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As I work through the second draft of THE BARD’S GIFT (now about 75% complete), I’m starting to think more and more about my side characters. Minor characters can add depth, conflict, and realism to a story. After all, would HARRY POTTER be as good without the Weasley twins or Luna Lovegood? Or LORD OF THE RINGS without Faramir and Eowyn?

My first drafts tend to be very protagonist-centric. Minor characters and even the antagonists tend to be underdeveloped in the first draft. That’s not a problem–as long as I realize it and fix it.

Through the second draft, part of what I’ve been doing is strengthening the antagonists. I’m not nearly done with that. There’ll be more to do in the third and maybe even in the fourth draft.

There are other minor characters, too, though. And they all have to be real, three-dimensional characters in the final draft. That’s one of the main things I have to work on in later drafts.

In particular, I’ve got my eye on a very minor character. Well, she was minor in the first draft. A friend of Astrid, my main character, who isn’t always on her side. She’s a friend, but she has her own issues and goals, too. And her own ideas of what is in Astrid’s best interest. This is good. It makes her more real. It’s also a potential (and currently untapped) source of conflict in the story. Next draft, Gerda is getting a lot bigger role.

Who are some of your favorite side characters?

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Today, I’m joining in Krystal Wade’s Wildest Moments Blogfest celebrating the publication of Wilde’s Meadow, the third of her Darkness Falls trilogy. 

Now, I haven’t exactly led a wild and crazy life. Tame, really, in many ways–especially right now as caregiver for my elderly mother. Still, there have been moments. And those moments seem disproportionately to have happened away from home. Hmm.

When I started thinking about this post, I thought I’d write about a certain cruise to Southeast Alaska I took a number of years ago. No, it wasn’t that kind of cruise. This was on a really little boat, the MV Sea Bird (run by Special Expeditions) and we got off the boat, usually by zodiac and then wading ashore at least once every day.

 

This is an example from that cruise. We had to cross the river on this bridge, which was really only a log. The crew did put the rope up for use to hold onto. Among the things I did on that cruise:

  1. Take a helicopter up to the top of a glacier and walk around on it (miraculously without falling). By the way, there is absolutely no color like the crystaline, aquamarine blue in the depths of a glacier.
  2. Go ashore on Admiralty Island to look for brown bear. We did watch a three-year-old fishing for salmon. That is also the place where I did fall into the river.
  3. Go out in a zodiac among humpback whales.
  4. Go ashore in Juneau on a Saturday night. It gets rowdy in Juneau on Saturday night.

Lots of inspiration there. My current story involves fjords and glaciers. I’ve been in fjords (although we call them inlets on this coast) and I’ve seen and even walked on glaciers.

By the way, the photo at the top of this blog was taken on another cruise with the same company, this time aboard the MV Sea Lion, in Princess Louisa Inlet, British Columbia. That’s someplace the big cruise ships can’t go. Even the Sea Lion, with a draft of less than ten feet, can only cross the sandbar at the mouth of the inlet at high tide. Once we were in, we were there for twelve hours. That place was the inspiration for the world building for my third novel, DREAMER’S ROSE. (Someday, I’m going to go back and rewrite that story.)

That’s what I was going to blog about, but thinking about that reminded me of an earlier trip. This one wasn’t a cruise. It was a trip with the Nature Conservancy to Santa Cruz Island. One day, we boated from Prisoners’ Harbor to Pelican Bay (no not that Pelican Bay), where we climbed a trail up the face of a nearly vertical cliff. Eek. (I have a more than moderate fear of heights, carefully instilled by my mother.)

We spent an interesting morning at Pelican Bay and then had a choice either to boat back to Prisoners’ Harbor (from which it was a short jeep ride or walk back to the ranch, where we were staying) or to walk back. I still can’t say whether I decided to walk back because I really wanted to see more of the island (I did) or because I didn’t want to go back down that cliffside trail. (Down is always harder than up. You’re looking right at where you’re going to fall.)

What I didn’t know at the time was that the “trail” we’d be taking had been created by feral sheep (which had all been removed from the island by that time) and was maintained by feral pigs (which hadn’t). Both four-legged creatures with a low center of gravity and little imagination. There were places on that “trail” that really had my heart pounding. Places where I had to scramble over rocks with nothing to hold onto where a slip would likely have sent me over the cliff into the ocean. Places where I could look straight down and watch the bright orange garibaldi’s (California’s state marine fish) swimming in the rock-strewn cove below.

I don’t think I relaxed once until we got back to the jeeps. And yet, I have seldom been more aware of my surroundings and I saw a side of the island I would never have seen otherwise. I’m glad I did it. (I don’t think I’d do it again, though.)

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Just a quick progress report today.

I’m trying to finish up the second draft of BLOOD IS THICKER, now about 98% complete. It’s that last two percent, which is actually turning into a new chapter, that’s taking the time.

Then I want to concentrate on finishing the second draft of THE BARD’S GIFT, now about 40% complete. I’ve got this scheduled for first readers in January and it’ll need at least a couple more passes after I finish the second draft before it’s ready for them.

This month, I also want to get to revisions on at least one of the three shorter works that need some revision, specifically my novelette, “Becoming Lioness”, which I want to e-publish in December.

Meanwhile, I’m still querying FIRE AND EARTH.

I also need to dedicate some time to figuring out marketing. I want to do a lot better job with “Becoming Lioness”. That’ll require some preparation and coordination this time around.

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There is so much to say about reviews.

In my continuing quest to figure out this marketing thing, I’ve come to almost a full stop at reviews. They make a huge difference to people actually buying books these days, especially self-published e-books. This, I think, is the next nut I’m going to have to crack. I’m going to have to actually try to get some reviews from independent book bloggers, etc. Eek! Why is that almost as scary as the first time I submitted a query to an agent?

Reviews are so important that some authors have even resorted to paying review mills to put up good reviews of their works. Once again, I’ve lost the link, but this was a big deal on the web–at least among writers–a couple of weeks ago.

The reaction to that is another story I saw in the last few days that Amazon is now deleting reviews by authors of other authors work. That’s unfortunate on so many levels. There’s a long-standing tradition of authors writing blurbs for others’ novels in traditional publishing. Why should it be any different for e-books? 

I’m not even going to mention the trolls who seem to enjoy writing bad reviews just because they can. This new Amazon policy does nothing to address that. How about, instead, blocking people who only seem to write either disproportionately positive or negative reviews? I’m pretty sure their database could handle that.

But that’s only part of what I want to say about reviews today. Some author–and I’m sorry that I’ve lost the link–proposed an alternative to NaNoWrMo this month. Instead of trying to write a novel in a month, help fellow authors out by writing a review for a book every day in November. What a great idea!

I’m not taking part in this mainly for two reasons:

  1. Lately, it’s taking me a lot longer to finish books because I just don’t have the time to devote to reading. I love to read. But sometimes it comes down to reading or writing. I can’t always do both.
  2. Frankly, and unfortunately, I just haven’t loved most of the debut novels I’ve read this year. Not that the only novels worth reviewing are debut novels, but that’s where the reviews probably make the most difference. For the record, the big exception for me this year is SERAPHINA by Rachel Hartman. That one I loved. And I wrote a review saying that I loved it on Goodreads.  (As a matter of principle, I’m not going to tell you the ones I didn’t.)

If you want to help an author–and you really did like their work–write a review somewhere that will be seen.

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November is National Novel Writing Month, aka NaNoWriMo for short or sometimes just NaNo. Thousands of people commit to write 50,000 words in a month or an average of 1667 words a day. They virtually disappear from any other writing communities for the duration. November is a very slow month on most writers’ forums.

I have never done NaNoWriM0–and no, I’m not doing it this year either. I don’t feel I need to. I proved to myself a few years ago that I can, in fact, write a novel in that space of time if the story is ripe and ready to be written. BLOOD WILL TELL was actually the first novel that was like that for me. It’s a heady feeling when a story comes together that way and writing it feels like opening a spigot and just letting it flow out onto the page (or the screen). But the truth is not all novels flow like that. And, even when they do, when a story is ready to just pour out, you have to write it while it’s hot or risk losing it (been there, done that, too). Somehow, those times when the story is just ripe for the picking never seem to happen in November for me.

In any case, I’m pretty firmly stuck in revisionville this November. I’m working on the second drafts of both BLOOD IS THICKER (about 90% done) and THE BARD’S GIFT (about 33% done). I also have three short stories that need revisions–“Becoming Lioness”, “The Seeker”, and one I can’t tell you the title of because, if I ever get back to it and find a better ending, it may be my next Writers of the Future entry. That one could use some polish but what it really needs is a good ending that doesn’t feel like it just sort of fades off into the sunset.

I expect to go back to writing a first draft at the beginning of next year. I’ve got a few stories brewing in the back of my head to choose from. Will it be the story I already have outlined (and I never do outlines)? Or the shiny new idea that twists all kinds of fantasy staples around and sets them on their heads? Or the fairy-tale retelling? I’ll have to wait and see what’s calling to me when I get there.

So, to all my writer friends out there who are doing NaNo: good luck. And I look forward to hearing from you and reading some of your novels on the other side.

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I guess it really should be a scary story, but, well, I just don’t write those. As a Halloween treat, here’s a scene from Chapter 5 of BLOOD WILL TELL, which at least features a werewolf.

Set up:

Chimeria is the very real world from which all of our mythical creatures originally came, connected to this world by portals. To Chimerians, we live “on the other side” of the portals. Valeriah is half-werewolf and when this scene starts she’s not in a good mood, having just quarreled with her cousin, Cristel:

 Valeriah sat in the corner of the common room, where she could watch the other patrons. It was habit after so many years in the Watch.

The common room was the usual mishmash of styles for Chimeria. Some, mostly the younger members of the crowd, affected what they believed was in style on the other side. Of course, the combinations were often as not way off, like the kid mixing a Goth long black coat with oversized cargo shorts and a crisp, button-down dress shirt. Valeriah’s jeans and T-shirt weren’t at all out of place. Some stuck to the traditional Chimerian clothing–ankle-length gowns for the women and tunic and trousers for the men. Some of those, like Cristel, wore clothes of traditional cut, but made of the easy-care and more comfortable poly-blend fabrics and knits from the other side. And then there were those wearing an eccentric mixture of the two, like the barman, wearing jeans and a traditional tunic.

Valeriah watched Cristel, sitting alone at a table near the middle of the room, delicately eating her salad and vegetables. Half the men in the room were watching her, too. Well, word would have spread that she was the heiress to their grandfather’s magical collection.

If Cristel wasn’t careful, one of those men would turn her head and then take everything, like that too-handsome blond fellow who had just invited himself to the table, sitting down opposite Cristel. Well, it would serve her right.

Human, by the look of him. At least he didn’t show any sign of belonging to any of the other races. Possible, she supposed, that he was a hybrid like Cristel and herself. But a human might well have aspirations to become a wizard and a collection like Grandfather’s would be the quickest and easiest way to accomplish that.

Valeriah’s view was obscured by a large expanse of dark green. She looked up to see a bearded man standing at her table, grinning down at her.

“Want some company?” he asked.

“No, thank you.”

“Come on. A pretty little girl like you doesn’t want to be alone on a dark night. We could–”

“I said no. Now shove off before I get angry. You wouldn’t like me when I’m angry.” She had gotten the line from a campy TV show on the other side, but she liked it.

“Now, you don’t mean that–”

“Look, I’ve had a bad day and I would really love something to beat up right now. So, unless you’re volunteering, I suggest you move on.”

The man blinked, but didn’t move.

Valeriah smiled wickedly and started to stand. Some men just couldn’t be gotten rid of the easy way. Right now, she wouldn’t mind a good fight at all. The relative quiet of the inn’s common room was shattered by a scream. That sounded like Cristel.

Valeriah vaulted over the table, shoving the man out of her way. She heard the clatter as he fell into the neighboring table. She paid no attention as she focused on the scene in front of her. Cristel sat on the floor where she had apparently been pushed. The blond man who had been sitting with her stood in front of what had been Cristel’s chair with a knife protruding from his shoulder. Another man–Valeriah caught a glimpse of a dark green tunic–was bolting out the door.

Valeriah hesitated. Cristel seemed to be fine, for the moment. And the fury that had been simmering in her gut all day had finally found an outlet. If she could catch the man who threw that knife, she’d have someone to beat her fury out on at last.

She surrendered to her werewolf instincts and gave chase, drawing her belt knife as she ran. She was faster than most men. She would catch him soon enough. As she pelted after the fleeing man, she saw him turn a corner around the stables. She smiled. That was a blind alley and she was close behind. This chase was almost over.

Then she turned the corner and stopped in amazement. Nothing. There was no one there. The alley was empty. She scanned the area for an escape route. No doors and all of the windows were too high. Even she would have difficulty making that leap. It was impossible.

She sucked in a long breath. It was impossible unless, of course, someone had the ability to open a portal. Just like the portal that had been used to kill her family. She had been searching for this for the last eight years. Valeriah looked carefully, trying to spot the telltale shimmer. Nothing. She walked the length and perimeter of the alley. If there had been a portal there, it was gone now.

She shook her head. This hunt was over. She’d better get back to Cristel.

 Want to read more?

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I’m still working on the second draft of the sequel, BLOOD IS THICKER.

 

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Ack! I really generally dislike prologues–both as a reader and as a writer. Besides that, I’ve heard often enough that agents hate them, too. But even I have to admit that sometimes they’re necessary. Unfortunately, it looks like THE BARD’S GIFT is one of those times.

You see, there’s a speculative element in TBG that will be somewhat important to the ultimate resolution of the story. And that element–a particular creature–doesn’t turn up as early as I’d originally hoped. Not until about three-quarters of the way, through, in fact.

In my opinion, any unexpected element that will affect the ending needs to be introduced at latest before the half-way point. Otherwise, you risk the ending feeling like Deus ex Machina–something the characters haven’t really earned. That’s just not satisfying for the readers, generally.

But there just isn’t any way to introduce this creature/character much sooner because my POV characters don’t get into his territory before that. My solution, at least so far, is a prologue–just a short scene involving this character that hopefully also raises some tension, but mainly lets the reader know that he exists.

Sometimes, you just gotta do what you gotta do.

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My last post was about rereading Lois McMaster Bujold’s A CIVIL AFFAIR to help me work out some of the kinks in the romance part of my paranormal romance BLOOD IS THICKER. I’m still working on BLOOD IS THICKER, though I’m in the last quarter, now and my focus has shifted.

Now I’m working on a little mini-caper plot point. In this case, I haven’t read or re-read anything exactly. I’ve relied more on this episode of Writing Excuses. This caper will only last through a couple of chapters, but hopefully adds a bit of action and suspense to the story leading up to the action surrounding the final resolution.

This is something new for me. I’ve written action scenes before, but never tried anything resembling a caper before. I’m sure that this will need more tweaking in the next draft. That’s okay. It’s good to try new things and stretch yourself a bit.

Meanwhile, I’ve also started the second draft of THE BARD’S GIFT, which is a young adult alternate history. It’s interesting to be working on two such different stories at the same time. We’ll see how that works out, too.

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As I’ve been working through the first round of revisions to BLOOD IS THICKER, I’ve also been rereading parts of A CIVIL CAMPAIGN by Lois McMaster Bujold. Not just because it’s my favorite of the Vorkosigan Saga books, though it is. Also because it’s a good model for how a smart man can blow up his own love life–and then fix it again by realizing his own mistake.

That’s one of the things that happens in BLOOD WILL TELL, although obviously in a very different way, and it didn’t come off quite right in the first draft. It was too flat and a bit stereotypical. So, how to fix it. Well, it never hurts to try to pick up pointers from somebody who handled a similar situation extremely well.

I think I’ve made it better. It still may need some tweaking, but that’s what revisions are for.

BTW, I’ve finally built up some momentum in this one. I’ve passed the half-way point in this revision. Yay!

That’s good, because I’m very soon going to have three revision projects going at once:

  1. The ongoing revisions to MAGE STORM as critiques come in.
  2. BLOOD IS THICKER
  3. And the start of the first round of revisions to THE BARD’S GIFT.

And that doesn’t count three (soon to be four) short stories that need some attention.

Well, at least I know I won’t get stuck. I’ll always be able to switch to something else if I do.

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Well, by now I’d hoped to have e-published BLOOD IS THICKER, which is the sequel to BLOOD WILL TELL. That’s not going to happen until sometime early next year.

Partly that’s because I didn’t get to it as soon as I hoped, because the first draft of THE BARD’S GIFT took longer than expected. Partly it’s because the first draft of BLOOD IS THICKER is just very, very rough. It’s going to need a lot of work and I won’t release it until I’m happy with it, bottom line.

On a brighter note, I’m making better progress now that I’ve decided this first revision pass is going to be strictly to fix plot issues. That decision has freed me up to work a lot more smoothly and not get hung up on things that are basically cosmetics. Not that those craft issues aren’t important; far from it. It’s just that I can’t do everything at once on this one and that was keeping me from making any progress at all. Once the story is right, the cosmetic and mechanical issues will be so much easier to fix.

I have given a little thought to the eventual cover for this one in my spare time. Even looked at a few images. Having found that gorgeous magicl night sky for the background for the cover of BLOOD WILL TELL, I think the next two will also feature other kinds of magical skies–and that’s all I’m going to say about that for now. You’ll have to wait for the cover reveal.

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