My (mostly) unbreakable rule about first drafts is that they have to go in only one direction–forward. If I let my editor brain get involved in fixing things during the first draft–well, I just might never get to The End. Early on, I had to force myself into this by writing out the first draft long hand.
After all, first drafts aren’t supposed to be perfect.
Normally, I only permit myself to go backward to make a note of something I need to set up earlier or some other change that will be necessary–in the revisions. And, usually, those changes are relatively small. Often, it only requires a line or two to set something up. For instance, in BECOME: TO CATCH THE LIGHTNING, I’m quite likely going to decide that one character needs to have a small scar from an earlier encounter.
I’ll just make a note that I need to set that up in some way. (Not having him have a habit of rubbing that scar. I already have a character–in a different story–who has that particular tic, so I’ll have to come up with something else.)
But . . . some things need a little more set up than that. And I’ve recently realized that one of the reasons I was having a bit of difficulty getting into one scene is that it really needs some earlier set up that will increase the tension. Set up that will also help to show my antagonist at his weaselly worst. (This antagonist also featured in the small extract I shared a couple of weeks ago.)
So, I’ve gone back to add two scenes to an earlier chapter. Since they are entirely new scenes, not revisions, it doesn’t really quite break my rule. Just bends it.
Meredith Mansfield, Author 