The Music Box” that needs work before it’s ready for e-publishing and a short story “Apocalypse Cruise” that might be worth revisting because I might have figured out how to address a couple of its issues. The problem with that is that it typically takes me a day or two to really switch stories in my own head.

The other reason I’ve been having trouble with my writing this week is interruptions. They are, I think, going to turn out to be good interruptions, but I’m going to need to find a way to deal with them without losing productivity.

If you’ve ready my “About Me” page, you know that I take care of my mother, who has advanced Alzheimer’s disease. For several years, Mom attended an adult day care run by the Salvation Army and I had my writing time worked out around that. Last year, that day care closed and Mom had a one-week hospitalization. For someone like Mom, an event like that often results in a drop in functioning. Mom was no exception.

So, for the last year, I’ve been basically going it alone with Mom at home 24/7. Now, I’m deluged with potential help. Mom’s doctor switched her over to the home care portion of her HMO, which means nurses will come out to her instead of me having to try to get Mom back and forth to the doctor (not a smal task, believe me). Great. The home care people suggested that maybe she should be on hospice. In the last week, I’ve had the home care nurse, a social worker, another nurse to draw a test sample, and the hospice intake person out. And the hospice people are coming back today. I’ve not been very successful switching back and forth between these roles.

The house is a mess. I’ve never been a great housekeeper. It’s just not where my interests lie. I can always find something more interesting to do–like getting lost in my current story. But it finally does reach a point where I have to stop and deal with it. Those efforts usually run aground in the clutter.

But now I need to find some documentation. And so far, I haven’t been able to. (I have found some other things that I’d misplaced, but not what I’m looking for right now.) So, I’m going to have to start attacking the clutter and the semi-hidden stacks of paper lying around this house.

Looks like I’m going to have to make a plan. I might even *shudder* have to make a schedule.

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Mom

Well, it’s Mother’s Day and the same people that took care of Dad are coming out tomorrow to assess Mom for hospice care, so it seems like a good day to look back.

This is Mom when she was young. Several years before I was born, so I don’t actually remember her this way.

 

 

 

 

This is Mom and Dad together, again several years before I came along.

If you read any of my stories (hint: BLOOD WILL TELL) and encounter a petite fireball for a female character, well, now you know where that inspiration came from.

Mom, Dad, and me at their 50th wedding anniversary. (Disclaimer: this should not be considered anything close to a current photo of me, either.)

 

This is Mom with a therapy dog that used to visit the Salvation Army Adult Day Care Mom attended for years. Unfortunately, the ADC closed a year ago. I give them and the stimulation they provided a lot of credit for the long plateau Mom had in the progression of her Alzheimer’s disease.

 

I could add a more recent picture, but it only gets more depressing from there. This disease steals so much. It’s twelve years now since her diagnosis. Sometimes it’s hard to remember the energetic lady who always seemed to be ready to take on the world. The things she taught–and sometimes tried unsuccessfully to teach–me will always be with me, no matter what. She encouraged me to read and to write, although I didn’t really get serious about that until it was too late for her to understand much about it.

Happy Mother’s Day, Mom. Love you.

 

 

 

 

 

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Update

Well, it appears that the reason I was having trouble figuring out how to make “Heart of Oak” free on Amazon is that they don’t let me do that. It’ll only be free if they decide to price match Smashwords. If you don’t want to hold your breath for that, pick up a free copy at Smashwords. And, of course, I hope you like it enough to buy BLOOD WILL TELL at only $2.99.

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BLOOD WILL TELL is now available on Smashwords

 

 

 

 

 

and on Amazon.

 

 

 

 

It should be available on Barnes and Noble in a couple of days.

In celebration, “Heart of Oak” is free on Smashwords. And will be free on Amazon shortly.

I hope you enjoy it. And, if you do, look for the further adventures of these characters in BLOOD IS THICKER this fall.

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Lucky 7

I’ve been tagged. The rules are:

Go to page 77 of current WIP

Go to line 7

Copy down next 7 lines/sentences/paragraphs & post them as they’re written

  • Tag 7 other authors
  • Let them know

Since I’ve barely started THE BARD’S GIFT and haven’t gotten to a page 77 yet (haven’t even gotten to page 2 yet) and I finished the revisions to FIRE AND EARTH and started querying it yesterday (fingers crossed), that leaves MAGIC’S FOOL. I’m starting the next round of revisions based on the critiques of my beta readers, so that counts as a WIP, too.

Going backward just a bit to start in a place that makes a little sense:

Vatar took a step back. As a Dardani, every instinct told him to keep that secret. Especially not to tell a stranger. “Why? I don’t want to.”

“Because Veleus understands these things better than any of us. He can help you, if you let him.”

“I’ll help you in any way I can, . . . son,” Veleus said.

Vatar scuffed one toe on the path. “It was just a dream.”

“We all thought that at the time. But not any more. Now I think you were actually talking to someone in your mind. Tell him.”

“What’s this?” Veleus asked, looking at Vatar again.

Seeing no way out of it, with everyone’s eyes on him, Vatar reluctantly recounted his three conversations with Thekila and how they had happened. And, at Mother’s prodding, he also told about the incident with the lions. Veleus listened with interest, asking pointed questions.

Hmm. Just looking at this makes me think I need a few more dialogue tags or beats. This bit comes at the point when Vatar first meets the person who may help him to understand the magic he’s been desperately trying to hide.

Now, if you’ve read this far and you haven’t already been tagged–you’re it.

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Marketing

Well, now that I’ve got a toe in the water on e-publishing, it’s time to think about marketing.

I haven’t done much of that, yet–and my sales show it. Frankly, with only “Heart of Oak” published so far, I think it’s a bit premature. “Heart of Oak” is a novelette (roughly one-tenth of a full novel). But more e-published stories are coming, so it’s not too soon to think about marketing.

Smashwords publishes a very good, free e-book on marketing, so I’ll just post the link to it, here. There are some really good ideas in there that I’ll want to consider when I e-publish BLOOD WILL TELL at the end of this month or the beginning of May. That’s when I plan to take marketing a lot more seriously. Even better, every idea in there is also free to implement. And a lot of them would be really easy, too.

One of the big tips is to have multiple titles out there. I have that underway. “Heart of Oak” is out. As soon as I hear back about “Becoming Lioness” (assuming the market that currently has it on submission rejects it), that’s going up. I have a romance novella “The Music Box” that will be e-published as soon as I’ve gotten a little feedback on it. Then the full-court press for BLOOD WILL TELL and get cracking on revisions to BLOOD IS THICKER and a draft of the third book in the series, BLOOD STAINS.

Hmm. One of the things I need to do is to come up with a title for that series as a whole, too.

 

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