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Posts Tagged ‘inspiration’

TheWorldBuildingBlogfest

Day 4 of the World Building Blog Fest hosted by Sharon Bayliss is about Culture. Since the protagonist of THE BARD’S GIFT is Astrid, a sixteen-year-old girl with an unusual gift, I choose to blog about the position, treatment, and role of women.

Women did have different roles than men. Women’s work was generally done inside the longhouse (a norm that Astrid breaks routinely). Men did the heavier, dirtier work outside.

The Norse culture was extremely violent. However, there was at least one major exception: the treatment of women. Offering any kind of violence to a Norse woman was considered unmanly. Notice, I specified Norse women. The same consideration was not extended to captive women or women encountered on Viking raids. At home, though, a man or boy simply did not raise his hand to a woman. Even accidentally harming a woman was considered shameful.

Women oversaw the finances of the family and sometimes oversaw the farm as well. As widows, they could become wealthy landowners in their own right. Women could easily divorce their husbands and upon divorce, both the dowry and the bride price became her property.

Interestingly, about the only form of magic that was considered good (as opposed to evil) was prophecy–and prophecy was exclusively the province of women.

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 TheWorldBuildingBlogfest

Day 3 of the World Building Blog Fest hosted by Sharon Bayliss is about Religion, so today I’m going with something a little more fun: mythologies.

The Norse had stories about dragons, like Fafnir. Dragons were cunning and dangerous symbols of greed and ultimate evil. In Norse stories, they were all things that some hero, like Sigurd, had to kill.

But, when the Norse in THE BARD’S GIFT move into the heart of North America, they come up against a new creature that doesn’t quite fit into any of the mythologies they know, though in some ways it resembles the dragons of their legends–the thunderbird.

KotP - Witchita, KS - #10

KotP – Witchita, KS – #10 (Photo credit: wes_unruh)

Thunderbird is a creature of Native American legend. Generally described as a huge rainbow-colored eagle. In the Pacific Northwest, Thunderbird is often depicted carrying off a whale in much the same way that a bald eagle might carry off a salmon.

Thunderbird is strongly associated with storms. Its wing beats gather the clouds and cause the thunder. Opening and closing its eyes or beak create lightning.

In some stories, Thunderbird is solitary. In others, there’s a community of thunderbirds. In the Pacific Northwest, Thunderbird could remove his feathers and bird head like a cloak and take human form.

Thunderbird is also a defender of mankind, but one that’s easy to annoy. Thunderbird must always be approached with utmost respect and caution. So, people who were used to thinking in terms of dragons, might just have a hard time dealing with thunderbirds, instead, don’t you think?

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 TheWorldBuildingBlogfest

 

Today is about Geography (including endemic wildlife) and Climate in the World Building Blog Fest hosted by Sharon Bayliss.

THE BARD’S GIFT is set in the late 14th century primarily in Greenland, Newfoundland (L’Anse aux Meadows) and up the Saint Lawrence River. I would love to be able to actually go to those places (and a few in between), but unfortunately I live on the opposite coast, so that’s just not practical right now. That means I had to do a lot of internet searches and find photographs that could inspire me.

My research did turn up some odd ball things. One of them was the Greenland shark. Yes, such a creature really does exist–and figure in my story. You can’t waste a find like that.

 The Greenland shark

The Greenland shark is the most northerly of its kind and one of the largest–about the same size as a great white shark or up to 21 feet long and weighing over a ton. Parts of polar bears and reindeer have been found in the stomachs of Greenland sharks.

The flesh of the Greenland shark is actually poisonous. To make it edible, it must be either boiled, with several changes of water, or pressed and dried. Traditionally, this pressing was done by placing the gutted shark in a hole dug in gravelly sand. This hole also had to be on a rise, so that the liquids pressed out of the shark would drain away.  Then sand, pebbles, and rocks were piled on top to press the shark meat. It was left this way for up to three months. Then it was dug up, cut into strips, and hung to dry for another four or five months. That’s a really long preparation time.

The cured shark meat, called kaestur hakarl, is still served as part of the midwinter meal in Iceland. It’s said to still have a strong ammonia smell, which causes many people to gag the first time they eat it. First timers are advised to hold their noses because the smell is supposed to be stronger than the taste.

I’m sorry. I don’t eat what can’t get past my nose. And no, I didn’t make my characters eat kaestur hakarl, either. The shark gets away.

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TheWorldBuildingBlogfest

I’ve decided to participate in the World Building Blog Fest hosted by Sharon Bayliss. That means I’ll be posting every day this week with something about the world of THE BARD’S GIFT, my young adult alternate history, so keep checking back for new posts Monday through Friday.

By the way, there’s information about some of the other worlds I’ve built for my writing on the page labeled “Worlds”.

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Due to Christmas baking, sappy Christmas movies that I wouldn’t miss for the world, and, well, Christmas, I haven’t gotten much writing done in almost a week. Okay. Vacation over. It’s time to get back to work.

I still have to finish revisions to my short story that won an Honorable Mention from Writers of the Future a little over a year ago. It’ll need a new title, too, since I mean to give it another chance. This time, I hope to bring it to a much stronger action.

I also have to wrap up a few revisions to the start of MAGE STORM. THE BARD’S GIFT is ready for readers next week and I haven’t heard back yet from my Pitch Wars mentor (I’m first alternate) on FIRE AND EARTH.

That’ll clear the decks for me to start a new story in the new year. It’s looking like it just might be the weird Oz story, since that’s the one my subconscious keeps throwing up ideas for.

And, as incentive for me to get my act together, here’s what I found in my inbox this morning from Amazon:

E-mail from Amazon

E-mail from Amazon

 

That’s my latest story, “Becoming Lioness”, right at the top. *Happy dance.*

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. . . of the best possible kind.

I’ve finished my drafts of THE BARD’S GIFT, ready for readers next month. I’ve got two other projects–FIRE AND EARTH and MAGE STORM–currently out and I’m expecting revision notes back on both. I’ve been revisiting some short stories that have been waiting for a little attention–and I’m getting excited about one. I think I finally see the way to make it better, as opposed to just tweaking it.

But that’s the background. The new year is almost upon us and it’s time to start planning my next project and get ready to plunge back into first draft mode after all this revision stuff. And I have a number of projects to choose from:

  1. It could be a rewrite of my embarassing first novel. Most uncharacteristically, I actually have an outline for this one. There are a couple of decisions I’d still have to make, but I basically know these characters and where the story would be going. (By the way, this is the same world as my short story “Becoming Lioness”.)Becoming Lioness Cover
  2. It could be a shiny new idea I had just a couple of months ago. A twist on “The Wizard of Oz”–if Oz was much more like a magical Jurassic Park than Munchkinland. I wrote a flash story based on this idea, but I’ve got a lot more world-building, not to mention plot development, to do before I’d be ready to start.
  3. It could be a fairy-tale retelling based (loosely) on “Little Furball”.
  4. Or a retelling of an old Welsh tale, Culluch and Olwen.
  5. Or another alternate history that’s been bouncing around in my head for the last month or so. This one could be a series. Maybe even *gasp* epic.

Decisions, decisions.

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Today, I’m joining in Krystal Wade’s Wildest Moments Blogfest celebrating the publication of Wilde’s Meadow, the third of her Darkness Falls trilogy. 

Now, I haven’t exactly led a wild and crazy life. Tame, really, in many ways–especially right now as caregiver for my elderly mother. Still, there have been moments. And those moments seem disproportionately to have happened away from home. Hmm.

When I started thinking about this post, I thought I’d write about a certain cruise to Southeast Alaska I took a number of years ago. No, it wasn’t that kind of cruise. This was on a really little boat, the MV Sea Bird (run by Special Expeditions) and we got off the boat, usually by zodiac and then wading ashore at least once every day.

 

This is an example from that cruise. We had to cross the river on this bridge, which was really only a log. The crew did put the rope up for use to hold onto. Among the things I did on that cruise:

  1. Take a helicopter up to the top of a glacier and walk around on it (miraculously without falling). By the way, there is absolutely no color like the crystaline, aquamarine blue in the depths of a glacier.
  2. Go ashore on Admiralty Island to look for brown bear. We did watch a three-year-old fishing for salmon. That is also the place where I did fall into the river.
  3. Go out in a zodiac among humpback whales.
  4. Go ashore in Juneau on a Saturday night. It gets rowdy in Juneau on Saturday night.

Lots of inspiration there. My current story involves fjords and glaciers. I’ve been in fjords (although we call them inlets on this coast) and I’ve seen and even walked on glaciers.

By the way, the photo at the top of this blog was taken on another cruise with the same company, this time aboard the MV Sea Lion, in Princess Louisa Inlet, British Columbia. That’s someplace the big cruise ships can’t go. Even the Sea Lion, with a draft of less than ten feet, can only cross the sandbar at the mouth of the inlet at high tide. Once we were in, we were there for twelve hours. That place was the inspiration for the world building for my third novel, DREAMER’S ROSE. (Someday, I’m going to go back and rewrite that story.)

That’s what I was going to blog about, but thinking about that reminded me of an earlier trip. This one wasn’t a cruise. It was a trip with the Nature Conservancy to Santa Cruz Island. One day, we boated from Prisoners’ Harbor to Pelican Bay (no not that Pelican Bay), where we climbed a trail up the face of a nearly vertical cliff. Eek. (I have a more than moderate fear of heights, carefully instilled by my mother.)

We spent an interesting morning at Pelican Bay and then had a choice either to boat back to Prisoners’ Harbor (from which it was a short jeep ride or walk back to the ranch, where we were staying) or to walk back. I still can’t say whether I decided to walk back because I really wanted to see more of the island (I did) or because I didn’t want to go back down that cliffside trail. (Down is always harder than up. You’re looking right at where you’re going to fall.)

What I didn’t know at the time was that the “trail” we’d be taking had been created by feral sheep (which had all been removed from the island by that time) and was maintained by feral pigs (which hadn’t). Both four-legged creatures with a low center of gravity and little imagination. There were places on that “trail” that really had my heart pounding. Places where I had to scramble over rocks with nothing to hold onto where a slip would likely have sent me over the cliff into the ocean. Places where I could look straight down and watch the bright orange garibaldi’s (California’s state marine fish) swimming in the rock-strewn cove below.

I don’t think I relaxed once until we got back to the jeeps. And yet, I have seldom been more aware of my surroundings and I saw a side of the island I would never have seen otherwise. I’m glad I did it. (I don’t think I’d do it again, though.)

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My last post was about rereading Lois McMaster Bujold’s A CIVIL AFFAIR to help me work out some of the kinks in the romance part of my paranormal romance BLOOD IS THICKER. I’m still working on BLOOD IS THICKER, though I’m in the last quarter, now and my focus has shifted.

Now I’m working on a little mini-caper plot point. In this case, I haven’t read or re-read anything exactly. I’ve relied more on this episode of Writing Excuses. This caper will only last through a couple of chapters, but hopefully adds a bit of action and suspense to the story leading up to the action surrounding the final resolution.

This is something new for me. I’ve written action scenes before, but never tried anything resembling a caper before. I’m sure that this will need more tweaking in the next draft. That’s okay. It’s good to try new things and stretch yourself a bit.

Meanwhile, I’ve also started the second draft of THE BARD’S GIFT, which is a young adult alternate history. It’s interesting to be working on two such different stories at the same time. We’ll see how that works out, too.

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As I’ve been working through the first round of revisions to BLOOD IS THICKER, I’ve also been rereading parts of A CIVIL CAMPAIGN by Lois McMaster Bujold. Not just because it’s my favorite of the Vorkosigan Saga books, though it is. Also because it’s a good model for how a smart man can blow up his own love life–and then fix it again by realizing his own mistake.

That’s one of the things that happens in BLOOD WILL TELL, although obviously in a very different way, and it didn’t come off quite right in the first draft. It was too flat and a bit stereotypical. So, how to fix it. Well, it never hurts to try to pick up pointers from somebody who handled a similar situation extremely well.

I think I’ve made it better. It still may need some tweaking, but that’s what revisions are for.

BTW, I’ve finally built up some momentum in this one. I’ve passed the half-way point in this revision. Yay!

That’s good, because I’m very soon going to have three revision projects going at once:

  1. The ongoing revisions to MAGE STORM as critiques come in.
  2. BLOOD IS THICKER
  3. And the start of the first round of revisions to THE BARD’S GIFT.

And that doesn’t count three (soon to be four) short stories that need some attention.

Well, at least I know I won’t get stuck. I’ll always be able to switch to something else if I do.

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Well, I got an inspiration and went an entirely different way with the new cover for BLOOD WILL TELL. I’m not sorry. Without further ado, here’s the new cover:

I love it!  I finally broke down and ditched my everything-for-free ideals. I bought the right to use the background image quite reasonably on www.Dreamstime.com. This image, with the sapphire blue night sky and the full moon just limning the clouds just screams magic to me. I had to do a little work to get a dragon image I could add to it. (For some reason, the original photo didn’t have a dragon flying across the moon.)

For the record, it’s very easy to change covers on Smashwords, Amazon, and Barnes and Noble PubIt. You do have to remember to resubmit through their approval processes, though. Goodreads is a whole other issue I won’t go into right now. Just don’t upload your book to Goodreads if you think you’re going to want to change the cover.

I’ve also updated the trailer to include the new cover. Now I have to go find all the places where I uploaded the old one and replace it.

So, having made a cover I’m much happier with, watch this space for a new cover for “Heart of Oak”, too. I’ve got my eye on an image that’s so perfect it’s uncanny. The current cover for “Heart of Oak” isn’t hateful, but it’s not great either. The main problem with it is that it doesn’t read at all well in gray scale–like, you know, a whole lot of black and white e-readers out there would show it.

 

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