Posts Tagged ‘Reading’


And, in yesterday’s post, I forgot to note my last four entries in the #FellowshipOfFun A to Z favorite fantasy characters. So, here they are:

  • For P I couldn’t decide between Polgara (from David Eddings Belgariad and Mallorean, as well as other books) or Penric (from Lois McMaster Bujold’s “Penric’s Demon” and “Penric and the Shaman.”)
  • Q was really hard. I ended up going with Quetza from my own Dual Magics series.
  • R was Ron Weasley, of course.
  • And S could only be Samwise Gamgee.


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It’s an interesting experience. I’ve had something like it when I started the rewrite of THE SHAMAN’S CURSE.


But that was something I’d first written at the beginning of my writer’s journey. A story I still wanted to tell, but had told badly the first time I tried. That was an experience in realizing just how bad those first efforts were.

After publishing the boxed set of young adult fantasies, BY SWORD, TALE, OR MAGIC, I started reading them.

By Sword Boxed SetAt first, I thought it was an in-depth format check. But I’ve found I got sucked into my own stories–and I know how they’re going to end if anyone does. Not to say I haven’t found things I’d do differently if I wrote that story today.

Probably the biggest one is scenes I clearly remember, but didn’t remember cutting from the finished novel. Most were rightly cut. There’s always some of that in the editing of any story. Others I can’t recall why I cut. Probably trying to fit within some externally dictated length. A few, I wish I hadn’t cut. That’s an interesting perspective to carry with me into my next set of revisions.

A useful experience. And affirming. All writers need that from time to time.


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Fantasy, especially epic fantasy or sword and sorcery, very often includes battles. And a few things this week have come together to get me thinking about what makes a written battle work–or not.

It’s a good thing to start thinking about. Towards the end of BEYOND THE PROPHECY, I’m going to be writing the first really big battle of this series. Not that there isn’t action of other sorts, and even other fights, earlier in the story. But this will be the first of two large groups colliding. (Much more of that in the fourth and final book of the series.)

First, I recently finished a book that included a multi-chapter battle. I mean multi-chapter, as in twelve chapters. Twelve. With almost every move of four separate POV characters detailed. All right, they were short chapters, mostly. But still. I was so ready for that battle to be over and to move on with the story. Only, the story didn’t go much farther. Didn’t really have what I’d call a real denouement. Just set up for the sequel–which I won’t be rushing out to buy. (No, I’m not going to name the book. Just because it failed for me doesn’t mean someone else might not enjoy it.)

All right. For me, at least, that’s probably not the way to write a battle scene.

Now, immediately the thought occurred to me that Tolkien had also written a long battle scene in RETURN OF THE KING and that one didn’t bother me. So, I got out my copy to take a look at that. The Battle of the Pelennor Fields starts towards the end of Chapter IV (The Siege of Gondor). But then it’s broken up by the Ride of the Rohirrim in Chapter V, which only returns to the actual battle at the end of that chapter. Then Chapter VI all and only about the battle–and it’s a fairly long chapter, because a lot happens in that battle. But Tolkien doesn’t attempt to tell us every sword stroke or skirmish. He evokes the chaos of the battle and then only really shows us the highlights.

I like that approach much better.

Now, while I’ve had a fight scene of some kind in most of my books, I think I’ve only tackled a pitched battle twice.

Once was in FIRE AND EARTH. That was two chapters. Three, if you count the chapter where the heroes worked out their strategy. And then one from the point of view of each of the two main characters.

Fire And Earth Cover (Provisional)

The other is in “Becoming Lioness”, which is actually a compressed version of one of the battles that will be in the fourth book of the DUAL MAGICS series. That one is mostly told from the reactions of the main character in that story.


Meanwhile, as I continue writing my way toward those battles, I’m reading Rayne Hall’s, WRITING FIGHT SCENES–and getting some good ideas.


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I now know exactly what happens in the next several chapters of BEYOND THE PROPHECY–and I’m still not making much progress. It’s not editor brain (at least, I don’t think it is). It’s my brain during a heat wave.

I don’t know how many of you have read Terry Pratchett. (If you haven’t, you should.) A subseries in his Disc World series deals with the Night Watch, which (after the advent of Carrot, anyway) includes not just humans, but dwarves, a werewolf, and a mountain troll. I don’t remember the troll’s name off the top of my head, but I do remember this little plot point.

The troll was big, strong, and intimidating to the bad guys. He was also dumber than dirt–until one night he got locked in an ice house. Then he was brilliant. So one of the dwarves built him a hat that would keep his head cool so that he could be smart all the time.

I need someone to invent that hat in this world. The kind of concentration it takes to write a first draft simply eludes me right now.

Maybe my efforts would be better directed to a little revision for the duration. They say this heat wave will end soon–but we all know how much we can trust weathermen. I’ve gotten the first critique back on THE IGNORED PROPHECY and it looks like I may have a lot of work to do on that. Sequels are hard. More on that in my next post.

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I posted a short while ago about the problem of pre-orders in connection with the launch (in less than two weeks) of THE SHAMAN’S CURSE.



One of the things I’ve done since then is to do some reading. Sometimes, when you don’t see the way forward, the best thing to do is a little research. I read LET’S GET VISIBLE by David Gaughran and changed the way I’m looking at this. I highly recommend this book. I’m starting LET’S GET DIGITAL soon.

The point of having a lot sales all hit at the same time from pre-orders is hitting the popularity lists so that the book gets extra visibility. I don’t know, maybe that’s still important for traditionally published books. Not so much for independently published books, though.

The reality is that pretty much no matter what I do, my book is not likely to hit the popularity lists (those lists that suggest other books to you) on Barnes and Noble or Kobo or Apple. Those lists are still heavily weighted in favor of traditionally published books. The only place where there’s close to a level playing field for indies is Amazon.

And Amazon changed their algorithms a couple of years ago. Once upon a time, that spike in sales would have made a difference on Amazon. But then a lot of people started gaming the system–book bombs to get a lot of people to buy the book all within a narrow time window, for example. It didn’t really have anything to do with the long-term popularity of the book, so Amazon changed the way they calculate the popularity lists. Now, that one-time spike sinks right back down again in the ratings. What gets rewarded now is sustained sales over several days.

That means, I can plan to do several different things over the launch period. (I’ve already got a couple set up.) But I don’t have to–in fact I shouldn’t–put all my eggs into that one launch-day basket. Getting the word out during that first week or so is important. Maybe even the first two weeks. Frankly, that’s a lot less stressful.

I get to pace myself and remember “This is a marathon, not a sprint.”

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I’m going to try a blog hop, today. It’s called What’s Up Wednesday.WUW Badge


The four questions for this blog hop are:


Hmm. I’m sort of between novels at the moment. I recently finished THE EMERALD CITY OF OZ, by L. Frank Baum. (That’s research.)

Right now I’m reading LET’S GET VISIBLE by David Gaughran, because this is stuff I really need to learn to do better.

I need to pull up one of those new novels on my kindle and start reading.


I’m in the middle (almost) of the rewrite of THE IGNORED PROPHECY, which is the sequel to THE SHAMAN’S CURSE. I’m basically keeping the plot the same, but using the writing skills I’ve learned in the last six years or so.


Well, doing a rewrite is mostly just a slog, a special kind of revision. I had the inspiration for the story six years ago when I wrote it (badly) the first time. Although I do love these characters and I’m excited and a little nervous to get through this one and on to the third book. The third book scared me back then, but I think I can write it now. It’s the book in the series (four books in all) in which everything falls apart.

I’m also starting to get excited again about my WEIRD OZ STORY. (Which is why I’ve been reading some of the Oz books.) I made an abortive start on this story about a year ago, but it wasn’t right. I had a pretty good idea what was wrong, but I needed time to figure out how to fix them. Reading some of Baum’s Oz stories beyond THE WONDERFUL WIZARD OF OZ has gotten me thinking about some new elements.


Scattered, as usual.

Preparing for the launch of THE SHAMAN’S CURSE in a couple of weeks.

????????????????????????????????????????????????????????????????????????????????????????I really need to learn to this part so much better.

Finishing up the last little bits on DAUGHTER OF THE DISGRACED KING so I can start querying that one. I finished the synopsis yesterday. Now I just need to go back over the first couple of chapters.

And dealing with a lot of clean up and other business that got postponed when I got the chance to work steadily for the last six weeks (ending last Thursday.) I’ve still got several things to do before I can settle Mom’s Trust. First up, I need to prepare for an estate sale. It’s amazing how much stuff can be accumulated in 95 1/2 years, especially living in the same house for about 65 of those years. A lot of it is good stuff, but there’s just too much of it. Way past time to clear out some of it out.


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Tomorrow’s Thanksgiving. Lots to do.

But, I’ve been thinking about something lately, so I’ll talk about it here. I’ve recently finished (yesterday, as a matter of fact) an interesting indie book (FLEDGLING by Nicole Conway). This made me think of the prevalence of orphan and/or abused and/or seriously misunderstood protagonists, especially in middle grade/young adult stories.

Harry Potter immediately comes to mind, of course, but he was far from the first. Anne McCaffrey’s Menolly in the Harper Hall trilogy. Taran in Lloyd Alexander’s Prydain Chronicles. Even Luke Skywalker in the original Star Wars trilogy. I could go on and on. The trope of the orphan boy or widow’s son who makes good goes all the way back to fairy/folk tales.

And it made me wonder. Why? Why do so many stories start with this kind of hero? I think there are several reasons.

For one, at least as far as middle grade stories are concerned, I think we all go through a period around those years when we believe no one understands us. It’s something the readers can relate to, at least as far as the misunderstood protagonist goes.

Another reason might be that it builds in some initial conflict while the story gets started. While the narrative is building to the inciting incident, the character already has something to fight against. And it can even be a further complication–something, perhaps, that makes the hero doubt himself–once the real story problem is in full tilt.

But sometimes I think it’s just done to build sympathy for the main character, like having him pet the cat. And that just makes me want to break type. Someday, I’m going to have to write a story in which the orphan is bitter and becomes the villain. Just because I can.

Happy Thanksgiving Everyone.

The First Thanksgiving, painting by Jean Louis...

The First Thanksgiving, painting by Jean Louis Gerome Ferris (Photo credit: Wikipedia)

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There are a couple of reasons why I want to talk about first-person point of view today.

The first is that my Weird Oz Story is my first attempt at novel-length first person point of view. I don’t actually think that’s why I’m stuck on that one–at least not directly.

I’ve written a couple of short stories (novelettes, really)–“Heart of Oak” and “Becoming Lioness”–in first person, but never a novel. There’s a reason for that. The shorter stories could be told from a single point of view. “Heart of Oak” really had to be told in first person, so much of that story was internal. And I just started hearing “Becoming Lioness” in first person in my head–after the first draft had already been written–and I decided to go with it.

The main reason I’ve never written a novel in first person is that I usually write from more than one point of view. (MAGE STORM being the only completed exception to date.) In my young adult stories, specifically, I usually write at least from the points of view of the girl and her love interest. Sometimes, the antagonist, too. That’s hard to do in first person.

I’ve read several published novels with more than one first-person point of view character and almost universally I’ve been struck by one thing–all the characters sound the same. They don’t have individual voices that distinguish them from each other, sometimes even when the characters have wildly different backgrounds. They should speak and think differently from each other, but I have to check the top of the page to know which character is using the pronoun “I” in a particular chapter.

I don’t want to write like that, so for now I’m sticking with a (hopefully) invisible third-person narrator when I have more than one point of view character.

On a brighter note, I have finally read a story in which multiple first-person point of view characters actually sound like different characters. It’s Alchemy, by some fellow writers I “know” from Hatrack River Writers Workshop. That seems to be at least one key to doing this right–three different writers each writing a different character. It’s a really, really good story and only $0.99. You should check it out.

In other news, the Chimeria Omnibus edition (containing both BLOOD WILL TELL and BLOOD IS THICKER) is now available just about everywhere. For a limited time (but probably at least through Christmas), it’s the same price as either book alone.


Also, another chapter of BLOOD IS THICKER is available free on wattpad.

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Well, I promised to share a part of my first attempt to record my novelette, “Becoming Lioness”. Here it is:

Becoming Lioness, First Try

It’s a long way from perfect, yet. There are still a couple of places where you can hear me stumble–over my own writing. That can be fixed with some editing. (Another skill I’m going to have to master if I intend to do this.)

Also, the last third or so of the recording you can hear my voice starting to get hoarse again. Don’t know quite what I’m going to do about that. Frequent breaks, probably. Or recording in small bursts several times a day. That’ll be interesting. I’m not sure how many times a day I can make the house quiet enough for that.

It’s a good thing I’m starting with something relatively short, before I attempt a full novel.

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One of the things I’ve been considering for a while now is audio books–specifically recording audio of some of my stories, building up to a full version of BLOOD WILL TELL and eventually BLOOD IS THICKER. It’s a great exercise for finding flaws in the writing, as well.

I have some recording equipment. I could do it. Mainly, I’ve been waiting for allergy season to end so I won’t sound nasal doing it. In fact, I was going to record a short section of the next story I plan to e-publish, “Becoming Lioness”, and include it with this blog. It’d be a good place to start. The story starts with action. It’s not too long (just over 10,000 words). And It’d give me a chance to use the technique of reading aloud–and listening to the recording–as a final edit on the story. Unfortunately, the experiment proved that I’m not in good voice today. I kept getting hoarse in the parts that shouldn’t be. When I do get a decent recording, I promise to post part of it. I’ll keep trying, as I want to do the read aloud anyway.

Audio books would be another way of getting my stories out to readers (or listeners). Even a way of connecting, since it would be my voice in the recordings. Unfortunately, if I can’t get through a 10,000-word novelette (and I didn’t even get through the first scene this morning) I don’t stand a chance of reading an entire novel ten times that long aloud. I’ll have to keep working on that.


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